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Guo Pei's growing process.

Guo Pei has shown extraordinary artistic talent since she was a child. Since she designed and made her first dress by herself as a child, she has had an indissoluble bond with clothing. In 1981s, Guo Peicheng was the first batch of students majoring in fashion design in China. She studied sketching in Central Academy of Fine Arts, tailoring in technical school, looking for inspiration in life, and constantly growing through exploration. After graduation, Guo Pei worked as the chief designer of many famous clothing companies in Beijing, and created a marketing success of 3.9 billion yuan for Beijing Tianma Clothing Company, which promoted Tianma to the top ten clothing brands in China.

In p>1996, she successfully held her first personal fashion show "Walking into 1997", which was well received. In the same year, a personal press conference was held at Donghua University. Later, female directors Sally Ingleton, a famous Australian documentary, wanted to make a documentary about the current situation and development of China's fashion industry, named "Mao Shi Zhongshan suit", and chose Guo Pei as the representative of young designers in China, focusing on her work and life. After the film was filmed, it was shown in many countries around the world, and it was a great success. More overseas media published the news. It can be said that this filming has built a bridge for foreign fashion circles to understand China. In the same year, Guo Pei's works were exhibited and collected in the Australian Museum. Since then, Guo Pei has been listed as one of the "Top Ten Designers in China" in 1997, and his clothing works have won the gold medal of "International Fashion Expo" for many times in succession. "Haute Couture" is still a symbol of identity and status in today's clothing industry. It is a fashion boutique designed, cut and handmade for the special needs of guests, which embodies the extraordinary creativity of professional designers and is the only field that can completely pursue perfection regardless of cost. In the mid-1991s, China's fashion industry was still in its infancy, and the concept of "Haute Couture" just sprouted in China, and people didn't even know what Haute Couture was. However, Guo Pei walked into this "virgin land" without hesitation. One day, a famous actor came to her to make clothes, and Guo Pei sold her her clothes at a price lower than 71% of the cost. However, this "loss-making business" led her to the road of high-end customization.

"I have been designing clothes for more than twenty years, and I have been designing ready-made clothes for the first ten years. At that time, I always felt that many ideas could not be realized. No matter how talented a designer you are, you can't get rid of the restrictions of market, customers and price. On the contrary, haute couture means that the whole world is in your hands, allowing designers to play freely in a vast space and create more maverick works. " Guo Peixin has a feeling. For her, haute couture is not a dress, but a dream.

Rose Square, a rose from Guo Pei's Haute Couture DreamWorks, is vigorous, warm, beautiful, natural, graceful and noble, and embodies 4,111 years of complicated and hard-to-pursue blood flow genes. In ancient Rome, roses were regarded as a symbol of the majesty of kings. A dry rose made Guo Pei feel the glory of the past; The design workshop full of emotional appeal has brought her more longing, named after roses, precisely because people love her pride and her rich floral fragrance. So "Rose Square" became the cradle of Guo Pei's dream of weaving. In 1997, Guo Pei began to build a real kingdom of high fashion customization in its own art palace, and the "Rose Square" was in full bloom at the forefront of fashion like roses.

The headquarters of the "Rose Square" with an area of more than 3,111 square meters naturally blends into the quaint and unpretentious artistic atmosphere. The first floor is a magnificent reception hall, displaying exquisite high-end custom-made clothes; On the second floor, different styles of fitting rooms have been set up, with dignified and elegant Chinese style, passionate youth confession and noble and luxurious aristocratic style, which creates unlimited daydreaming space for guests with different temperament and styles. The third and fourth floors are the "soul" of the Rose Square. More than 1,111 professional teams, including senior designers, embroiderers, printmakers and craftsmen, are all busy in their respective posts. With beautiful background music, customized fashions worth tens of thousands to millions of yuan are born one by one in a complicated procedure.

