As a traditional folk art form, crosstalk is a basic skill that actors must master skillfully. Today, Deyun Society can emerge a batch of popular actors, in the final analysis, thanks to Degang Guo's strict teaching management model. Although Degang Guo doesn't directly guide students in the daily teaching process, from the beginning of Deyun Society's development, from the older generation of crosstalk performers represented by, Xing, to the young and middle-aged actors with the peak as the core, he arranged special personnel to take charge of teaching.

Of course, it is not enough to gain recognition in the performance market only by basic skills. The shaping and polishing of an actor's style is also an indispensable basic skill. The key is to be able to flexibly adjust the performance style according to different performance occasions and the number of audiences, so as to ensure that it will get better and better on the road of development. This point has been vividly reflected in the small theater of Deyun Society. Some young crosstalk performers can easily arouse the audience's emotions in a small theater, but Shang Yan did not perform well in front of thousands of people, which can be seen.

Creative ability is also essential for crosstalk performers. Even if there are relatively few cross talk works, we should constantly introduce the burden and jokes in the performance process to get the praise of the audience on the stage. If you always perform fixed programs, even if you form your own characteristics and scenery, the audience will get aesthetic fatigue over time. Therefore, creative ability is also a professional skill that crosstalk performers need to possess.

Although the actors of Deyun Society are becoming more and more popular, most other crosstalk clubs are faced with the cruel reality of being powerless. In fact, it is no accident that similar situations happen. Usually students don't pay attention to basic skills practice, but they always make themselves popular overnight in the form of rubbing hot spots. Such a development model may be successful for some actors in today's society, but it is short-lived in most cases. On the contrary, Deyun's model is more reliable, from Yun-peng Yue to Zhang Helun.