question 1: the correct format of the microfilm script. . . An expert nudges. Thank you. (1) First of all, write time, scene and people. (2) When describing modality, put the delta (triangle) symbol in front.

(3) Write the short names of the people in the dialogue box, and then add: (colon). The script is different from the novel, and the dialogue of the script does not need quotation marks.

I found it online. I hope it helps, hehe!

Question 2: Ask for a model essay on microfilm script Abstract: Location: classroom, Xiao Rui's family Character: Xiao Rui: male, a student in Grade 6 (1), smart, fond of reading, active in thinking and innovative. Li You: Male, a student of Grade 6 (1), a good friend of Xiao Rui, but also opposed to Xiao Rui's idea. Arrogance: male, sixth grade (1) student ...

Location: classroom, Xiao Rui's home

Character:

Xiao Rui: male, sixth grade (1) student, smart, fond of reading, active in thinking and innovative.

Li You: Male, a student of Grade 6 (1), a good friend of Xiao Rui, but also opposed to Xiao Rui's idea.

Arrogance: Male, a student in Grade 6 (1). He is arrogant, looks down on others and shows disdain for everything else.

Sui Bo:

-

Male, Grade 6 (1) student, naughty, love to make noise, and correct when he knows his mistakes.

Jia Nan: Female, a student of Grade 6 (1), careless, like a tomboy.

Zhao Fan: female, a student of Grade 6 (1), kind and not good at words.

Mom: I love Xiao Rui very much. Although she is a bit nagging, she is very open-minded and can support children's ideas and practices.

scene: class 6 (1) classroom, Xiao Rui's home.

props: six sets of desks and chairs, textbooks, hats and food.

Scene 1

Dark narration of lights: In May 2111, the World Expo will be held in Shanghai, China. This is an "Olympic" grand meeting of the world economy, science and technology and culture. It is the wish of every China person to serve the country to offer suggestions for the World Expo. A sixth-grade student named Xiao Rui, inspired by a science class, came up with the idea of "designing a green power generation mode to provide energy for the World Expo".

when the music rings, the bell rings and the lights gradually light up. The students came out of the science classroom, books in hand, and they were talking happily. They walked into the classroom while talking. < P > Zhao Fan: Today's science class is really interesting!

sui bo: yes, yes, it turns out that mechanical energy can be converted into electrical energy, which is amazing!

Li You: (dismissively) Gee, what is this magic? There are many things you haven't heard and seen. What a fuss!

sui bo: (with a careless smile and compromise) well, well, I'm a frog in the well, isn't it?

Jia nan: (impatiently) OK, OK, you two, it's the same every time. You bicker before you say two words. I really admire you! (slightly smug) Come on, let's see what this is. (takes out "Hai Bao")

Li You: Huh? What the hell is this? How like a person!

sui bo: hey, hey, it's your turn to be retarded! (Pat Li You on the shoulder) Listen carefully, Li You: This is Haibao, the mascot of next year's Shanghai World Expo, which evolved from the Chinese character "person".

Jia Nan: Sui Bo is right. It is Haibao decal, which was given to me by my uncle. He works in the Shanghai World Expo Organizing Committee, and (proudly) I heard that this is the largest Expo in history!

Li You: Oh, (nodding, facing Sui Bo, sarcastically) You only know one treasure!

jianan: look, you two are so narrow. Boring! (shaking his head)

This article is from Secretary 114 wenmi114. Please keep this mark when reprinting.

sui bo: (humorously) hey, this is called (wagging one's head)-

Li you: (going on) more than half a sentence! (Laughing after speaking)

(The other students laughed after listening to their conversation, and went to their seats separately, except Xiao Rui didn't laugh)

Jia Nan: (Stop laughing and push Xiao Rui beside him puzzled) Hey, Xiao Rui, what are you thinking? So absorbed?

Xiao Rui: (suddenly awakened, stunned) huh?

Li You: (coming to Xiaorui's side, sitting on the corner of his desk and putting his arm around Xiaorui's shoulder) Hey, buddy, are you flying wild again?

Xiao Rui: (thoughtfully) I was just thinking, isn't the Shanghai World Expo collecting your opinions and suggestions on how to run the Expo well? What we have learned today may come in handy.

Pride: (looking at Xiao Rui sarcastically) What? What great ideas does our genius have?

