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What's the difference between Tang and Song architectural styles?
Architectural style of Tang dynasty

The wooden structure building has solved a large area and a large number of technical problems and has been finalized. Linde Hall of Daming Palace, covering an area of 5,000 square meters, is arranged with columns and grids, with width 1 1 and depth 17. Stereotype reflects the progress of construction management level, accelerates the construction speed and promotes the architectural design.

The style of Tang-style ancient buildings is magnificent, neat and lively. Architecture has developed to a mature stage, forming a complete architectural system. It is large in scale, magnificent, handsome in shape, solemn and generous, neat but not rigid, gorgeous but not slim, stretched without publicity, simple but full of vitality, which is the perfect embodiment of the spirit of the times at that time.

In the Tang Dynasty, the column base was low and flat, the column body was short, the lifting and folding were slow, the bucket arch was large, the eaves of the building were far-reaching, and the overall shape was large.

Part-time job style in Song Dynasty

In terms of architectural combination, the spatial level in the depth direction is strengthened on the general plane to set off the main building. Zhengding's longxing temple and the stone carving's map of Houtu Temple show this point. During this period, there have been many new changes in architectural art, from group combination to individual architecture. Groups not only deepen, but also pay attention to the treatment of dominant space and the combination of architecture and environment. The single building has a variety of plane forms, the roof combination is patchwork and the three-dimensional outline is rich and colorful. At the same time, with various types of colored paintings, various carving techniques and various shapes of door and window decoration, * * * has formed a soft and beautiful architectural style.

Characteristics of Song-style ancient buildings: From Sui and Tang Dynasties to Song and Yuan Dynasties, China's ancient buildings reached their peak, and there was a qualitative leap in terms of building scale, building types and architectural decoration. The whole roof has an obvious downward bay curve, and the eaves at the end of the roof ridge are relatively upturned.

In the Song Dynasty, the pillars were heightened, the lifting became steep, the bucket arches were relatively reduced, the patching increased, the roof combination was diversified, the decoration was colorful, the sculpture was exquisite, and the building was beautiful and exquisite.

The cornices reflected in the four corners are inclined, or ready to fly, or ready to float, so that the heavy feeling of buildings (including towers and buildings) looks relaxed and the solidification looks very dynamic. If "atmosphere" comes from reason, then "anger" comes from emotion. The stronger the feelings, the stronger the artistry. The artistry of traditional architectural modeling in China is unmatched by any other nation. The artistry of western traditional architecture lies not in the building itself, but in the sculpture or painting attached to it-decorative art, which can not bring vitality to the building itself.

Reflected on the gate, big window, big entrance and big eaves, it gives people a feeling of stretching. The semi-enclosed space formed under the roof of the big house can not only keep out the sun and rain, but also has a wide field of vision and leads directly to nature. This kind of atmosphere fully embodies the idea of "harmony between man and nature" in China traditional architecture.

Reflected in the use of glass materials. It has a long life, bright colors, dazzling in the sun and gorgeous in various environments. Its high cost symbolizes wealth and status.