1. "Confucius Family Praise" Two Han Dynasty: Sima Qian Tai Shi Gong said: "Poetry" has it: "High mountains are not to be stopped, and the scenery is to be stopped."
Although not to, but the heart of the countryside to.
This is the first time I've seen this.
The right Lu, the view of Zhongni Temple Hall car clothing rituals, the students to the time to practice rituals of their homes, I only back to stay can not go to the cloud. The king of the world to the virtuous people are many, when the glory, no is already Yan.
Confucius cloth, passing more than ten generations, scholars Zong. Since the son of the king, the Chinese say "six arts" of the people compromise in Fu Zi, can be said to be the saint carry on!
Explain the infinite hatred of the spring breeze, the Shenxiang Pavilion north leaning on the railing. 3, "Broken Formations - for Chen Tongfu to give strong words to send" Song Dynasty: Xin Qiji Drunkenly picking lamps to look at the sword, dreaming of blowing horns back to the camp.
Eight hundred miles under the banner of the scorching, fifty strings turned out of the sound. The sand field in the fall to count the troops.
The horse is as fast as the Dalu, and the bow is like the thunderbolt string. The world's affairs of the king are over, and he has won the name of the world after his life.
The poor white occurrence! 4, "spring walk" Tang Dynasty: Li Bai deep palace building into the purple clear, gold as a dragon coiled embroidered pillar. The good people when the window to get the day, the string will play the hand language koto.
The spring breeze blew down the king's ear, this song is the ascension of the line. The first thing you need to do is to get out of the pool of heaven, and then you can go to the Ying Ying, and the boat will be in a state of shock.
Three thousand moths offer songs and smiles, Laos bells and drums, the palace tilted, ten thousand people gathered to dance and sing peace. I am not doing anything, but I am at peace with myself.
Thirty-six emperors wanted to meet, and the immortals came down to the clouds.
This is the first time I have ever seen a movie in the world, and I have never seen one.
I can't be the Xuan Yuan, I'm going to the darkness of the underworld alone. The first is to offer the life of the Nanshan Mountain, and the name of His Majesty will be immortalized in the ages of the world.
5, "Palace Lyrics" Tang Dynasty: Xue Feng twelve buildings in the dawn makeup, look at the fairy look at the king. The locks of the golden beasts are cold, and the water is dripping from the copper dragons, and the day is long.
The cloud bun is still combed to the mirror, and the clothes want to be changed to add more fragrance.
2. What was the status of women in the era of the Book of SongsAnalyzing the poems of the Book of Songs, which are narrated in a female tone, we can see three different kinds of women's consciousness: Female Independence
Feminists believe that the social structure of the past and the present is based on patriarchy, where men are in control of the basic functions of the society, and women are placed in the position of supporting roles in the society.
Women are the second sex in society, the "other", and are always in the position of being watched. In literature, the female figure is the companion of the male, a fabricated product that serves the male-centered culture.
But in the Book of Songs, there are many poems that reflect women's sense of complete independence and autonomy, and in some of these poems, women are the scrutinizers, and men are the "others" who are "being watched". For example, Culm sheaths in the Book of Songs and the Book of Songs are described from this perspective.
2, the female sense of dependence In a patriarchal society, in the political and economic are in a position of dependence on women to produce a sense of dependence on men is a very natural thing. In the view of feminists, this male-centeredness is the very oppressive consciousness that they want to subvert and criticize.
As a woman, identifying with and attaching to this consciousness has a deeper anatomical value in analyzing and exposing the oppression and enslavement of women in a patriarchal society. Poems such as "Bamboo Pole" and "Boxi" in the Book of Songs are an extension of such topics.
3. Women's sense of resistance In the book Feminist Theory: From the Margins to the Center, there is this sentence: What is a woman's destiny? It is the freedom to determine her own destiny, free from the role of being controlled by others; free from the oppressive constraints of society, free to fully express her thoughts, and free to put these thoughts into action.
Simply put, it is because of the oppression that there is resistance, and it is because they see the oppression that they cry out and fight back. Because they want to be in control of their own destiny, they want freedom to end their controlled careers.
Women's sense of resistance refers to women's self-consciousness and the accusation and resistance to the oppressor when they face the oppression and damage of male power. As this resistance is passive and spontaneous rather than conscious, the female consciousness embodied in it is also limited, struggling and contradictory.
