Victory of Will (1934/ German/Black and White)
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[Archives] English name: Victory of Will directed by Lenny. Music by Ravenstal: Herbert. Winter Award: 1935 Best Documentary Award at Venice Film Festival and Paris Film Festival. Forbidden: XXXXX [Content] This film is a documentary recording 1934 Imperial Congress held in Nuremberg. Conceived by the Nazis, filmed for the Nazis, and the content is also about the Nazis. The film recorded the grand occasion of the conference and some important events during the conference. At the beginning of the film, the cloudy sky sets off the chaotic scene in Germany, showing a chaotic world waiting for the creator to create the world. Then the sky gradually widened and the image of the Third Reich gradually became clear. A plane appeared and disappeared when it broke through clouds and fog. People on land are looking up and waiting. The plane finally landed, the hatch opened, Hitler fell from the sky, and suddenly, cheers resounded through the sky. The medieval city of Nuremberg was packed with welcoming crowds. The national flag fluttered with the wind, the cars slowly moved forward in the crowd, and finally there was a parade ground, and a large number of armored chariots rumbled past neatly. Then, subtitles appeared on the screen: "1September 5, 934, 20 years after the outbreak of the world war, German suffering began 16 years later; /kloc-after the start of new Germany in October/September, Adolf. Hitler came to Nuremberg again to review this loyal follower team. "In the 1930s, when the Nazis gathered in Nuremberg for a meeting, Hitler wanted to make a film to show how he succeeded in becoming the most powerful leader in Germany. He chose Lenny. The Victory of the Will in Rivesta actually shows historians how the Nazi government developed through propaganda and how Hitler used his unparalleled and frightening language ability to incite the masses and instill Nazi ideas in them.
[Focus] A controversial female directors made a film with mixed reviews, which became a unique case in the history of film.
[Background] Lenny. Riefenstahl is a famous veteran in the German film industry. She is famous in the world not only because of her achievements in the field of film art, but also because she is a controversial figure with mixed praise, because of her cooperation experience with German Nazis and her two famous films, Victory of Will (1934) and Olympia (1938).
Lanny. Finstad was born in a wealthy petty-bourgeois family in Berlin on August 22nd, 2002. Before filming, Lenny studied painting in Berlin and then received ballet training. After an injury, she decided to switch to being an actress and join the film director Arnold. Under Fank's door. Arnold. Ke Fan used to be a ski instructor and was famous for shooting mountaineering movies. Lanny. Rivenstal has starred in several films of Van Gogh's mountaineering, such as Holy Mountain (1926), Flying Over (1927), White Hell of Paru Peak (1929) and Iceberg Emergency (1929). Lenny studied film art from Van Gogh. 1932, Lenny and Bella, a famous Hungarian film theorist. Balaz collaborated with * * * to write and direct her first feature film Blu-ray. This film made her famous in the German film industry.
Really change Lenny. Ravenstal's fate lies in 1933. If she hadn't been given the task of filming a documentary by the Propaganda Department of the Empire this year, she would still be a pure artist, whether she was engaged in dancing, performing or directing mountaineering films. But once she accepted this task, her films would inevitably become Nazi political propaganda, and her creation would consciously or unconsciously deviate from the artistic direction 1933, Lenny. Rivenstar was ordered by the Imperial Propaganda Department to make a film about the Nazi Party Congress, Victory of Loyalty. 1934, she was ordered to film the imperial congress held in Nuremberg. Hitler wanted to take this opportunity to promote the revival of Germany. He provided unprecedented shooting conditions for Rifenstar: unlimited funds, a film crew of more than 100 people, countless spotlights, a large photography team consisting of 16 first-class photographers and 30 cameras set off at the same time, 22 cars with drivers, and unified mobility. All of them will always take orders from Rivesta, and Nuremberg even built bridges, towers and ramps specially used for shooting, so that Rivesta's cameras can go to heaven and do everything. A Nazi official even offered his luxurious villa to the film crew to live in. Hitler invested so much money to turn the Nazi Party into the most perfect and powerful image on the screen.
Hitler's wish came true. Rivesta directed her photographic army, shooting on ladders, slopes and towers, and successfully rendered the atmosphere of the scene with multi-angle shooting. The post-production of this film took several months, Herbert. Winter composed music for movies, and the music style was similar to Wagner, who was Hitler's favorite musician. Victory of Will premiered 1935. The film fully conforms to the intention of the authorities, with exquisite art and aesthetic pursuit, and is praised as a "masterpiece" by Nazi leaders. The success of this film made Rivenstar "the most imaginative propagandist of national socialism".
