In the first couplet, the "Wanghai Building" and "berm" are introduced first, because the building is high and the embankment is long, which can be seen throughout. They are bright and white under the sunlight and sunny beach, forming a beautiful atmosphere and gradually opening up the beautiful scenery below. Here, the morning light and the glow of the building are objective phenomena, and tourists' interest is to "trample" on the embankment. Everything is seen from the poet's eyes, closely linked to the word "hope" on the topic. The original note in the poem: "The East Building is called Wanghai Building", and Hang Cheng is adjacent to Qiantang River, so the embankment is built. After the couplet has been turned over a floor, it leads to obvious seasonal characteristics: the spring tide is surging, the night waves are swaying, and the sound directly shakes the Wugong Temple on the top of the Five Mountains; Under the shade of willow branches, Sue is in the depths of new green, and spring seems to be condensed in her gorgeous years and fiery enthusiasm? The sound and emotion of these two sentences are intertwined, and the contrast between reality and reality gives birth to the wonderful associations of "entering the night" and "hiding spring" from the audio-visual perception respectively, and melts into "Wuyuan Temple" and "Su" which contain profound and distant historical contents, making ancient scenic spots transcend time and space, bring realism and give readers aesthetic pleasure.

The third link looks away from the four scenic spots in front and looks at folk customs and people. The silk weaving industry in the south of the Yangtze River is prosperous, so the poem notes: "There are persimmon stems in Hangzhou, and flowers are especially good." According to Wu's Dream, this is a silk pattern; It is also a local wine, and the poem also notes itself: "Its vulgarity, the wine is ripe when the pear is ripe, and it is called' Pear Spring'". This paper describes the exquisite weaving skills of Hangzhou female workers and the folk customs of people competing for good wine at that time, and outlines the prosperous social scene at that time. The color contrast and product contrast between "tea" and "green flag", "persimmon" and "pear flower" are more like a beautiful and elegant painting, full of rich and lively life interest. At the end of the couplet, the wide view and the beam are combined, and the darkness and the first sentence are taken care of. "Southwest Road in Hu Si" refers to the long dike leading to the lonely mountain from the broken bridge to the middle of the lake, and there are many flowers and plants on both sides. The poem notes: "Gushan Temple Road is in the lake, and the grass is like a skirt when it is green." You see, the lake is full of clear waves fluttering like a girl's colorful skirt, and the Bai Causeway is covered with lush smoke and green grass, like a green ribbon on a girl's skirt. The last sentence sang "Who will drive", so I asked questions, and then used the wonderful metaphor of "skirt waist", which reminds people of the West Lake in spring, as if it were the embodiment of a charming girl.