For example, the women in the above-mentioned "Rascal" and "The Great Vehicle" appear in the poems as images with such consciousness. From the above analysis, we can see that in the era of the Book of Songs, women had a strong sense of autonomy, and the pursuit of individuality and freedom became the mainstream of women's consciousness in the era of the Book of Songs, and the self-awareness of women's sense of independence even exceeded that of modern times to a certain extent.
In the 80-odd marriage poems in the Book of Songs, there are 21 poems that express women's pursuit of individuality and freedom, accounting for one-fourth of the total, while there are 13 poems about abandoned women, but the total number of poems is significantly less than that of the former. The former, together with the four poems that reveal a sense of resistance, show an absolutely overwhelming advantage.
Of course, we can see the existence of these three states of women's consciousness at every stage of the era. Whether from the Han and Tang dynasties to modern times, or from China's perspective to the world, we can feel the diversity of women's consciousness from the women who are active in the stage of time and space: either pursuing the freedom of individuality, or willingly clinging to the patriarchal system, or rebelling spontaneously in the midst of the clinging. ...... However, women's consciousness in the era of the Poetry and Ching is distinctly different from that of the other historical stages. The female consciousness in the era of the Book of Songs has a clear distinction from other stages of history.
It should be said that the era of "The Book of Songs" is a primitive state in which women's consciousness is just beginning to emerge, but from the very beginning, the women's consciousness in the era of "The Book of Songs" has shown the world the powerful vitality of the consciousness of freedom.
It is like a fern growing in the wild, not subject to any infestation and oppression, naturally letting the text filled with a wild and open air, people holding the "Book of Songs" in their hands, gently reciting its verses, the heart that is, with the flow in the mouth of the poems between the thumping, the feeling is like lighting a fire in the winter, the fire-like enthusiasm is enough to burn the readers, and make the later generations of women subjected to the constraints of the rites of passage more obscure. The woman is more obscure than that, and has no honor to speak of.
Women's self-consciousness refers to women's awareness, feeling and evaluation of their own value, morality, aesthetics and a series of other activities as the cognitive subject of human beings who have feelings and can think. And the course of Chinese women's female consciousness is a history of the sinking and floating of female consciousness in male society and individual family.
The process of submergence of women's consciousness is the process of deprivation of women's power, loss of freedom, and falling into a position of dependence. The "she" of the Book of Songs is far bolder and more outspoken than the male.
Their inner world in the case of uncovered show, whether the love of parting, resentment and adoration, can be straight without hiding, even their own and men's private love, the secret appointment, also not to mention. Although they were oppressed by feudal rites, such oppression is still at a superficial level, and the consciousness of love is still warm and open, which is in sharp contrast to the obscure, dark, and repressed consciousness of women's love that later fell into the abyss of feudal rites.
Of course, from today's Dunhuang data, women still enjoyed a high status in society during the Tang Dynasty. At that time, young girls in Dunhuang could choose their husbands and ask for them until they were satisfied.
But by the time of the Song and Ming dynasties, there were folk songs that reflected the voice of freedom, but the science of chastity for women still reached a point of no return. Cheng Zhu theory puts forward "the survival of heavenly reason, extinguish human desire" for the way of learning, the concept of women's chastity for further development, one is "men and women are not close to each other" isolation and estrangement, the second is the starvation death is trivial, the loss of a big thing, "the death of a light The first is the isolation and estrangement of "men and women are not related to each other".
In the Qing Dynasty, the control and oppression of women by the feudal system reached its peak.
3. Is there any poem about the description of womenBut see the new man laugh, that hear the old man cry.
The water in the mountain spring is clear, the water out of the mountain spring is turbid. The first time I saw a woman, I saw her in the morning, and I saw her in the afternoon.
The flowers are not inserted into the sideburns, and the cypresses are picked and scooped up. The day is cold, the sleeves are thin, and the sun goes down, leaning on the bamboo.
2. "In the north, there is a beautiful woman, the world and independent, a Gu Gu pouring people the city, and then Gu pouring people the country. I'd rather not know about the city and the country, but it's hard to get a good person again."
From Li Yannian's poem. Derived from a very famous word to describe the beauty of the city and country 3. "Increase by one point is too long, decrease by one point is too short" describes just right, can not make a slight change, otherwise it will not be perfect. From Song Yu "Dengtu Zi good color fugue": "Dongjia has a son, increase a point is too long, reduce a point is too short, powder is too white, Shi Zhu is too red." The clever smile, the beautiful eyes look forward to.
