Significance of construction

Edit the historical evolution of this section

About 13km to the west from downtown Hangzhou is Liangzhu Town, Yuhang District. This is an ordinary town, but it has a very poetic name-Liangzhu: a beautiful small island in the water, "Beautiful Island". In 1936, a discovery by Mr. Shi Xingeng, a native of Liangzhu, made the name of this beautiful and poetic Liangzhu Culture Museum < P > known to more people, and Liangzhu became famous from then on. This discovery by Mr. Shi Xingeng is the "Liangzhu Culture" named by archaeologists after the earliest discovery place. Since the earliest archaeological excavation of Liangzhu site by Mr. Shi Xingeng, subsequent archaeologists have continuously uncovered the long-forgotten historical features of Liangzhu culture with their shovels, and a concept has gradually become clear: from 5311 to 4211 years ago, Liangzhu culture lived and multiplied in this beautiful land in the Taihu Lake basin in the lower reaches of the Yangtze River for more than a thousand years. After fully absorbing the nutrients of Majiabang culture and Songze culture, Liangzhu culture has created a splendid chapter of Chinese civilization for 5,111 years, and ushered in an initial era of civilization that can be called a nuclear change: plowed rice farming, fine and developed handicraft industry, large-scale construction projects, complex social structure, complete etiquette system, and outstanding artistic achievements represented by jade, lacquer and black pottery ... Although there are still many Liangzhu culture.

Edit the design features of this paragraph

1. The interior and exterior space and functional design museum is surrounded by mountains and waters. In terms of architectural style, it not only embodies the contemporary advanced architectural design concept, but also reflects the continuation of the inner spirit of Liangzhu culture in time and space; It not only has distinct personality characteristics, but also completely blends into the natural landscape, and talks appropriately with the surrounding environment to become a "natural" landscape. In the composition of internal units, the requirements of contemporary advanced museums in education popularization, academic research and collection and storage are fully considered, and there are basic exhibition rooms, temporary exhibition rooms, film and television lecture halls, academic conference rooms, audience service facilities and rest areas, VIP reception rooms, reading rooms, technical rooms and administrative rooms. At the same time, through appropriate gardening means, the internal and external space will naturally transition, with interior and exterior; Scenes echo each other. In terms of display means, archaeological relics display, multimedia demonstration, scene simulation, feature film projection, surface and three-dimensional chart indication and other means are adopted, in cooperation with modern acousto-optic system, in order to give the audience a clear impression and intuitive feeling. 2. Multi-directional and multi-angle content expression 3. With the cultural time and space coordinates (related to the contemporary civilizations and cultures at home and abroad, but also slightly related to the cultural form of Liangzhu culture), this paper expounds the irreplaceable lofty position of Liangzhu culture in the history of human civilization and its great role in exploring the origin of Chinese civilization. 4. Make use of archaeological evidence as much as possible, supplemented by the Liangzhu Cultural Museum, so that visitors can really feel the atmosphere and rigidity contained in the gentle garden in close contact and taste the natural concept of heaven and earth hidden in the mystery and romance of Dongwan style. Liangzhu Cultural Museum

. And tell them that the unremitting pursuit of spirit and culture, as well as the extraordinary creative spirit and original ability shown in this pursuit, is the fundamental move to create the glory of Liangzhu culture in 1311. It is not only a solemn altar of contemporary culture, but also an approachable place for the public to feel cordial. The simulation of live and production scenes focuses on the extensive and profound creative achievements of ancestors in large-scale agricultural production, engineering construction, water transportation, jade and stone production, the development of ceramics and textiles, and the formation of markets in the Liangzhu cultural era. 5. By means of multimedia demonstration, it shows a complete form of good cultural etiquette independent of material culture and its great influence on the social consciousness of China and Japanese people's way of thinking in future generations. Exploring the spiritual inner school of Liangzhu culture still has practical significance today. 6. Using the method of cultural comparison, show the relationship between Liangzhu culture, Mayan culture, American culture and the culture around the ocean, and sort out the cultural context of Liangzhu feminization spreading overseas. 7. Describe the discovery and excavation process of Liangzhu culture, show the latest research results of Liangzhu culture, put forward unresolved related topics, and stimulate visitors' enthusiasm for inquiry.

