It is far away from the road layout, giving people the first impression of the low roof and dark ribbon glass windows under the eaves that protrude from the surrounding trees. In order to avoid heavy volume, the building is divided into four main wing parts.
When entering, you need to climb several steps to reach the front hall on the right side of the house. Wright's house usually has a "passage" running through it, and in this case, people must make a quick choice, either turning into a square spiral staircase and reaching the bedroom floor above, or leaving the lobby along a more obvious route and entering the living room diagonally. The living room above the main shaft is one and a half stories high. Chimneys and vertical screens are also arranged on this axis. The wall is smooth after painting, and the use of wooden boards not only divides it into smaller scales, but also integrates structure, decoration and details into the overall proportion. From this space, people can see the restaurant located on the horizontal axis of another diagonal direction. The dining room can see the garden from three directions, and the back part of the house is the kitchen.
Comparing Winslow House and Lai Ci House, we can find that Wright used several methods to break the square box. Because in Wright's view, "box" means wall. Winslow's house retains walls, but the walls are penetrated, bent or folded in various ways. But now the city wall itself has been attacked, and the Japanese have become Wright's allies in this attack.
For the facade, he freely used Japan.