1936, Lenny. Rivesta made her best film, Olympia. This documentary recording 1936 Berlin Olympic Games is divided into two episodes: the first episode is the Mass Festival, which starts from ancient Greece, the birthplace of the Olympic Games, praising the architectural art and humanistic beauty of Greece, followed by the Olympic torch relay to Berlin and Hitler to inspect the masses, followed by track and field events; The next episode is "Beautiful Festivals", which reflects the life and other events in the Olympic Village.
During Nazi rule, many artists with conscience were unwilling to cooperate with dictators. They were either exiled abroad or put in concentration camps. Only a few people are willing to serve the Nazis, Lenny. Rivenstal is one of the most prominent. Raventhal worshipped Hitler from the heart and regarded Hitler as the savior of the people. In her view, Hitler let the Germans get rid of the long-term depression and national inferiority after World War I. It was not until the war caused a devastating disaster to the whole world that she woke up and realized that she had become a victim of the deceived history. 1September, 939, Rifenstar was invited to Poland to film the victory of Blitzkrieg. For five days, she was shocked by the cruelty of the war and the cruelty of German soldiers to Polish prisoners of war. She stopped working for political propaganda, but as a symbol of Nazi art, she will never change.
After the collapse of the Third Reich, Rivenstar was the first filmmaker to be sent to prison. She was called a Nazi sympathizer and was arrested several times. 1949, she finally ended her imprisonment, and her career as a director ended forever with the fall of the empire. Because of her special status, it is difficult for Rifenstar to get funding for filming, but she is still an indomitable strong woman. She dares to deny her past and create her own future. When she can't make movies, she becomes a photographer. At the end of 1960s, she was 60 years old, but she still took pains to travel far in Africa and go deep into the jungles of East Africa. The Nuba tribe in southern Sudan lived alone with the Nuba people for several months and photographed the local folk customs. After returning home, they published two photo albums, which made a sensation.
1992 is Lenny. Rivenstal's 90th birthday, in honor of Rai, a veteran of the German film industry. Miller made a three-hour documentary for Rivenstal. Lanny, September 8, 2003. Rivenstal died at the age of 10 1. It is reported: "She walked peacefully and didn't feel any pain, just like lying in her own bed and falling asleep." [Appreciation] For American film historians, Victory of the Will is "the most authoritative propaganda film". There is no commentary in the film Victory of Will, and Riventhal regards any words as the enemy of the film. When words are needed, actual recordings of speeches by Hitler or other Nazi leaders are used. The film's charm comes from the director's handling of pictures and sound: marching crowds, cheering crowds, flags and Nazi party emblem, eagle emblem, ancient German streets and towers, folk songs and dances, clouds, speeches, military uniforms, and the frequent appearance of "Fuehrer" Hitler. In the filming of Victory of Will, the strong-willed Riefenstahl fully demonstrated her film-making style. Anything that conflicts with her aesthetic requirements, no matter how important it is as the content of the film, will be ruthlessly rejected by her. All the pictures in the film should be shot at the right exposure and shooting angle under the most beautiful light and angle. In order to get this kind of picture, she did not hesitate to shoot from all angles with dozens of cameras, and then selected the picture she needed from a large number of films shot in this way, and then edited it from 6,543,800+7,000 feet of film. As a talented and well-trained dancer, she has a good grasp of the rhythm and dynamic performance of the film, which makes the film a hearty work in visual expression. The connection and transformation between melody, rhythm and action can be described as seamless, and the sense of rhythm, pleasure and intoxication caused by the constant change of the picture has become the keynote of her film. Rivenstal is also good at using static pictures, so that as a pause, it has an abrupt effect. Under the interpretation of her spectacular pictures, Nazi thought became an intoxicating visual fantasy. The film is not so much the product of her Nazi thoughts as the product of fascist fanaticism and intoxication at the meeting. She used the camera as a tool to experience the ecstasy of fascism at the meeting site and sublimated it into a fascist visual aesthetics. Lanny. Through rhythmic editing, Riefenstahl made this documentary with the montage effect of Nazi party have a strong visual impact, and she promoted pure political propaganda materials to a rare artistic height. Because of her outstanding technical and aesthetic achievements, Ravenstar became "the most imaginative propagandist of Nazi self-expression".
The victory of will puzzled many people and made them determined to gather under Hitler's banner. