"Mid-Autumn Festival Post" original text: "Mid-Autumn Festival is appropriate, but it is also a big province, such as how he can win the battle."
Unfortunately, the meaning of only 22 words cannot be explained clearly.
Some experts believe that this post is an incomplete copy of Zhai and the iron chop in December, and the original post also has the words "cut until December" before the Mid-Autumn Festival.
Therefore, it has brought some obstacles to readers to interpret the contents of Mid-Autumn Festival stickers.
But as far as calligraphy art is concerned, it is a first-class masterpiece.
Throughout the ages, we are all immersed in the same moonlight as our ancestors. This round of bright moon has also illuminated the hearts of countless literati, who left many exquisite paintings and calligraphy chanting Mid-Autumn Festival for future generations.
When it comes to paintings and calligraphy related to the Mid-Autumn Festival, the cursive script "Mid-Autumn Post" of the Jin Dynasty collected by the Palace Museum in Beijing is probably the most famous treasure. Together with Wang Xizhi's Sunny Snow Post and Wang Xun's Yuan Bo Post, it was praised as "Three Wishes" by Emperor Qianlong, implying that these three posts are rare treasures.
"Mid-Autumn Post" has three lines and 22 words, which are: "If the Mid-Autumn Festival is over, don't return it, that is, how can the army of He Qing and others win?" Without signature, how to break sentences is also fascinating. In the upper right corner of the mail body, there is also a royal inscription "Wang Xianzhi Mid-Autumn Festival Mail".
The creation of cursive script "Ashu" is a great contribution of Wang Xianzhi, which extends to Cao Zhang by Zhang Zhi and Cao Cao Now by his father Wang Xizhi. Mid-Autumn Festival Post is regarded as a work of "one book", and its brushwork is continuous, like a surging river, pouring thousands of miles, showing a refreshing heroism and being praised by the world.
Although there is no doubt about the artistry of Mid-Autumn Festival stickers, the bamboo paper used in them did not appear until the Northern Song Dynasty. Judging from the strokes, it was written with a careless pen, not a deliberate hard pen used in the Jin Dynasty. Although Emperor Qianlong's handwriting is an original of Wang Xianzhi, experts in contemporary calligraphy and painting generally believe that it may have been visited by Mi Fei in the Song Dynasty, so it is equally valuable.
There is also a tortuous story about the Mid-Autumn Post, which was collected and passed down from generation to generation. This post was collected by Xuanhe in Song Dynasty, Neifu in Shaoxing, Xiangxiang in Ming Dynasty and Neifu in Qing Dynasty. In the Republic of China, Puyi took him out of the palace, exiled to the people, and pawned Wang Xun's Yuan Bo Post in a foreign bank in Hong Kong. 1950, two jobs are facing sale. When Hong Kong collector Xu learned of this situation, he contacted the then director of the Palace Museum, who reported the matter to the Prime Minister. 1950, Premier Zhou personally instructed: "Agree to buy back Mid-Autumn Post and Postal Service" and return it to the Palace Museum.