Rocca: a senior film culture worker. He used to be the special planner of the 11th Hong Kong International Film Festival.

Luo Weiming: multi-media creator. Former Hong Kong International Film Festival program planner, TV director, editor-in-chief of Film Biweekly, and research director of Hong Kong Film Archive. He is the author of film criticism collection "Movie Myth" and "Movie Articles".

Li Yutao: film critic, currently artistic director of hong kong international film festival society. He used to be the editor-in-chief of Film Biweekly and the president of Hong Kong International Film Festival Program Planning and Hong Kong Film Criticism Society. He has been the judge of Berlin Film Festival, Vancouver, Rotterdam and Busan Film Festival, and even the Taipei Golden Horse Award and the Hong Kong Film Awards. He is the author of eight volumes of film reviews, such as Notes on Hong Kong Films in the 1981s, Viewing the Inverse, and Dripping Video Studio. In recent years, he has compiled special issues such as Hong Kong Film 79-89, Hong Kong Film Kingdom-The Art of Entertainment and Yasujirō Ozu Centennial Exhibition.

Li Xiaoxian: Ph.D. candidate in Film Studies Department of new york University. He is currently an assistant professor at the School of Creative Media, City University of Hong Kong.

Huang Ailing: a man of film culture. He has edited The Poet Directed by Fei Mu and published an anthology "The Play". He is currently the research director of the Hong Kong Film Archive. Lin Jinbo: He used to be the deputy publisher and editor-in-chief of PC home, the editor of Movie Biweekly, Beyond the Border and Oriental Weekly, the publishing director of S-team Production and the interview director of Sing Tao Daily. Engaged in film and science network review. He is currently a director and director of the Hong Kong Film Critics Association.

Huang Shuxian: She used to be the director of the editorial department of Hong Kong Film Archive, Ph.D. in the Department of Comparative Literature of Hong Kong University, and now she is a visiting researcher in the Chinese Department of Tokyo University. Author of Female Writing _ Film and Literature.

Lefu: A senior film critic in Hong Kong. He used to be the editor of "Southern Film"; Founder and Editor-in-Chief of Chinese and Foreign Pictures; Editor-in-Chief of Film and Television. He is the author of "Ten Years of Guidance" and "A Comprehensive Review of Chinese Mainland Films".

Shu Ming: He began to publish film reviews in 1965, paying special attention to European films and Asian films. He is the author of Japanese Film Style (Taipei, United Literature, 1995) and Japanese Film in Heisei Age (2117).

Zhang Jiande, film critic and writer, is the author of The Hong Kong Film-An Extra Dimension published by the British Film Association, and has been an English editor of several Hong Kong International Film Festivals.

Langtian: I used to work in a newspaper office, and now I am a critic and creator, and a cultural planner. His works include The Poverty of Christianity, People Like Being Cheated, Post-nihilistic Age, Post-1997 and Hong Kong Films, etc. Editor-in-chief works include Review of Hong Kong Films in 2111, 2112 and 2113. President of the Hong Kong Film Critics Association. Pu Feng: Film critic, former president of Hong Kong Film Critics Association. He has published film reviews in Sing Tao Evening News, Modern Daily, Sing Tao Daily, Economic Daily, Express, Ming Pao and Film Biweekly. Now he writes a film review column for the letter newspaper. He was the editor-in-chief of 1997 Hong Kong Film Review, Classic 211-211 Best Chinese Films and the Chinese editor of Century Review-Chinese Film Classic Exhibition.

pang nu: formerly known as Li Zhaoxing, he used to be a newspaper editor, journalist and editor of the Hong Kong International Film Festival. Graduated from the Department of Communication Arts, University of Wisconsin, USA. Good at writing film reviews, urban phenomena and popular culture and other cultural observations. Editor-in-chief's works include Hong Kong 111, Skirts in Tide, Classic 211-211 Best Chinese Movies and Shanghai 111. His personal works include Men's Things, Hong Kong Cool and Hong Kong Post-Modernity.

