Climb up the beautiful night, hang up your seat and move the canoe.
The moon turns with Bishan, and the water moistens the blue sky.
Like the Milky Way, but it's quiet in the clouds.
Home, go to Sichuan.
I am sad to rest in the grass, and I am sad to listen to Brother Ling.
After the bank bends, Shaming overlooks Qianzhou.
Huai army is invisible, and the distance increases sorrow. Moonlit night, landscape writing, friend's translation and annotation.
The chilly river wind blows against my face, making the autumn sounds of tall trees on the river bleak.
When I boarded the bow, I thought the scenery was beautiful on a clear night, so I set sail for the ship.
On the boat, I saw the moon turning with the blue mountains, and the water merged with the blue sky.
Strolling seems to have reached the distant Milky Way, only to feel that clouds are pressing the Woods into darkness.
Looking at the way home, the water is vast, looking at the future, the water is surging.
In vain, I am sad that the grass is withered, and listening to the song of picking Ling is full of sorrow.
The winding river bank covered the ferry at the back, and the bright beach saw the continent in front.
I miss you, but I can't see you again. Looking at the distance only increases my feelings of parting.
Creative background Cui Zongzhi is a good friend of Li Bai. Li Bai preceded Cui Zongzhi's death. Li Bai's "Recalling Cui Langzhong's trip to Nanyang, leaving me Confucius and Fu Qin feeling old" says: "Once Yushu is destroyed, life and death are extremely erratic. Confucius left me the piano, but it is gone. Only preach "Guangling San", but cry for the bones! " It can be seen that the friendship between them is extremely profound. This poem "A Message from Jiang Xing on a Moonlit Night" is a work of the poet who missed Cui Zongzhi when he was in the south of the Yangtze River. Appreciate "the wind in the river shakes, and the trees in the sea are autumn." Climb up the beautiful night, hang up your seat and move the canoe. "River wind fluttering, sea trees rustling, is clear autumn. The poet boarded the boat, raised the sail pad and moved gently on the river. The moon is high in the air, and the sky is high and the clouds are light. What a beautiful moonlit night! Cao Zhi's "Poems of Public Banquet" says: "You can travel to the West Garden in the clear night and fly with the cover. "Clear Night" is not only a pleasant night, but also a night suitable for amusement. Xie Lingyun's "Swim Chishi into the Sailing Sea" says: "Sails are for quarrying, and seats are hung to meet the bright moon in the sea. "Contact Xie Shi, how poetic the" Diaojiaolou "of this poem is." The moon turns with Bishan, and the water moistens the blue sky. "When the ship is sailing, the moon seems to follow the ship; The boat turns with the blue mountains, and the moon seems to turn with the blue mountains, which means "the moon goes with people" (Drinking asking for the moon). There is prosperity, so I feel that the bright moon is always considerate everywhere and always looks for relatives everywhere; The moonlight is empty, the water surface is open, and it feels that water and sky are connected, and water and sky are connected. The "blue" of the mountain and the "green" of the sky show the brightness of the moonlight. In poetry, the poet's interest is not clear, but the interest is self-evident. " Like the Milky Way, but it's quiet in the clouds. "The water is clear and empty, and the reflection of the Milky Way is in a trance, as if it had passed away and was sailing on the misty Milky Way. Wang Xizhi's poem "Mirror Lake" in the Jin Dynasty said: "Walking on the shady road is like sitting in a mirror. "In the Southern Dynasties, Chen Shihui had the poem" Yong Shui "as evidence:" A boat is like a pot in the air, and a man is like a trip in the mirror. " Li Bai's Journey to Qingxi also said: "In the mirror of pedestrians, in the screen of birds. "Everyone compares the purest water to a mirror with a metaphor; This poem implies that the Qingjiang River is like a mirror, because all the stars and rivers in the sky are reflected in the water, saying that it is more magical and interesting for boats to sail between the Milky Way. Because of the feeling of the stars in the sky, Yunlin is like something in the sky, especially quiet.
