"Shake the river wind, Xiao Sa sea tree autumn. On the beautiful night, hang the seat and move the boat. " The river wind is fluttering and the sea trees are rustling. It is clear autumn. The poet boarded the boat, raised the sail pad and moved gently on the river. The moon is high in the air, and the sky is high and the clouds are light. What a beautiful moonlit night! Cao Zhi's "Poems of Public Banquet" says: "You can fly to the West Garden in the clear night." "Clear Night" is not only a pleasant night, but also a night suitable for entertainment. Xie Lingyun's "Swim Chishi into the Sailing Sea" says: "Set sail for quarrying, and hang seats to meet the bright moon in the sea." Contact Xie Shi, how poetic the "hanging chair" of this poem is. "The moon turns with Bishan, and the water moistens the blue sky." When the ship is sailing, the moon seems to follow the ship; The boat turns with the blue mountains, and the moon seems to turn with the blue mountains, which means "the moon goes with people" (Drinking asking for the moon). There is prosperity, so I feel that the bright moon is always considerate everywhere and always looks for relatives everywhere; The moonlight is empty, the water surface is open, and it feels that water and sky are connected, and water and sky are connected. The "blue" of the mountain and the "green" of the sky show the brightness of the moonlight. In poetry, the poet's interest is not clear, but the interest is self-evident. "It's like the Milky Way, but it's quiet in the clouds." The water is clear and empty, and the reflection of the Milky Way is in a trance, as if it had passed away and was sailing on the foggy Milky Way. The poem "Mirror Lake" by King Xizhi of Jin said: "Walking on the shady road is like sitting in a mirror." Chen Shihui in the Southern Dynasties has the poem "Yong Shui" as evidence: "A boat is like a pot in the air, and a man is like a trip in the mirror." Li Bai's "Journey to Qingxi" also said: "In the mirror of pedestrians, in the screen of birds." Everyone compares the purest water to a mirror with a metaphor; This poem implies that the Qingjiang River is like a mirror, because all the stars and rivers in the sky are reflected in the water, saying that it is more magical and interesting for boats to sail between the Milky Way. Because of the feeling of the stars in the sky, Yunlin is like something in the sky, especially quiet.

The six sentences above "the secluded place in Yunlin" describe "You Jiang on a moonlit night". The transition between "returning to the road is boundless and going to Sichuan for a long time" It is said that the clear night is beautiful, the boat is light, the moon is accompanied, the mountains are green and the sky is green, which shows the poet's pleasant mood. However, looking back on the road, we will return to Shandong, while looking forward, we will see the long river and a faint sadness will rise in our hearts. "Vastness" and "leisure" are still the immediate scenes, but the author's emotion has quietly injected into the scene. Then, it leads to "sadness", listening to music, worrying, cherishing the Sect, increasing anxiety, keeping the mood straight, using the pen naturally, and not revealing the gap. Grass break responds to the autumn of the sea tree; "Cao Hui" is a kind of vanilla, which is often used as a metaphor for saints in Songs of the South. "Only sorrow for grass" means that beauty is invisible. Autumn is pregnant and sad. At this time, it was another Song Ling night, and Lianwa sang cheerful songs leisurely, which virtually increased the poet's sadness. "The shore is fascinated by Houpu, and Shaming has a bird's eye view of Qianzhou." Two more words about scenery. The river bank twists and turns, and Houpu is hard to find; The sand head is bright and the mainland ahead is clearly visible. Houpu and Qianzhou should go home and Luanchuan. Going home is sad, I don't know when I can get together with my friends again; The river is gurgling, and the dead are like this. I wonder how many more there will be in the future. The scene of traveling hand in hand in the past seems to be reflected in front of my eyes. "Remembering Cui Zongzhi's trip to South Asia, Remembering my Confucius Fu Qin" has a description of "remembering Cui Zongzhi, making trouble with white water". It can be seen that they have traveled under the moon, and the bright moon is still in sight, but they can't get together in a different place, which makes people sad. "Huai army can't see it, and it will increase your worries if you look far away." Originally, I was looking forward to seeing your face, but you were "far away" and could not reach it. If you can't reach it, you will increase your sadness. To sum up, it falls on the topic of "sending Cui".

Moonlight, river wind hunting. On such a beautiful night, the poet climbed the Lijiang River and felt at ease. Facing Jiang Fengmingyue, I unconsciously miss my friend Cui Zongzhi. Zong Zhi, like himself, has a proud and charming personality with white eyes. Like himself, he can "write poems in the north window" and "let me have three hundred bowls and a long drink!" Like himself. Without this good friend, he can't help but increase his worries. In the first half of the painting, the scenery is elegant and picturesque, and there is no worry at first. The words "going back to the road" and "crossing the river" touched the scene, and the mood turned sharply. Or they write grass on the front, or they listen to Ling Ge's complaints on the opposite side. The more they wrote, the more sad they became, the more they felt, and finally expressed their deep affection for Zongzhi. Use a pen like flowing water. You can do it when you're doing it, and it stops when you stop.