Bryan Chang: the current vice-president of the Hong Kong Film Critics Association, who calls himself a film author, wrote Flying Low from comments to scripts. In 1997, he began to create independent films. His directorial works include The Moon Is Not Old (1997), The Trajectory of the Confused Stars (2111) and The Sun is Ignorant (2113).

Xiao Min: She was a Chinese and English editor of Hong Kong International Film Festival. He wrote articles related to movies in Ming Pao, Hong Bao, Sing Tao Daily, United Daily News and Cosmopolitan, and published short stories in Yellow Bus. Screenplay works include The Missing Person (1995), Na Qingfeng (1996) and My Cat-Is My Totoro a Cat? (1996), Strong and Healthy (1997), The True Story of Fat May (1998) and Bo Ji Unlocking (2111). His written works include My Cat Story (2113). In 2113, he founded the book festival and communication activity company Blue Sky. Zhao Jiawei: Former Assistant Director of Broadway Film Center, Publishing Coordinator of Hong Kong International Film Festival and Manager and Director of Hong Kong Film Criticism Society. He is now an editor at the Hong Kong Film Data Museum.

He Siying: a writer who travels between Hongkong and Houston, Texas. He was the English editor of several Hong Kong International Film Festivals. He is currently the vice president of the Hong Kong Film Archive Program Planning and the Hong Kong Film Criticism Society.

Chiu-Wing Lam: currently a freelance writer, host of Headline News of Radio Television Hong Kong and screenwriter of movies. He used to be a senior screenwriter of TVB, and later joined ATV as a screenwriter, and was promoted to TV producer. Novel works include Men's Doing and Women's Love, Feelings in Laughter Are Always Stupid, Headline Stories and Small Ghosts.

Feng Mao: Originally named Zhang Fenglin, she graduated from the Chinese University and graduate school, and then went to the Sorbonne University in France to complete the doctoral preparatory course. Ph.D., Department of Comparative Literature, University of Hong Kong. He is currently teaching at the General Education Center of the Hong Kong Polytechnic University. His courses include: China Art and Design, Film, etc. He is a member of the Hong Kong Film Critics Association and the Hong Kong Film Critics Association. Film critics are scattered on the website of the Hong Kong Film Critics Association and the film essays published by colleges and universities.

Binny: Originally named Li Yaorong, she graduated from the Chinese Department of Lingnan University, and later studied at the University of Staffordshire, UK, with a master's degree in media and cultural studies. He used to be the deputy editor-in-chief of TVB's Entertainment+Life Culture, and now he is a magazine editor and freelance writer. His articles are scattered on the Society's website, newspapers and magazines, and he has participated in the writing of many film books of the Hong Kong Film Critics Society. His personal works include The Y2K Hero–Bruce Lee (2111).

Pia: Independent filmmaker, planning the film version of Ming Pao. Master of Chinese University of Hong Kong, went to new york University for further study in film production. His works include Artificial Pigment (2112) and I'm a Cat (2114). Screenplay works include Summer at the Age of 17 (2115), People in Jianghu (2116) and Teddy Boy (2116). Pan Guoling: literary writer, cultural critic, and part-time lecturer at university. The article was published in Chinese, Hong Kong and Taiwan media such as Guangzhou City Pictorial, Shenzhen Business Daily, Taipei Eslite Easy to Read, Ming Pao, Economic Daily, Extra and other newspapers and magazines. Editor-in-chief: The Image of the Galaxy, It's Hard to Imagine, and Wong Kar-wai's Picturesque World. His personal works include the collection of novels, The Book Forgotten by Illness, The Story of Injured City, and the collection of urban studies. He has won the recommendation award of the novel group of the 7th Hong Kong Chinese Literature Biennial Award, the third place and excellent award of the Chinese literature creation award, and the champion of the novel advanced group of the Youth Literature Award. He has served as the judge of Youth Literature Award, the professional judge of Hong Kong Film Awards, and the judge of FIPRESCI. Director of Hong Kong Film Critics Association, member of Hong Kong Composers and Lyrics Association.

