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What is the finale of Red Sorghum?
The finale of the TV series Red Sorghum is: Jiu-Er decided to distract the devils by himself, and let Junjie and them leave with Yu Zhanao. Jiu-Er confessed to Dou Guan, and when he grew up, he followed Zhan Ao to fight the devils and confessed to Dou Guan. Jiu-Er sang a song to distract the devils by himself. Junjie heard Jiu-Er's song, knew Jiu-Er's intention, and left with the team.

Jiu-Er led the devil to the place where she hid three miles red, led him to drink and set himself on fire, and died heroically with the devil. When Yu Zhanao heard the explosion, he woke up and knew that it was Jiu-Er, so he asked the bean officer to send Jiu-Er well, and everyone moved on.

One of the highlights of TV series Red Sorghum: a strong production team

With a good foundation of works and stories, directors and screenwriters play an important role in connecting and catalyzing in order to present them perfectly in the form of images. The TV series "Red Sorghum" was created by the original crew led by Empresses in the Palace director Zheng Xiaolong.

Even if the general audience is only familiar with the actors but not the behind-the-scenes production, they should know Zheng Xiaolong's name, because the famous classic TV dramas such as Desire, Story of Editorial Department and Empresses in the Palace were all written by him. With a good director, a work is half the battle.

Moreover, Zheng Xiaolong doesn't take credit for being conceited and seniority, and every work is taken seriously. Before taking over this play, Zheng Xiaolong realized the difficulty of creating this play, which is very hot in terms of creation, production team and actors. Empresses in the Palace let people see the director Zheng Xiaolong's skill in portraying female characters. In this TV series "Red Sorghum", the fate of the heroine "Jiu-Er" has become the main story, and how to present a woman's strong legendary life is also crucial.

In the adaptation of the script of Red Sorghum, Zhao Dongling, a native of Shandong, focused on depicting the coexistence of fertility and desolation on the land of Shandong, restoring the vitality of the original, praising the freedom and stretch of human nature, and paying more attention to the compactness of the story and the three-dimensional sense of the characters.

Compared with films that focus on light and shadow art, TV dramas pay more attention to telling stories and developing other aspects of the original novels. On the basis of maintaining the original main line, the TV series version has added several important roles throughout the whole drama, and the relationship between them is more complicated.