If it's not important, someone will scold me for not knowing the market. There are many plots that have a lot to do with this woman. What kind of person should Mu Guiying be? In fact, everyone has different answers in their hearts. Here I just want to express my views and opinions on this character in the TV series I have seen so far. Please correct me if you don't agree with me!
first impression
Hong Kong version of "Young Female General"-Wang Mingquan
I watched the play very early, but I don't seem to remember it clearly, so I didn't have a deep impression on my sister. I don't think this Mu Guiying is great. I only remember that she was a widowed figure. After her husband died, she devoted herself wholeheartedly to her son, Yang's family and the country that protected her. Even if there is a Wang Jiang around her, she has never thought of anything else. At first, she liked Wang Jiang better than this Mu Guiying. So, I can't talk about her here. If I used a color to describe her, I would use gray.
Mu Guiying, a brave man in Taiwan Province-Wei Qiuhua
The first time I saw the Wei version of Mu Shi 1993. At that time, I felt that my eyes were shining. I felt that this Mu Guiying was very insightful and courageous, and he was desperate to pursue his love. Her martial arts is very high. Although she looks sad in the later period (this is the consistent style of Taiwanese drama), it also makes me feel that she is gone with the wind, especially in her battle with Princess Huang Qiong, who is dashing and commanding. Maybe the first impression is always too perfect. As for looking at it later, it's still quite disappointing. This is another story, not to mention it for the time being.
ATV Blue Sky Series-Mai 1995 Watching Blue Sky in Yang Jiajiang was the time when I was most infatuated with Mu. Every day, my mind is full of stories about Yang Jiajiang. I think this Mu Guiying is impulsive and willful, but she is thoughtful. Her determined face is also full of tenderness for her husband and love for her son. Maybe what she did. Mu Guiying of Mai Lihong is my favorite image. I gave her red-loyalty, courage and restless beating. "Daughters should stand on their own feet"-Quiet
When I first saw this photo of Mu, I took a photo in the newspaper: this is the dress that Zongbao wore when she got married. It was quiet and dark, a big red wedding dress, lively and wild, but somewhat similar to Mu's character. In fact, when the director uses serenity, I have some doubts about how her modern face can interpret the femininity of classical women in China. Fortunately, peace is profound. Although the collocation with Ken Chang looks like brotherly love in age, after all, a large part of the audience accepted and even loved it. I can't say I like or dislike this Miss Mu. I have always had reservations about her, because there are many far-fetched places in the whole play. The love between Zongbao and Guiying is also reluctant, but I still like several scenes: First, the scene where Zongbao first met Guiying in Mukezhai-the first time she showed her sharp edge, which naturally made people remember-this little woman was not an easy opponent; In the second act, Guiying deliberately led Zongbao to steal the dragon wood and then came out of the dog hole. We can see the sly side of this girl and tease Zongbao quite dramatically. Although everything is under Guiying's control, she unconsciously secretly made a promise in her heart, but she just couldn't say it, so she only tried and guessed, but she didn't want to feel inferior and be competitive. This contradictory Guiying feels more lovely and full of roles.
Although among the women in the play, she has no mental trauma, the tragic fate of Princess Jinling (I don't take the death of the last Zongbao as a plot), the simplicity and kindness of Paifeng, the understanding of Siniang and the maturity and persistence of Qiniang, but she is an independent individual with distinct personality. As for the mistakes and omissions in the plot, it is up to the screenwriter and director to bear. I gave her an orange tone-a symbol of energy and enthusiasm.
Mu Guiying-Chen Xiuwen
Chen Xiuwen makes me feel more like a mother. I think her face is too kind to find the liveliness and passion of young people, but the ups and downs of the plot make up for all the shortcomings. Even without that fiery passion, you can still hold the audience's heart tightly and even ignore those shortcomings. However, I was surprised by one style: the wedding dress she wore when she pretended to marry Haonan was really beautiful. As for the headdress she wore after she married Yang Zongbao, she was even less like a young man. She felt very failed. Looks much older than the eight sisters and nine sisters. I prefer the appearance of the Blue Devils to dressing up, which makes Chen Xiuwen have a mysterious charm. However, this scene Guiying was vividly interpreted by Chen Xiuwen. She is stubborn, persistent, compassionate, fearless of power, fair and brave, dare to love and hate ... Oh, many words are not enough to describe her! I painted her golden yellow, so there was no mature taste.
Mu heroine-Wang Siyi
Up to now, I still can't figure out how the charming girl who played Yi Yun in Qin Shihuang and the Fang girl in Water Margin played Pan Jinlian. As for knowing that she plays the heroine in Women, I don't like it either. After all, Yi Yun is gone forever. At first, I thought it was a big play. I didn't expect the screenwriter and director to be too lazy to copy the lines or even make comments. The casting, appearance and acting skills of the actors were not satisfactory. After I barely finished reading it, I deleted it all from my computer, and it was very fast, so I couldn't watch it anymore. I really can't figure out what color to give her.