The two met in the finale of "Rooftop Prince".
In the 20th episode finale of "Rooftop Prince", the fact that Tae Moo is the half-brother of Prince Lee Gak of the Joseon Dynasty and the murder case of the crown prince (Jung Yumi) were all revealed. Made public. During this period, Li Ge worked hard to find out the secret of the Crown Princess's murder, and continued the investigation after coming to modern times, but the Crown Princess did not die.
Fu Rong was initially unsuccessful in the selection of the Crown Princess. Because of her sister's jealousy, her sister became the Crown Princess. However, Furong has always been deeply in love with the Crown Prince. Furong said to Li Ge: "Life is death, death is life, Furong is the flower bloomed by the lotus, and everything will be buried underground after death."
Li Ge, who returned to the Joseon Dynasty, began to investigate the cause of the death of the Crown Princess. Finally, he learned that the person who died was not Hua Rong but Hibiscus. The mystery of the incident was all revealed, and the ratings soared. Bit.
Evaluation:
After the setting of "Rooftop Prince" was announced, the audience immediately discussed it through various channels. Because from ancient times to modern times, the development of many things has exceeded the brain capacity of these four people. After traveling through time, they became omnipotent "time-travel protagonists". In "The Rooftop Prince", only the right people can The cars driving around the streets, the palaces that were converted into tourist spots, and even the high school girls eating instant noodles in convenience stores stared at them.
Without the cheats and cheats in the Mary Sue time-travel drama, they would just keep being silly and cute. The more jokes they make, the more the audience would like to watch them; and behind the "silly cuteness", there is a conspiracy. , persistence, reincarnation, and love are all carefully and skillfully inserted into the entire plot. They are not abrupt or far-fetched, and there are even layers of foreshadowing that make the audience want to "lead you into the urn" but are willing to be guided by the plot.