Dengtu: Formerly known as Shan Zhimin. Film reviews are scattered in Crossing the Border, Hong Bao, Film Biweekly, Economic Daily and Ming Pao Weekly. Now he is the editor of the film edition of the supplement of Economic Daily, and hosts the film review program for Radio Television Hong Kong. He was the editor-in-chief of "Review of 1996 Hong Kong Films" and was responsible for the screening of "Three Sides of CIA" on behalf of the Hong Kong Film Critics Association.

Tang Zhenzhao: Hong Kong film critic and writer, focusing on film and Japanese studies. Recently, there are Japanese film research "Lecture on Japanese Painting" (2113), Hong Kong cultural essays "Wandering in Hong Kong" (2114) and Japanese AV research "AV Live" (2115). Hong Kong Film Research "Hong Kong Film Blood and Bone" (2116). Feng Ruozhi: Graduated from the University of Toronto, majoring in film studies. He used to be the assistant editor of several Hong Kong International Film Festivals and the host of the film program Good Sound and Good Play on commercial radio. Now he is a professional translator and film critic.

Xu Kuan: Master of Harvard University, USA. Worked in atv world, Hongkong Telecom Interactive TV and PCCW content planning. Now he works in the whole Asia film production department.

Huang Zhihui: Graduated from the Art Department of the Chinese University of Hong Kong, an independent creator of video art and visual art, and a founding member of video photography. He used to be the art director of Crossing the Border magazine; Design and produce books such as Flying Low, From New Wave to Postmodernism and Classic 211-211 Best Chinese Movies.

Guozhao Huang: a senior film critic, who was the director of the Hong Kong International Film Festival Planning and the Hong Kong Film Criticism Society.

Wang Xun: currently working as a screenwriter and film critic. Born in Hong Kong, he began to write film reviews in the 1991s. He used to be a journalist and a teaching assistant in the film department of the Department of Comparative Literature of the University of Hong Kong, and now he is a freelance writer.

Liu Lan: She was a screenwriter, a weekly reporter and editor for more than ten years. Film criticism is mainly found in Oriental Weekly, Oriental New Land, and the annual anthology of the Film Criticism Society. In addition to film reviews, he also published essays, novels and children's literature under different pseudonyms.

Ye Yueyu: Assistant Professor, Department of Film and Television, Hong Kong Baptist University, and author of Phantom of the Singing-Song Narration and Chinese Movies.

Liu manjiu: once a newspaper reporter and editor-in-chief of film website, he is now engaged in film criticism, writing and video creation.

Jing You: Bachelor of English and Comparative Literature, University of Hong Kong; Master of Media Department, New School for Social Studies, new york; Ph.D., Department of Media Arts, Royal Clovis College, University of London. He has taught in San Diego, California, school of visual arts, University of Michigan, University of London, etc. Now he is an assistant professor at the School of Design of the Hong Kong Polytechnic University, coordinating the course of "Design, Culture and Theory". At the same time, he is also a film and video director, multimedia installation artist, prose writer and poet. He has been a director of new york TV Station and a special director of Radio and Television Department of Hong Kong, and directed the feature film "Hao Yu" which has won many awards at international film festivals. He is the author of a collection of cultural comments, a collection of essays, a collection of poems, An Impossible Home and a screenplay, Hao Yu. The research scope includes film theory and creation, documentary, minority media, queer theory, video art and food culture. In 2114, he won the Rockefeller postdoctoral humanities prize and went to the United States for research. Chen Jiaming: I worked as a cheap part-time lecturer and taught movies, pop culture and other subjects. I also worked as editor of the magazine E+E in Niupeng College. I have been writing novels, laughing, writing film reviews and engaging in culture for many years. Novel works include Ambition (1998), Going to a Place Without People (1998), Building Block House (2111) and Traveling Far for No Reason (2114). Personal Dong Duxiao's works include Dating the Unemployed》(2112), Falling in Love with Blind Man in Hong Kong, Being Blind (2114) and Ka Ming! Stand up! - Perhaps Culture》(2116)。 Articles are mostly found in Ming Pao and the website of Hong Kong Film Critics Association. Now he is a doctoral student at the University of Melbourne, Australia, studying the Hong Kong film industry and boasting co-productions in China. I also participated in the "Melbourne International Comedy Festival 2115" with the theme of "Getting lost, culture shock" to observe.

