"Still Hiding Half Face Behind the Guitar from Us" was originally written about the shyness of a pipa woman when she came out, and later it was often used to describe the shyness of a woman, which was extended to cover up her position and be afraid of revealing her true feelings.

Appreciation of Pipa Prosperity

Pipa Trip is Bai Juyi's most successful work, in which one sentence is "Half of her face is still hidden in front of us behind her guitar", and its outstanding artistic performance is the strengthening of lyric factors. Compared with previous narrative poems, although this work also uses narrative and description to express events, it cannot be simplified, and only uses a central event and two or three main characters to structure the whole article.

Even Pipa Xing, a work with more ink on music imitation and narrative of characters' experiences, closely connects sounds and events with emotions, and sounds follow emotions, so that the process of poetry is always accompanied by touching emotional power. In addition, the lyricism of this work is also manifested in the choice of images, so as to create an appropriate atmosphere and set off the artistic conception of poetry.

For example, poems such as "Where are the maple leaves, where are the rushes, and the autumn wind is rustling" and "When the river mysteriously widens to the full moon" in Pipa, or bleak moonlight, the patter of night rain and the heartbroken bell combine into fascinating scenes, or rustling maple leaves, flowers and boundless river moons, forming sad and lonely scrolls, among which

A brief introduction to Xing, the author of Pipa Xing

Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen jointly advocated the New Yuefu Movement, and together with Liu Yuxi, they were called the "Bai Yuan" and "Bai Liu" of the world.