Editing this paragraph of memorabilia

As a famous archaeological site in the late Neolithic period in China, the position and value of Liangzhu Site have long been unanimously recognized by academic circles at home and abroad. As early as 1994, Liangzhu Site was included in the preparatory list of China's application for the World Heritage List because of its unparalleled important value and preservation integrity in the origin stage of China civilization. It was commented that: "The continuous disclosure of the great value of Liangzhu Site has changed people's previous understanding of the time, way and way of the origin of China civilization; Liangzhu site is one of the areas with the largest scale and level in the history of 5,111 years of Chinese civilization. " Bathed in the rising sun of new China, Liangzhu archaeology entered a golden age

l936

Mr. Shi Xinguang of West Lake Museum excavated the sites of Liangzhu Chessboard Grave, around Xunshan Mountain and Zhongjia Village of Changmingqiao in his hometown, Yuhang. He also learned that there were more than 11 similar sites, and a large number of black pottery and stone tools were unearthed. Based on this, Mr. Shi Xinguang wrote and published Liangzhu. However, with the continuous war, Liangzhu archaeology, which has just started, has also come to a standstill. Until the 1951s, after the founding of New China, socialist construction flourished and China's archaeological cause entered a golden age. Liangzhu archaeology began the stage of accumulating a lot of materials.

In p>1955,

The excavation of Yuhang Changfen Site in Zhejiang was the first archaeological excavation within Liangzhu Site after the founding of New China. Archaeologists' hand shovels constantly uncover the historical dust of Liangzhu's lush grass, making its once-changing face gradually become kind. Experienced the ups and downs of the Paleolithic period, Majiabang culture and Songze culture in the Neolithic period, complicated social structure and complete etiquette system, outstanding artistic achievements represented by jade, lacquerware and black pottery were presented to the world one by one ... With the spring breeze of reform and opening up, the great value of Liangzhu site was revealed layer by layer

in the early 1981s

in Wujiabu. The excavation of anti-mountain and Yaoshan caused a great sensation, and quickly set off an upsurge of Liangzhu culture and Liangzhu jade research. Soon, important sites such as Huiguan Mountain and Mojiao Mountain were revealed, and the study of Liangzhu culture was pushed to a new climax. "Liangzhu Site", as a special concept of large sites, gradually formed. Large-scale ritual buildings, high-grade altars and dignitary cemeteries gathered in one place, and a large number of different types of sites were constantly discovered. As a political, economic, religious and cultural center in Liangzhu period, Liangzhu Site was quickly recognized by the academic community. Liangzhu Site, one of the most complete and huge archaeological sites in China in the Neolithic Age, is a representative of human creative genius masterpiece and an example of early urban planning and architectural design. It is a unique witness of a lost culture, and it is closely related to current traditions, ideas, beliefs and arts. It is an outstanding example of traditional human settlements.

In p>1996

Liangzhu Site was announced as "National Key Cultural Relics Protection Unit". National Cultural Heritage Administration said: The continuous revelation of the great value of Liangzhu Site has changed people's previous understanding of major academic issues such as the time, methods and ways of the origin of Chinese civilization, and will continue to enrich people's understanding of the history of Chinese civilization. Liangzhu Site is one of the regions with the largest scale and level to prove the history of 5,111 Chinese civilizations, and it should become a sacred place for people to commemorate, educate and visit the Chinese nation and the oriental civilization in the future.

In p>2111

Yuhang District and Nandu Group cooperated to introduce Liangzhu Cultural Village Project. Over the past eight years, through market-oriented operation, the project has raised 251 million yuan for the protection of Liangzhu site.