Qing Xin: film critic, freelance writer, engaged in writing for advertising and marketing. Film criticism and prose works can be found in Metropolitan Daily and publications published by Hong Kong Film Criticism Society.

Luo Feng: Chen Shaohong, born in Hong Kong; In 1987, he obtained a bachelor's degree from the Faculty of Arts of the University of Hong Kong and studied for a master's degree in philosophy at the University of Hong Kong. In 1992, he went to the United States for further study, and successively obtained a master's degree in literature from the Department of Oriental Languages and Cultures of the University of Southern California, and a doctorate in comparative literature from the University of California, San Diego. He used to be the editorial board of Xinsui Poetry Magazine and Jiufenyi Poetry Magazine. He used to be an assistant lecturer in the Humanities Department of the Hong Kong University of Science and Technology, and now he is a senior tutor in the Department of Chinese and Literature in China, the Chinese University. He is a famous poet and film critic in Hong Kong. His works are mainly poems, novels and reviews. His works are scattered in Hong Kong Literature, Suye Literature, Poetry Bimonthly, Sing Tao Daily, Sing Tao Evening News, Express, Crossing the Line and Breakthrough. Taiwan Province's Blue Star Poetry Magazine, Genesis Poetry Magazine, China Daily, Dangdai, Chinese Literature Magazine, and Los Angeles World Journal, etc. His works include City at the End of the Century: Popular Culture in Hong Kong (cultural criticism), Edge of Prosperity, The Last Fairy Tale (short story), Distance (poetry anthology) and Missing (poetry anthology). The critical articles are included in Hong Kong Literature, Hong Kong Modern and Contemporary Literature, and Literature and Performing Arts. Academic research mainly focuses on the culture of Hong Kong, including poetry, novels, movies, pop music and so on.

Jia Ming: formerly known as Feng Jiaming, graduated from the Art Department of the Chinese University of Hong Kong in 1995. He began to write film reviews in college, and his works were scattered in Film Biweekly, Letter, Amoeba, Homenet, Magpaper, Taiwan Province's Light Spot Newsletter and Eye-opening Film E Weekly, etc. From 1993 to 1997, he wrote a film column in Young People Weekly. Since 2111, he has hosted film lectures and short-term film courses in youth centers, Broadway film centers, art clubs, colleges and the Hong Kong Academy for Performing Arts, with topics such as film history, film appreciation, genre films and new media analysis. He is currently a member of the Hong Kong Film Critics Association.

Luo Zhanfeng: Member of Hong Kong Film Critics Association. Specializing in film music. Film music and film columns can be found in Watching Movies (Shanghai) and Shenzhen Business Daily (Shenzhen), as well as Film Appreciation (Taiwan Province), China Reading Newspaper (Beijing) and Hong Kong Economic Daily. His works include "Painting X Music", published by Hong Kong Sanlian Bookstore (with a simplified version published by Beijing Sanlian Bookstore). Now he teaches at the Hong Kong Academy for Performing Arts and the Hong Kong Academy of Art respectively.

Lv Yongjia: Master of Philosophy in Chinese Department of Hong Kong Baptist University, member of Hong Kong Film Criticism Society, and editor of Platform, an independent literary creation magazine. He has won the Chinese Literature Creation Award, the Youth Literature Award, the University Literature Award, the Urban Literature Creation Award and the Best Achievement Award of the Baptist University.

Chen Zhihua: freelance writer, member of publishing group "Twenty Nine", member of Hong Kong Film Critics Association. He has won the Chinese Literature Creation Award and the Youth Literature Award.

Xiao Heng: She graduated from DJ training class of commercial radio station in her early years, and later received a Bachelor of Arts (Comparative Literature and Translation) and a Master of Arts (Literature and Cultural Studies) from the University of Hong Kong. He used to work in the University of Hong Kong, responsible for the coordination and communication of many film and cultural activities; From 2112 to 2114, he served as the executive director of the film section in the Television and Entertainment Licensing Authority. He is currently a senior editor of online DVD and record retailers, compiling texts about movies and music, and occasionally appearing in newspapers and magazines. Zeng Yu