(Poetry. Wei Feng. The beauty is drunk, the face is flushed. (Sung Yu >) show to cover the present and the past, the lotus shy jade face.
(Li Bai Xishi>) There is a beautiful woman in the north, absolutely independent. The first time I looked at the city, and then I looked at the country.
(Li Yannian's song>) It is almost as if you can't stop thinking about it, but you can't stop thinking about it. （It's a perfect example of how a woman's face can be like jade, and how it can be like a dragon.
(Wang Wei Luoyang Daughter's Journey>) It is not as beautiful as the beauty's make-up, but the wind comes from the water temple. (Wang Changling's Autumn Complaints in the Western Palace>) The state is thick, the meaning is far away from the lady and true, the texture is delicate and the flesh is even.
(Du Fu Li Ren Xing>) Pretty as the peach of three springs, clear as the chrysanthemum of nine autumns. (Dream of the Red Chamber> 68th) Zhou Dynasty "Poetry. Peach" wrote: "the peach is abortive, burns its Hua, the son of the return, suitable for their families" has been the peach blossom as a symbol of the woman; Li Bai in the Tang Dynasty, "Long Xiang Si" in the "beauty such as the flowers across the clouds" sentence, should be the earliest to the blunt approach to the flower and the beauty of the comparisons.
The cloud is a symbol of the beauty of the world.
The clouds want to dress up and the flowers want to look good, the spring breeze brushes the threshold and the dew is thick. If it were not for the jade mountain, it would be under the moon on the Yao Tai platform. -The first thing you need to do is to ask yourself who you want to be like in the Han Palace, and you'll be able to do it in your own time. The poor swallow leaning on the new makeup.
-- ditto The famous flower of the country, often the king with a smile. The first time I saw this, I was so happy to see you, and I was so happy to see you, and I was so happy to see you.
- ditto The beauty of the rolled curtain, sitting deep knit eyebrow, but see the tears wet, I do not know who the heart hated - demure as a flower shining water. The action is like the wind blowing on the willow. The Book of Songs is China's oldest poem, describing the beauty of the poem are: hand like a catkin, hand like a catkin, skin like a cream, collar like a grub, teeth like a rhinoceros, cicatrizes with moth-eyebrows, coquettishly smiling and Qianxi? Bai Juyi's Song of Eternal Hatred: "Born to be beautiful, it's hard to give up on oneself." "Smile back, a hundred winks, six palaces have no color." "Hot springs are slippery and wash grease." The colorful phoenix flies alone, the colorful phoenix lives alone. How long will we miss each other after parting? When will we meet again? When will we meet again? How can we express our love for each other? I'm not sure if I'm going to be able to do that, but I'm sure I'm going to be able to do it.
The rain hit the pear blossom deep closed door, lonely youth, false youth! I'm not sure if I'm going to be able to do that. I'm not sure if I'm going to be able to do that. Sorrow gathered brow peaks all day knitting, a thousand points of cry marks, ten thousand points of cry marks; dawn look at the sky twilight look at the clouds, line also think of the gentleman! I'm not going to be able to do that.
Tang Yin Jealousy of Flowers Song Last night, the begonias were first rained on, and a few of them were light and delicate, wanting to be rained on; a good person woke up at dawn and came out of the orchid room, and folded them into the mirror to compare with the red dress. She asked her husband, "The flower is good, the face is good," but he said, "It is not as fair as the flower."
The girl was so angry that she didn't believe that the dead flower was better than the living one; she crushed the flower and threw it in front of Lang, asking him to sleep with the flower tonight. (Yuan Zhonglang's comment) can paint the state of Tang Yin's chrysanthemums The yellow flowers have no owner for whom to accommodate, in the cold and sparse hedges and paths; only money to buy powder, a lifetime of color to pay the west wind.
Tang Yin and Shen Shitian flower poems, one of the spring today than yesterday, North Ruan turned into South Ruan poor; ask the shepherd boy should be set up wine, try to taste the plum again raw nuts. The first poem is about a woman who has been in love with a woman for a long time, but who has never met a woman who appreciates flowers.
bis The spring is over in sorrow and sickness, the flower branches suffer from rain and wind; the old white at the side of the temples is added to the new white, and the deep red at the bottom of the trees is replaced by the light red. The guests have already left with the incense, and the money bag is empty for the wine cup; I have always traveled to the east side of the city for pleasure, and the grass and ponds are in a mess.
ter Spring came and went in a hurry, piercing the eye of prosperity in the twinkling of an eye empty; apricot single shirt off the warmth of the pear blossom deep yard since the wind. Burning lamps to sit through the night of a thousand gold, to the wine empty thought a little red; if the East asked the fish and geese, the mood to say in the sound of the rain.
quater Peach blossom net exhaust apricot blossom empty, open and fall every year about the same; since the festival is March twilight, why people hate five winds? The first time I saw this is when I was a kid, and it was the first time I was a kid, and it was the first time I was a kid, and it was the first time I was a kid, and it was the first time I was a kid, and it was the first time I was a kid.