On March 25th, 2112, nearly 11,111 Hangzhou citizens signed their names to support Liangzhu site's application for the World Heritage List.

In April, 2116,

After a villager found jade articles in a building in the ruins area, he immediately took the initiative to hand them over to the cultural relics management department and assisted in the follow-up archaeological excavation work, so that more than 211 precious cultural relics were prevented from being lost and destroyed.

In p>2117,

The "Liangzhu Ancient City" excavated by the archaeological team led by Liu Bin, a researcher of Zhejiang Institute of Cultural Relics and Archaeology, was called "the first city in China" by the archaeological community under the grand regulation of Liangzhu Culture Museum, and it is the capital of Liangzhu culture, and at the same time, it advanced the history of Hangzhou's construction for more than 3,111 years. "Liangzhu culture is a strong culture." At the first "Liangzhu Forum 2118 Chinese Culture Forum", experts and scholars at home and abroad described it in poetic language: Liangzhu culture is the star of Chinese civilization. Its most obvious feature is originality, originality and originality, which is its unique cultural creativity. Liangzhu site is also a typical example of the protection of great sites in China. As early as 1961, Liangzhu Site was listed as a key cultural relics protection unit in Zhejiang Province, and in 1996, it was announced by the State Council as the fourth batch of national key cultural relics protection units. In 2111, National Cultural Heritage Administration listed Liangzhu Site as the first project in the first category in the Special Plan for the Protection and Exhibition of Great Sites during the Tenth Five-Year Plan in China. In 2117, it was selected into the list of 111 important sites determined by the National Master Plan for the Protection of Great Sites during the Eleventh Five-Year Plan. Looking back at the excavation and protection of Liangzhu site for many years, we can read many touching stories. In the spring of the new century, the protection of Liangzhu site is getting better and better.

In p>2118

Three people around the site area donated 11 pieces of Liangzhu cultural relics such as jade and stone tools to Liangzhu Museum. With the increasingly strong atmosphere of understanding, support and participation of cadres and the masses in site protection, enterprises also show the trend of actively participating in Liangzhu site protection.