In Guo Pei today, most of the time is spent in the reception hall of the company. Here, Guo Pei communicates with the reserved guests, listens to their ideas about custom-made clothes, and helps them realize their vision of beauty. Twenty years' experience tells Guo Pei that haute couture must have its own style. Only by being at the forefront of fashion and keeping pace with international development can it stand out among many ready-made clothes. Guo Pei believes that advanced customization is a process of continuous pursuit of quality. The quality of clothing is a kind of style. If a dress has no style, it will lose its value. Clothing is alive, and when you create it with your heart, people who wear it will certainly feel it. Strive for Excellence and create exclusive personal dignity.

Embroidery is a highlight of the Rose Workshop in the inheritance and development of traditional crafts. The embroidery works of Rose Square emphasize color discrimination, color matching, color matching, transition, division and synthesis, which not only obeys the internal requirements of expressing the form, but also considers external objective factors, and uses different color materials and different stitches to form different color differences and concave-convex feelings, so that the embroidery exudes vitality.

In Rose Square, every piece of clothing is tailored to suit the individual's needs, and the excellence of advanced customization is reflected in every design detail. Shoes are undoubtedly the most important accessories of clothing, and the shoes in Rose Square are decorated by 91% hand, achieving the visual effect of being integrated with the dress. In addition, Guo Pei has set up a special jewelry design studio, and put forward pertinent matching suggestions according to the situation of each consumer, integrating various factors such as temperament, appearance, height, skin color and occupation. As Guo Pei said, the Rose Square should let all visitors enjoy "the honor that belongs to only one person".

51,111 hours of works are priceless "haute couture". "In the private museum in Guo Pei, 798 Art District, there is a big golden dress made by 111 embroidery workers, who have been busy for nearly three months and spent more than 51,111 hours on the team, which is equivalent to a person's life for nearly six years. According to working hours, it may be nearly 15 years. This super-luxury work of art has created many numerical miracles, including 28,111 hand-embroidered silver buttons, thousands of shafts of European silver thread and a weight of more than 211 kilograms.

The design of this dress took only a few hours in Guo Pei. However, for designers, besides good creativity and design, they should have a very strong ability to grasp it. Therefore, whether the final actual work is consistent with the original is also very important.

For Guo Pei, there are always many regrets and problems in her own works. She is not 111% satisfied with this work because of such fine and huge production. However, Guo Pei feels that it has met her 61% expectations. As she said, sometimes one of her goals and standards is always ahead. Just like my design starts with drawings, I have expectations for it at the beginning. In the process of its gradual improvement and formation, my expectations are always in front of it, so employees who have been with me for a long time know that I may never be 111% satisfied with my work. This is also my direction, and the reason why I have today may be such a goal. As one of the earliest custom-made dress designers in China, Guo Pei's works represent women's dreams, so she became the first high-end custom-made dress designer contacted by domestic first-line actresses. She has been making clothes for the host and important actors of CCTV's Spring Festival Gala for ten consecutive years. Guo Pei designed the award dress for the 2118 Beijing Olympic Games, the costume for the flame collection ceremony designed by Zhang Ziyi, and Song Zu Ying's instant dressing at the Spring Festival Gala in 2119 ... All these unforgettable designs were made by Guo Pei.

In the Spring Festival Gala in p>2118, Zhang Ziyi, an internationally famous movie star, surprised the audience with a song called "My Daughter Scattered Flowers", which made more people pay attention to and wonder about past lives in this pink dress, and this dress that shocked the audience was one of Guo Pei's masterpieces. In March, 2118, Zhang Ziyi dressed in a cheongsam embroidered with loong, clouds, water patterns, cranes and other China elements gracefully appeared at the Olympic flame collection ceremony in Athens, Greece. Her beauty moved everyone and even lamented this gorgeous cheongsam. Recalling the costume design for Zhang Ziyi's torch collection ceremony, Guo Pei said that water represents smoothness and auspiciousness. Based on her preference for water, she decided to add water patterns to her clothes. "I think lace or pearls don't match Zhang Ziyi's international status, and she is young and generous, and the traditional cheongsam will be bound; So I designed a dress and made a breakthrough in the concept of cheongsam. In addition to embroidered traditional auspicious patterns in China, including dragons, white clouds and cranes, I also added water lines and tube tops. " This unique design not only makes Zhang Ziyi show the temperament of oriental beauty, but also makes the whole world feel the charm of China haute couture. The dress designed by Guo Pei at the Olympic Awards Site is very characteristic of China, gorgeous and refined. The three series of award-winning dresses designed by her seem to have become a beautiful landscape, attracting the attention of many international friends. They tell the blending of China's traditional culture and modernity under the interpretation of very dedicated and beautiful award-winning ladies, and they have witnessed the elegant demeanor of Olympic athletes. Among the five series of women's dress for ceremony, "Royal Blue", "Chinese Sophora Green" and "Jade Fat White" are all designed by Guo Pei. Guo Pei admits that in her career of more than 21 years, this is the longest and most difficult design she has ever done. These clothes may not be the most beautiful in her works, but they are made with the utmost care over and over again.