Li You: (Knocking on the proud head ... > >

question 3: how to write a micro movie script? Thank you very much! Write an outline, plus some ideas of your own, which adds up to 1.5 minutes.

Question 4: How to write a microfilm script If it is within 5 minutes, you don't have to write a script, just make an outline.

if it's more than five minutes. The script is given to the actors, and all the effects are on it.

Just show the actors a sentence-by-sentence dialogue and action. Remember to divide the act.

If you show it to the whole crew, you should indicate the shot, mirror position, number of times and so on.

Question 5: How to write the promo script. First of all, there are many kinds of corporate promos, mainly depending on the occasion you broadcast and the audience.

Then, from a general point of view, corporate promos are the publicity and introduction of the overall situation of the enterprise, of course, depending on what you need to introduce. Combined with the cultural characteristics of the enterprise, Creative connotation of things to create.

Let's give an article for your reference:

Specification for the creation of feature film commentary

Author: Source: Internet release time: 2111-11-19

(1) Pay attention to the appropriateness of the program content

Commentary is very different from written language, and it cannot be modified and written like written language. And good commentary creation should pay attention to the closeness with the audience and the content of the report. Proximity means that the commentary should have the feeling of being in the place and being there.

A good commentary must be a close auditory language that can grasp and balance the program itself and the audience's psychology. Supplementing and decorating the picture will make the audience associate, reproduce the scene in the audience's memory, and echo and communicate with the scene in front of them. Wonderful commentary is often beyond the audience's expectation, telling what the audience vaguely feels but is not so clear, unexpected and reasonable.

(2) Pay attention to the integration with other TV expression means

Commentary is a way of expression that complements many TV expression means, and it is difficult for commentary to have high independent appreciation value.

A successful commentary should be in harmony with the mood and atmosphere of the picture, with the movement mode, scene and scene of the lens, and with the sound effect and actual sound, so as to truly blend the scene and sound with pictures.

There should be a dynamic and balanced relationship between commentary and other means of TV expression. In the program, the commentary should consider the design of the structure, the degree of relaxation, and the relationship with the TV means before and after. Commentary and other means are an organic whole, which is always in a dynamic balance of change, and the dynamic balance depends on the needs of program content. This whole should guide the audience into a more harmonious and wonderful atmosphere.

(3) Pay attention to the coordination with the emotion and rhyme of the program

Compared with TV news, TV feature films are more profound and detailed. They should not only explain the ins and outs of things, the development and solution of contradictions, but also ask questions and solve problems, subtly depict things and render the atmosphere, pay more attention to the use of artistic skills, the depiction of prototypes, emotions and artistic conception, and mobilize all artistic factors to infect the audience.

The emotion and artistic conception of TV feature films are the result of the interaction of pictures and commentary. A set of pictures can make the audience think in a thousand ways, and whether the audience can think according to the creator's ideas depends entirely on the emotion and artistic conception of the commentary.

the composition of artistic conception requires the blending of scenes, which is often a spiritual experience after internalizing the concrete and sensible image. The acquisition of artistic conception is not the sense, but the mind.

excellent TV feature films always blend and unify emotion and scenery, meaning and environment, thus generating strong appeal.

(4) Pay attention to its own implication and conciseness

TV feature films need to be implicit and simple in expression in their creation in order to achieve ideal artistic effects. The TV special commentary emphasizes the inclusion without revealing, leaving more imagination space for the audience, allowing the audience to participate in the program more actively, and achieving the interactive effect from appreciation. A good feature film commentary requires the unity of the actual writing on the scene and the imaginary writing on the artistic conception, so as to lead without giving it, and give the audience the initiative.

Commentary should have ideological penetrating power, not only contain profound connotation, but also conform to the transcendence of aesthetic psychology in time and space. Commentary should compress or extend the objective time and space according to the need, or survey the upper and lower five thousand years, or carve a few minutes and seconds, so it should be highly summarized and concise. In the use of language, it is concise as a poem, which makes people get the true meaning of "hitting the nail on the head" in a flash.

the commentary should not be too many and too full. Television pictures have provided the audience with many rich and sensible images, and the commentary must be light, point-to-point and leave room. Only when there are enough blank spots can the commentary make the realm it creates turn around, the theme it suggests is profound but not all-encompassing, and the content it shows is rich but not all-in-one. So as to leave the audience room for thinking and aftertaste, activate the audience's imagination and re-creation, and make it get deep and extensive enlightenment.

Commentary can guide and strengthen the audience's instant association. Generally, a certain gap should be left after the explanation to ensure the time of instant association.

The commentary should be done ... > >

question 6: what does the micro-movie script mean? it's not a script, but a script refers to a split-shot script. The meaning of the script is based on the text. Script is an executable file written in a certain format using a specific descriptive language, also known as macro or batch file. Scripts can usually be called and executed temporarily by applications. Movie scripts usually list the length, scene, composition, soundtrack and other detailed information of the shot. Scripts are generally used for directing and filming during formal shooting, and for editors to read during post-editing.

question 7: how many shots do you need for a five-minute micro-movie script?

question 8: how to write a video script promoted by enterprises? Seeking experience First of all, there are many kinds of corporate promotional videos, mainly depending on the occasions you broadcast and the audience. Then, from a general point of view, corporate promotional videos are publicity and introduction to the overall situation of the enterprise, of course, depending on what you need to introduce. Combined with the cultural characteristics of the enterprise, Creative connotation of things to create. Let's give an article for your reference: the creative specification of feature film commentary Author: Source: Internet release time: 2111-11-19 (1) Attention is very different from the appropriateness of the commentary and written language of the program content, and it cannot be modified and written like written language, so it must be described in words that people can understand. And good commentary creation should pay attention to the closeness with the audience and the content of the report. Proximity means that the commentary should have the feeling of being in the place and being there. A good commentary must be a close auditory language that can grasp and balance the program itself and the audience's psychology. Supplementing and decorating the picture will make the audience associate, reproduce the scene in the audience's memory, and echo and communicate with the scene in front of them. Wonderful commentary is often beyond the audience's expectation, telling what the audience vaguely feels but is not so clear, unexpected and reasonable. (2) Pay attention to the integration with other TV means of expression. Commentary is a way of expression that complements many TV means of expression, and it is difficult for commentary to have high independent appreciation value. A successful commentary should be in harmony with the mood and atmosphere of the picture, with the movement mode, scene and scene of the lens, and with the sound effect and actual sound, so as to truly blend the scene, sound and pictures. Commentary and other means of TV expression should be complementary and dynamic. In the program, the commentary should consider the design of the structure, the degree of relaxation, and the relationship with the TV means before and after. Commentary and other means are an organic whole, which is always in a dynamic balance of change, and the dynamic balance depends on the needs of program content. This whole should guide the audience into a more harmonious and wonderful atmosphere. (3) Pay attention to the coordination with the emotion and rhyme of the program. Compared with TV news, TV feature films are more profound and detailed. They should not only explain the ins and outs of things, the development and solution of contradictions, but also ask and solve problems, and also portray things subtly and render the atmosphere. They pay more attention to the use of artistic skills, the portrayal of prototypes, emotions and artistic conception, and mobilize all artistic factors to infect the audience. The emotion and artistic conception of TV feature films are the result of the interaction of pictures and commentary. A set of pictures can make the audience think in a thousand ways, and whether the audience can think according to the creator's ideas depends entirely on the emotion and artistic conception of the commentary. The composition of artistic conception requires the blending of scene and scene, which is often the spiritual experience after internalizing the concrete and sensible image. The acquisition of artistic conception is not the sense, but the mind. Excellent TV feature films always blend and unify emotion and scenery, meaning and environment, thus producing strong appeal. (D) Pay attention to their own implicit and refined TV feature films. In order to achieve the ideal artistic effect, it is required to be implicit and simple in expression. The TV special commentary emphasizes the inclusion without revealing, leaving more imagination space for the audience, allowing the audience to participate in the program more actively, and achieving the interactive effect from appreciation. A good feature film commentary requires the unity of the actual writing on the scene and the imaginary writing on the artistic conception, so as to lead without giving it, and give the audience the initiative. Commentary should have ideological penetration, not only contain profound connotation, but also conform to the transcendence of aesthetic psychology in time and space. Commentary should compress or extend the objective time and space according to the need, or survey the upper and lower five thousand years, or carve a few minutes and seconds, so it should be highly summarized and concise. In the use of language, it is concise as a poem, which makes people get the true meaning of "hitting the nail on the head" in a flash. The commentary should not be too much and too full. Television pictures have provided the audience with many rich and sensible images, and the commentary must be light, point-to-point and leave room. Only with a full blank point, the solution