Although Lufeng Shadow Play came from southern Fujian, its shadow actors and scenes were partly purchased from Chaozhou, and it was influenced by Chaozhou Shadow Play in art.. Chaozhou cinema is said to have been as famous as Luanzhou cinema in Hebei Province in the Qing Dynasty. "Notes on Jiuan" said: "Chaojun paper shadow is also good, and the eyebrows are complete." "say? "Volume 13, contains," hipsters are the most paper-based ... dancing should be festival, which is more elegant and impressive than puppets ". Lufeng shadow play has the characteristics of Chaozhou shadow play in different degrees, such as the modeling and performance of shadow people. Every time Lufeng Shadow Play is performed in a place, after the opening ceremony, a character named "Datoukan" will read a jingle. "Datoukan" has a strange shape. His head is very big, his forehead is very prominent, and he wears a ponytail on the back of his head and a jacket as a gentleman. The jingle is based on the local rural rules and regulations, such as prohibiting stealing sugarcane and livestock from ruining crops. The performance is funny and the language is humorous. This special program is not seen in Minnan movies and Chaozhou movies, but is the creation of local artists. After the founding of the People's Republic of China, cinema has been attached importance by the party and the government. In 1957, under the guidance of the literary policy of "letting a hundred flowers blossom and a hundred schools of thought contend", Lufeng Shadow Play Troupe was founded. Since its establishment, it has compiled outstanding traditional plays such as Boyue Cavity, Sister Zhang Descent, Thirty-six Changes, etc. in nearly ten years, even though its artistic backbones are all rural artists, and has made attempts to reform the singing, performance and modeling design, and the performance quality has been significantly improved. However, it still can't keep up with the situation of reform and development, and can't keep up with the needs of the audience whose appreciation level has been greatly improved. Although it has gone from the countryside to the county seat, Shaoguan, Maoming, Wuzhou and other cities, even in the countryside, which has always been a performance base, the audience's response has become increasingly cold, and even after the city, it has to stop playing because of the low attendance rate. In October, 1966, this troupe was dissolved due to the cultural revolution. In April 1975, the organizational system was restored. It was after the Third Plenary Session of the Eleventh Central Committee of the Party that its art developed by leaps and bounds and entered the golden age. The Lufeng County Party Committee and the county government strengthened the leadership of the troupe, sent new writers and artists as screenwriters, directors, composers and artists, recruited and trained a group of young actors with good artistic quality, and the Provincial Department of Culture sent artists Lin Kun, Cai Yuwen and Huang Weiqiang for specific guidance. The members of the troupe went to Changsha in batches to learn from the shadow artists of Hunan Puppet Shadow Play Troupe, and the artistic strength of the whole troupe was much better than before.