The six sentences above "the secluded place of Yunlin" describe "the river trip on a moonlit night". The transition between "returning to the road is boundless and going to Sichuan for a long time" It is said that the clear night is beautiful, the boat is light, the moon is accompanied, the mountains are green and the sky is green, which shows the poet's pleasant mood. However, looking back on the road, we will return to Shandong, while looking forward, we will see the long river and a faint sadness will rise in our hearts. "Vastness" and "leisure" are still the immediate scenes, but the author's emotion has quietly injected into the scene. Then, it leads to "sadness", listening to music, worrying, cherishing the Sect, increasing anxiety, keeping the mood straight, using the pen naturally, and not revealing the gap. Grass break responds to the autumn of the sea tree; "Cao Hui" is a kind of vanilla, which is often used as a metaphor for saints in Songs of the South. "Only sorrow for grass" means that beauty is invisible. Autumn is pregnant and sad. At this time, it was another Song Ling night, and Lianwa sang cheerful songs leisurely, which virtually increased the poet's sadness. "The shore is fascinated by Houpu, and Shaming has a bird's eye view of Qianzhou." Two more words about scenery. The river bank twists and turns, and Houpu is hard to find; The sand head is bright and the mainland ahead is clearly visible. Houpu and Qianzhou should go home and Luanchuan. Going home is sad, I don't know when I can get together with my friends again; The river is gurgling, and the dead are like this. I wonder how many more there will be in the future. The scene of traveling hand in hand in the past seems to be reflected in front of my eyes. "Remembering Cui Zongzhi's trip to South Asia, Remembering my Confucius Fu Qin" has a description of "remembering Cui Zongzhi, making trouble with white water". It can be seen that they have traveled under the moon, and the bright moon is still in sight, but they can't get together in a different place, which makes people sad. "Huai army can't see it, and it will increase your worries if you look far away." Originally, I was looking forward to seeing your face, but you were "far away" and could not reach it. If you can't reach it, you will increase your sadness. To sum up, it falls on the topic of "sending Cui".
Li Bai (70 1-762), the word Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei. Lipper
Despite all the gloom, Su E regained his spirits at night. Dark dust can't bear it. Crispy lingbodi. The road started again, as if in front of the light. Love is like water. Xiao Lou smoked the quilt. In the dream of spring. -Wu Wenying in the Song Dynasty's "Point crimson lips, test the light at night, Chu Qing" points crimson lips, test the light at night.
Despite all the gloom, Su E regained his spirits at night. Dark dust can't bear it. Crispy lingbodi.
The road started again, as if in front of the light. Love is like water. Xiao Lou smoked the quilt. In the dream of spring. Song lyrics are carefully selected and graceful, and I miss Changfeng on a moonlit night. The wind in Yun Qi, calm, turned the sky upside down for the bottom of the lake. At first glance, the setting sun is red and the moon is about to ascend to heaven. Looking back to the east, the boatman found himself in Fengyi Palace. Suddenly, the mirror opened more than ten feet away from the center of the wave. The moonlight is immersed in the water, and the sky echoes with the sky. At this time, the money is the deepest, and my eyes are dim and I can't sing pearls. The giant fish is ignorant, and the scales move a thousand pounds. In this world, we must advance despite difficulties, and the pleasure is transferred by accident. When I heard the fisherman singing, I realized that the Mid-Autumn Festival was tonight. -Check "Autumn Moon Night Song in Dongting Lake" in Qing Dynasty.
Qing Dynasty: Cha Shen Xing
Changfeng is full of blue clouds, and clouds are full of water.
The wind in Yun Qi, calm, turned the sky upside down for the bottom of the lake.
At first glance, the setting sun is red and the moon is about to ascend to heaven.
Looking back to the east, the boatman found himself in Fengyi Palace.
Suddenly, the mirror opened more than ten feet away from the center of the wave.
The moonlight is immersed in the water, and the sky echoes with the sky.
At this time, the money is the deepest, and my eyes are dazzling and I can't sing beads.
Read the full text ∨ Mid-Autumn Festival, moonlit night, and write about the scenery and grass in the water cave, which is close to the Mid-Autumn Festival and has no charm at all. Jade boundary is 30 thousand hectares, give me a boat. The bright moon is in the sky, and the shadow of the Ming River is clear both inside and outside. The bright moon and the bright galaxy reflect their posture in this vast jade scene, and the water surface is bright and clear. (same: same; A work in the jade world: jade sword) I should remember the mountains and watch the years, I am alone, and I am full of ice and snow. Thanks to this round of ancient bright moon, the soul is still as transparent as ice and snow between the mountains and seas for many years. Now, I am wearing cold hair and clothes, drifting quietly in this boundless pale sea. I wonder what night it will be. (Canglang Zuo Yi: Yan Ming; The First Work of Ridge Table: Ridge Sea) —— Nian Nujiao Crossing the Dongting by Zhang Xiaoxiang in Song Dynasty.
Song Dynasty: Zhang Xiaoxiang
Read the full text ∨ Dongting grass, near the Mid-Autumn Festival, no wind. Jade boundary is 30 thousand hectares, give me a boat. The bright moon is in the sky, and the shadow of the Ming River is clear both inside and outside. The bright moon and the bright galaxy reflect their posture in this vast jade scene, and the water surface is bright and clear. (same: same; A work in the jade world: Yu Jian)
Experience the emptiness of everything, but I don't know how to go out and encourage you. Thanks to this round of ancient bright moon, the soul is still as transparent as ice and snow between the mountains and seas for many years. Now, I am wearing cold hair and clothes, drifting quietly in this boundless pale sea. I wonder what night it will be. (Canglang Zuo Yi: Yan Ming; Ling Biao Zuo Yi: Ling Hai) ▲ There are 300 Song Ci poems, which are bold and unconstrained, writing about scenery and water, and expressing feelings on the moonlit night.