On the evening of August 24th, 2118, at the closing ceremony of the Beijing Olympic Games, the chorus "Flame of Love" by Song Zu Ying and Domingo brought the closing ceremony to a climax. The two artists that night were Starlight Glimmer. But what everyone doesn't know is that the dress that Song Zu Ying wore that night was inlaid with tens of thousands of crystals. With China folk paper-cut style and oriental painting elements, plus China red dotted belt, beautiful and eye-catching.

Guo Pei is good at designing dresses, so he handed in two series of 6 ready-to-wear garments at the initial submission. In the process of revision in the future, I encountered many difficulties. Four times a year, nearly 111 design drawings were drawn. After seven times of submission and many times of expert review, more than 41 pieces of light sample clothes were made, each of which was made by advanced customization. The ceremonial costumes at the awarding ceremony site should reflect a sense of ceremony. Particularly gorgeous and artistic clothes may not be suitable for such occasions. It is very important that the design can't completely highlight the clothing itself. Too fancy clothing will attract people's attention, and it is not allowed for the audience to pay attention to the clothing and ignore the wearer's work. Originally designed a cheongsam with a waist seal, the waist seal is very wide, in order to highlight the beauty and manners of women. Later, we constantly revised the waist seal, and the width of the waist seal decreased centimeter by centimeter, eventually narrowing by one third.

Guo Pei and her creative team tried to use many colors in the design. Many clothes with beautiful colors have been removed because of the effect in the lens. In order to make the clothing have a better performance on the camera, the embroidery of the upper body has been added in the design and various embroidery methods have been considered. All factors should be reviewed in the design, so subtraction should be done constantly in the design.

Design is an attitude, an attitude towards the Olympic Games. What Guo Pei pursues is the spiritual concept of a harmonious family and the attitude of a family in the world. This is not the time to highlight someone's design style and strong thinking, but must have affinity. Her works were subsequently loved and recognized by everyone, and let the world see China people's attitude towards the Olympic Games.

star customers are not regarded as "wrists". 1/3 of Guo Pei's customers are very famous artists. Guo Pei almost took care of the dresses of folk singers such as Song Zu Ying, Zhang Ye and Zu Hai, and Guo Peilai was appointed to design and make the dresses of many film and television stars such as Zhang Ziyi and Fan Bingbing. In many people's eyes, they are all stars and superstars, but in Guo Pei's eyes, they are all their own customers like everyone else. Apart from her major, Guo Pei felt that they chose her to customize clothes because of her sincerity and nature, which made them feel comfortable. If you regard them as superstars and put yourself very small, they will be very uncomfortable and uncomfortable; If you treat yourself as a "wrist", you can't treat each other.

Guo Pei, as the earliest designer of customized dresses in China, has been on the stage of haute couture for more than 11 years. Her works represent the ultimate luxury female dream and an attitude of pursuing perfect quality of life. It was Guo Pei who showed us the direction of China haute couture fashion and the dream that is not far away. And Guo Pei will continue to stick to this career, just as she vowed, "If there is an afterlife, I will choose the career of fashion design". On October 8, 2115, the Chinese dress in red and gold thread embroidered by Angelababy in Huang Xiaoming's wedding ceremony was made by designer Guo Pei, which took 8,111 man-hours, and the embroidery alone lasted for several months. The ancient "orange warm gold" wedding dress exposed in the previous invitation was also from the hand of designer Guo Pei.