Edit the layout of this section of the museum

Turn right from the preface hall and enter the first exhibition hall, where the connotation and distribution scope of Liangzhu culture are generally introduced. Throughout the first exhibition hall, in the large-scale background mural scene of the ancient primitive ecological environment and daily life in Liangzhu culture period, < P > the vivid scenes of pottery-making and textile of ancestors at that time were restored. In the exhibition, we can see the advanced agricultural production tools in Liangzhu culture period, including stone plows, shovels, stone knives, earth-breakers, stone sickles, stone hammers used for hunting at that time, and nets for fishing. Their complete sets of well-made production tools are the most complicated and in the leading position in archaeological culture of the same period. From this, it is not difficult to imagine that the life of the ancestors of Liangzhu was quite moist, and they enjoyed themselves by eating rice, soup and fish, fishing and hunting. Highly developed agriculture has provided a solid material foundation for the emergence of a well-defined and specialized handicraft sector, which has produced many handicraft production categories and made amazing achievements. The elegant black pottery, fabrics full of warp and weft beauty, sacred and exquisite jade, precious and gorgeous lacquerware and developed bamboo and wood wares in the exhibition will all let you appreciate the originality and colorful life interest of the ancestors of Liangzhu. The second exhibition hall is located on the east side of the second floor of the main building of the museum. Six groups of display cabinets are used to display some fine artifacts of Liangzhu culture, including beautifully carved jade, finely ground stone tools and well-made pottery. There is a set of light box pictures connected between each two groups of display cabinets, and some exquisite jade and pottery photos that are not collected in our museum are selected. In the center of the exhibition hall, there are four groups of glass screens with the same height as the exhibition hall to symbolically block the line of sight. Each group of glass screens is made up of two pieces of glass with a picture of exquisite objects on both sides, which has a strong three-dimensional effect. On the one hand, these light boxes and screens create a good atmosphere for the whole exhibition, on the other hand, they expand the exhibition capacity and enrich the information of the exhibition. Jade * * * is divided into two parts, one part is a heavy-duty ritual vessel, including jade cong, jade bi and jade yue; Another part of Liangzhu Cultural Museum < P > is mainly decorative jade, which includes three-pronged implements, crown implements, cones, hooks, bracelets, spoons, knives, necklaces and animal ornaments such as birds, turtles, fish and cicadas. In the pottery part, in addition to displaying various types of pottery, there are also pottery engraved with original characters, such as a single cup, oval beans, cans, etc., especially a black pottery jar engraved with eight symbols, which is called "an unprecedented treasure." At the end of the exhibition hall, the brief stories of Shi Xingeng, the earliest archaeologist of Liangzhu site, and He Tianxing, the pioneer of Liangzhu culture research, as well as some materials of experts and scholars' research on Liangzhu culture achievements over the years are also introduced. The third exhibition hall is located on the west side of the second floor of the main building of the museum. It restores and displays a tomb of "Yulian Burial" in Liangzhu culture period, which has a strong visual shock. At the same time, photos of different levels of tombs are displayed on the surrounding walls. Through the comparative display of rich tomb materials, the social class differentiation and class formation of Liangzhu culture are revealed, and the interpretation of Liangzhu culture has risen to the height of civilization, and the whole exhibition has reached a climax. The contents of the three exhibition halls reflect each other, each with its own emphasis, which fully shows the high material civilization and spiritual civilization created by the ancestors of Liangzhu, and shows that the origin of Chinese civilization can be traced back to Liangzhu period four or five thousand years ago. In 2116, in order to commemorate the 71th anniversary of the discovery of Liangzhu culture, the No.23 Exhibition Hall held a special exhibition of anti-mountain Yaoshan jade products, with more than 611 pieces (groups) on display. This is the first time that a large number of exquisite jade articles have been exhibited in the museum in the 21 years since the archaeological excavation of the anti-mountain and Yaoshan sites. The exhibition is divided into four parts, showing the unique connotation and function of Liangzhu jade from different angles. In the second exhibition hall, under the mapping of lights, the jade articles of Liangzhu culture exude unique colors of "chicken bone white" and "pumpkin yellow", which are striking and spectacular. The first part introduces the ritual system of storing gifts in jade in Liangzhu society. In Liangzhu period, jade was endowed with sacred character. The three ceremonial objects in Liangzhu period: Jade Cong, Jade Bi and Jade Yue, are noble and sacred. They are spiritual objects that communicate heaven, earth, man and god, sacred instruments, important ritual objects that maintain social hierarchy and order, and symbols of secular power. The second part shows the exquisite jade carving of Liang < P > Zhuren. The ancestors of Liangzhu were good at cutting jade, and formed a complete set of working procedures from raw material selection, design and sample determination, cutting into blanks, ornamentation and carving to polishing. More than 161 carved jade articles with various expressions and exquisite craftsmanship have been unearthed in the sites of Fanshan and Yaoshan. Their reasonable layout, unique shape and exquisite ornamentation all reflect the exquisite jade carving technology and unique ingenuity in Liangzhu period. In the face of precious cultural relics, people all stop to see the mystery. That uncanny skill is not as good as that of modern arts and crafts masters. The third part is the types of jade. The universality and grading of jade used in Liangzhu society have complicated the functions of jade. At present, there are more than 41 known types. In order to make it easy to distinguish, in the exhibition, according to the differences in unearthed conditions and the shape of objects, we divide Liangzhu jade articles into two categories: single pieces and composite pieces, and the composite pieces are further divided into four categories: assembly pieces, assembly pieces, pierced pieces and inlays. The whole exhibition plates and cultural relics correspond to each other, which brings you a sense.