Ask the person who rolled up the curtain, but said the begonias are still the same. I'm not sure if I know what I'm talking about. I'm not sure if I know. I'm not sure if I know it or not, but I think it's a good idea.
Li Qingzhao, the good news is that the wind has set the flowers deep, and the curtain is full of red and snow. I always remember that after the begonias bloomed, it was the time of the year when I was sad.
After the end of the wine and the song, the jade is empty, and the green tank is dark and bright. The soul of the dream can not be grieved, more a cry () (left "decision" right half, right "bird").
Li Qingzhao Qing Pingle year after year in the snow, often inserted plum blossom drunken, move all the plum blossoms without good intentions, won a full coat of tears! This year, the end of the world, Xiao Xiao sideburns. The winds of the evening, so it should be difficult to see the plum blossoms.
Li Qingzhao Linjiang Xian plum garden deep how many deep, cloud window fog Pavilion spring late, for whom emaciated loss of posture. The night comes with a good dream, but it is the southern branch of the hair.
Jade thin sandalwood light unlimited hate, the South Tower Qiang pipe do not blow. The warm winds of the late day, don't come to the apricot blossom fertilizer.
The Tesha Xing - The Hairpin Ladies' Picture Sending away the loneliness, welcoming the prosperity. The first time I saw this was when I was a student at the University of California at Berkeley. I'm not sure if I'm going to be able to get a good look at them, but I'm sure I'm going to be able to get a good look at them.
The cold night is over, and the dawn is upon us. The first thing you need to do is to get your hands dirty.
The first time I saw this is when I was a kid, and I was a kid, and I was a kid. The jade belt hangs in the forest, and the golden hairpin is buried in the snow. When he wanted to ask, he knew that he would not disclose it, and when he wanted to leave it behind, he did not want to give it up. Then look back, only to see a painting of a bow, hanging citron on the bow. There is also a song that says: "In the past twenty years, we have been able to distinguish between right and wrong, and the pomegranate blossoms have shone in the palace. In the early spring, the tiger and the bull meet and dream of returning to the palace. (Yuanchun) In the back, there is a picture of two people flying kites, a sea and a big boat, in which there is a woman crying with her face covered. There are also four lines that read: "I was born in the last days, but my luck was not good enough". Sobbing on the river at the dawn of the Qingming Festival, a thousand miles of east wind and a dream away. (It seems to be Tanchun.) At the back, there are a few wisps of flying clouds and a bay of passing water. The lyrics say: What's the use of being rich and famous, when you are in your infancy, your parents have violated you. The eyes are hanging in the slanting sunlight, and the water of Xiangjiang River is passing by and the clouds are flying. (Xiang Yun) At the back is a piece of jade, which has fallen into the dirt. It is a good idea to have a good time and to have a good time with your family.
4. Quotations on the tragic fate of women- From the typical image of women in classical Chinese literature
In the long-term survival and reproduction of mankind, women have played a crucial role. The history of human civilization initially started from matrilineal clan society, but with the development of human civilization and social evolution, women gradually became subordinate to men, especially in the long feudal society, where women were in a position of being humiliated and damaged. This paper tries to analyze the tragic fate of women in ancient China by taking the images of women in ancient Chinese literature as an example.
First, the manifestation of the tragic fate of women in ancient China
From the beginning of China's first poetry collection, "The Classic of Poetry", no matter the poems and dramas, or novels and sagas, women have always been an important content of all kinds of literary genres and works of literature, and the tragic fate of women in ancient China has also been exposed to the fullest extent in these works of literature. To summarize, the tragic fate of women in ancient China is manifested in three main ways:
l. The victim of the social system.
