A warm and healing movie. The place where the film was shot is picturesque all year round, and every shot is so warm, so simple and so real. Love Hashimoto, the protagonist of the new generation of Japanese actors, is so pure and lovely, without makeup, but full of some unforgettable temperament. I suggest you watch it in blue light. If there are better conditions, of course, we will find another way.
The two films were shown at different times, but I spent an afternoon watching them for about four hours. This feeling is great. Fortunately, I watched it during the day, otherwise I don't know if I can resist the temptation of delicious food in the film at night!
Living in a place, being in close contact with nature, and facing them with a pious heart, whether from the heart or because of escape, will naturally be a great "girl" or "enthusiastic young man" full of temptation and healing ability, or a plump beauty dressed in noble golden yellow and a sacred goddess wrapped in a thick white down jacket, which will only reveal a pair of clear and bright beautiful eyes. Their arms are definitely a good place to live and escape.
When I was very young, Shizi and her mother lived in this village called Komori. The film didn't tell the father of Shizi. Here, her mother takes her son alone, and she cooks a lot of delicacies all year round. Because of this, the happy memories of Shizi are all cooked by her mother and her.
One day, Shizi came home from school and found that her mother had left and disappeared from her life. Prince doesn't know why his mother left her, but her mother has already left. Fortunately, her mother would write to her from time to time, but she didn't reveal where she was. Shizi knew that her mother would not let herself know where she was. Fortunately, she was accompanied by her friends especially Tai and ji zi, and she was not too lonely.
When Shizi grew up, she went to Tokyo, a big city, where she worked hard and ran around every day, but she found that the fast-paced life in the city was not suitable for her, so she "fled back" to Komori village, where she began to learn from her mother about growing vegetables, weeding and transplanting rice seedlings, and doing what everyone here would do. Shizi is a strong and studious girl. If you don't understand in the village, ask experienced grandparents. In this village, it is like living in a paradise, simple farmers, fresh attics and beautiful scenery. They grow food with their own hands and live a life without competition.
Children in the city live a free and carefree life here. Grow your own vegetables, take them home when cooked, recall the taste of the dishes cooked by your mother, make a series of familiar, creative and attractive dishes with the help of Komori, and taste them with your friends!
Children in the city keep their own vegetable gardens in good order and are not allowed to be idle all year round. All food and cooking materials are taken from nature, and urban children like life in Komori village more and more. Self-sufficient life is always so full.
In a certain season, Shizi returned to the city, and she decided to sort out all her fetters in the city in order to give herself to Komori completely. Fortunately, she met her boyfriend, and he also decided to give up everything in the city and return to the countryside with his son. Therefore, under the injection of this young life, Komori became energetic and lively. The people in the village are still so simple, but the smiles on their faces are always so bright. ...
The last scene of the picture is an activity organized by Komori, and this generation of young people will participate after marriage. The old people gathered here are gray-haired and shaky, but they can't hide the taste of simplicity and yearning, and their faces are full of love for life. Those bright eyes reflect everything about Komori. Children in the city are dancing on the stage, and villagers in the audience are grinning and cheering. ...
Komori's life is still going on, and the figure of Shizi has impressed me deeply, longing for their poetic pastoral life very much!