The function of the cup:
Bangzi plays an important role in cross talk. The comedian is usually the protagonist of cross talk, responsible for performing and telling stories, while the comedian is responsible for cooperating with the comedian to set off and assist his performance.
By cooperating with funny performances, Bangbang helped him to better show his character image and story. The role of comedians in adjusting the atmosphere in cross talk makes the whole performance more lively and interesting by means of interruption and response. Bangbang plays an auxiliary role in the performance, helping the actors to complete the performance tasks better.
Skills of holding a gun:
The comedian should cooperate with the comedian and finish the performance naturally and smoothly. Comedians should master the rhythm of performance and cooperate according to the rhythm of comedians. Actors' lines are usually short and pithy, so don't take up too much performance time. Performers should enhance the performance effect through rich expressions, which makes it easier to attract the audience.
The relationship between "bang" and "tease";
Humpback and teasing are two inseparable roles in cross talk. The relationship between them is interdependent and complementary. The comedian is usually the protagonist of the whole crosstalk, responsible for most of the performance tasks, while the comedian plays a foil and auxiliary role. The two roles need tacit cooperation to achieve the best performance effect.
In cross talk, the roles of comedian and comedian are usually fixed, and their cooperation is also formed through long-term practice. This tacit cooperation and complementary relationship is an important feature of cross talk performance.
Type of a handful:
Modest comedians are usually modest and low-key, do not steal the limelight, and can cooperate well with comedians' performances. Trapped comedians pay more attention to details, and can supplement the plots or jokes ignored by comedians in time, making the whole performance more complete. The dominant crosstalk performer is relatively strong, can dominate the rhythm and atmosphere of the whole performance, and decide the style and development direction of crosstalk together with the crosstalk performer.