The image of the abandoned woman in China's first poetry collection "Poetry Classic - Rascal" vividly embodies the heavy blows and unfortunate destiny suffered by ancient women under the social system of male superiority and female inferiority. The abandoned woman in the poem is an affectionate, kind, hard-working and strong woman, but such a virtuous wife eventually ended up being abandoned by her husband and ridiculed by her family. The poem y reflects the oppression and damage of the social marriage system to women at that time, and also vividly reflects the passive and low status of women in marriage and family at that time. In Feng Menglong's Du Shiniang Sinks the Hundred Treasure Chest in the Ming Dynasty, Du Shiniang is a self-respecting and self-loving woman who prefers not to be bent. She is in the lowest stratum of the society, and has suffered a lot of bullying in her long life as a prostitute. When she has finally taken up the good cause after painstaking efforts, what she gets is the result of being cheated, bought and sold, and abandoned, until she goes on the road of fighting for her life with her death. Du Shinniang's tragedy may have a certain degree of chance in terms of plot, but in fact, this chance is the inevitable breeding of the social environment at that time. The traditional moral concepts of women's dependent status and the humble social status of prostitutes are the main culprits of Du Shinniang's tragic fate.
Hope to adopt, thank you~
5. On the description of the womandressed in light pink dress, long and trailing the ground, thin waist to cloud belt constraints, showing more than a grasp, hair a coral hairpin of seven jewels, reflecting the face of the hibiscus.
The face is gorgeous and incomparable, a pair of phoenix eyes charming heavenly, but also awe-inspiring power, a head of green silk combed into a Chinese bun, luxuriant and graceful, that the size of the pinky finger beads, bright as snow, stars in the hair flashes, Lotus moved to the front of the temple, softly bent down, flinging Pasha female away from Zhanzhan celluloid to give His Majesty to ask for good health, the Emperor Wan Fu. Large peonies emerald green smoke veil Bixia Luo, curved trailing pink narcissus scattered flowers green leaf skirt, clad in gold silk thin smoke emerald green veil.
Low sideburns oblique inserted inlaid pearl jasper rocker, flower face and moon face out of the water as a lotus flower. Go forward, salute Jade hand gently pick silver strings, hands on the guqin dialing, the sound is just like a beautiful, rhythmic, like heavenly music, after a long time, the end of the song playing, slowly stood up Meticulous black hair, often draped over the shoulders, slightly soft, sometimes loosely counting the long hair, showing a different kind of elegance, suddenly become lovely by the maturity of the newborn love and pity, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg, a large, white skin is like a fresh shelled egg. Just peeled eggs, big eyes flashed as if they could speak, small red lips and skin white, more distinct, a pair of small dimples evenly distributed on both sides of the cheeks, shallow smile, dimples in the cheeks of the hidden, cute as a heavenly fairy.
With a deep orchid brocade dress, the train embroidered with white dots of plum blossoms, with a white brocade belt will be too much to hold the slender waist of the Chu bundle. The black hair was put into a bun with only a white jade hairpin with plum blossoms. Although simple, but looks fresh and elegant combing in the mirror. Her face was thinly powdered, and she was dressed in a light blue silk double-breasted clouded goose palace dress, with a freshly picked white plum pin on her head, in addition to which she only pulled a jasper lingerie hairpin, adorned with a fine silver beaded tassel. Took a lotus step Changed to a light pink skirt, with a plain white veil, but also the standard showgirl makeup, extremely elegant attire, the wind blew, slightly thin, but also contains a trace of sadness Jade green smoky shirt, scattered flowers water mist green grass pleated skirt, clad in Jade thin smoke veil, shoulder as if cut into the waist as if about the veil, the muscle as if the fat gas as the orchid. The charming and boneless into the colorful three points.
Green snail eyebrow long, abandoned the bead flower tassel, three thousand silk only with a carving detailed plum hairpin up, light on the lead. Dai eyebrow open delicate cross the distant mountain, green temples Chun thick dye spring smoke, there is a Wushan cloud-like aura.
Hearing the temple to declare themselves into the temple, immediately converge skirt lotus step lightly move His Majesty: head wearing a hair embedded treasure purple gold crown, Qi Mei Le two dragons grabbing beads gold forehead, wearing a two-color gold butterflies wearing flowers red arrow sleeves, bundled with colorful silk save flowers knot long spikes tapestry, covered with a stone green flower eight groups of Japanese forging rows of spikes lab coat, boarding the satin green pink bottom small boots. Face like the moon in mid-autumn, color like the flowers of spring dawn, sideburns like a knife, eyebrows like ink painting, face like peach petals, eyes like autumn waves.
Although the anger when and if the smile, that is to see and have feelings. There is a hidden luster flow on the skin, and the eyes are flashing with a thousand kinds of glazed light.
