An ancient poem by Meng Haoran is as follows:

The first two lines are about the spring scenery of the West Lake and the bustling scene of spring tour. In the last two lines, it is said that after the sunset, the scenery is even more beautiful, and since those who love to rush around don't know how to appreciate it, they have to let the yellow warbler fly back to enjoy it.

Reflecting the fun of outings and trekking during the Qingming Festival: "Pear blossom wind is rising in the Qingming Festival, tourists looking for spring half out of the city. At sunset, the pianos and songs are packed away, and ten thousand willows belong to the warblers." March in Jiangnan is the "pear blossom ten thousand white as snow". Season, young people out of the city, trekking in search of spring, pianoforte whistling, singing curls, the breeze, willows, really "relaxed and happy, wine in the wind, the joy of it is carried forward.

Profile of the poet:

Meng Haoran (689-740), Hao, Hao Ran, Meng Shanren, Xiangyang, Xiangzhou (now Xiangyang, Hubei), known as Meng Xiangyang. He was also called Meng Shanren (孟山人) because he had not been an official, and was a famous poet of the landscape and idyllic school of the Tang Dynasty.

Meng Haoran was born when the Tang Dynasty was in full bloom, and in his early years, he had the ambition to use the world, and after being troubled and disappointed in his career, he was still able to self-respect, and he did not pander to the common people, and he was a hermit for life. Had lived in seclusion in Lumen Mountain. 40 years old, traveled to Chang'an, should be a scholar lift failed. He had a poem in the Imperial College, the name of the Secretary, a tilt service, for which he put aside his pen.

In the 25th year of the new millennium, Zhang Jiuling was recruited to the government, and then lived in seclusion. Most of Meng's poems are in five short lines, mostly about landscape and seclusion, and the mood of travelers. Although they are not without cynicism, they are more of the poet's self-expression.

Meng Haoran's poems are not as broad as Wang Wei's poems, but they have unique artistic attainments, so the later generations called Meng Haoran and Wang Wei together as "Wang and Meng", and there are three volumes of Meng Haoran Collection.