The appearance is like a picture, so beautiful that it does not look like a real person at all, this kind of appearance, this kind of demeanor, has simply surpassed all human beauty. Even if he casually wore a robe, he felt that even if he was an immortal, he would definitely not be more beautiful than him.
This transcendent man and woman, beyond the world's beauty, actually can no longer use words to describe. Handsome and beautiful, the face is like a carving with distinctive features, and the angular face is handsome and unusual.
Appearance looks as if debauchery, but the eyes of the unintentional flow of light let a person dare not underestimate. A head of black dense hair was gold crown pulled up high, a pair of sword eyebrow is a pair of slender peach blossom eyes, full of amorous, let a person accidentally will fall into.
High nose, thick and thin moderate red lips this time but rippled with another dazzling smile. Dismissed early morning, retired from the dragon robe for a clean and bright white brocade dress, inside loose outside tight very fit, hair with a good flawless jade crown up.
The eyes are very beautiful, deep blue like the sea at night, cold and cold should also be like the sea at night. Nose like hanging beams, lips like coated Dan, skin like condensed fat.
It is said that the smoke warm apricot garden, flowers are hair, snow fragrance, river grass green, willow long. These days since the Fei Fei thing has caused me a real headache, batch of folding, they have a small road to accompany me to the Royal Garden to take a break, early spring, willow flakes, black embroidered with gold dragons on the silk gown is also stained with a few, brush off] (Jiangnan's rainy season is not about to come again, as that of the women of the south of the Yangtze River, gentle and sentimental.
With his hand on the bow, a moon white embroidered gold dragon robe also lined with a bit of poetry, a small road behind me under the umbrella, vaguely drifting in the ear curls of song, heard turn his head, slightly raised his eyebrows) this song ...... (slightly contemplative) go, go see Guan Guan Ju Ju, in the river of the continent. The fair lady, the gentleman is good.
Ragged Nymphoides, left and right flow.
The lady of the world is a woman who is not afraid of the world, but of the world.
I can't find what I'm looking for, and I'm not sure what I'm looking for. I am not sure if I can do it, but I can do it.
Ragged Nymphoides. The fair lady is a friend of the qin and se.
Ragged Nymphoides. A fair lady is a man who plays with bells and drums.
- Zhou Nan Guan Ju Shang Xie (上邪), one of the poems in the Spring and Autumn Period ("国风")! I want to know you well, and I want to live a long life. I want to know you, and I want to live a long life with you. The mountains have no mountains, the rivers are exhausted, the thunder in winter, the rain in summer, the snow in summer, the sky and the earth are united, and I dare to be separated from you! --The red bean grows in the south, how many branches do they grow in spring? I wish you would pick them up more often, this thing is the most lovesick.
--Tang Wang Wei, "The Thoughts of Love" Last year today, in this door, the face of the peach blossoms reflected the red. The peach blossoms are still smiling in the spring breeze.
-- Tang Cui Gu The title of the city of South Village Yangliu green river level, heard the Lang Lang singing on the river. The sun rises in the east and the rain falls in the west.
--Tang Liu Yuxi Bamboo Words (3) Once the sea is not water, but the witch mountain is not a cloud. I'm not sure if I've ever been to the same place, but I'm not sure if I've ever been to the same place.
--- Tang Yuan Zhen, the late Qianlong, the late Qianlong, the late Qianlong, the late Qianlong, the late Qianlong, the late Qianlong, the late Qianlong, the late Qianlong, the early February. The spring breeze is ten miles from Yangzhou Road, and I don't know how to roll up the pearl curtains.
Sentimental but always seem to have no feelings, only realize that the smile in front of the honor is not. The candles are still in the heart of the goodbye, for the tears of the people to the dawn.
--Tang Du Mu (two songs) It's hard to say goodbye when you see each other, and the east wind doesn't have the power to make the flowers disappear. The silk worm will not be exhausted until it dies, and the wax torch will only dry up when it turns into ashes.
The mirror at dawn is saddened by the change in the temples of the clouds, and the moonlight is cold at night. The first thing I want to do is to get out of here and get out of the way.
--- Tang Li Shangyin Untitled Last night's stars, last night's wind, the west side of the painting building, the east side of the Guitang. I am not sure if I have a good idea of what I'm talking about, but I'm not sure if I have a good idea of what I'm talking about.
The next seat to send hooks spring wine warm, divided Cao shot over the wax lamp red. The first thing you need to do is to listen to the drums.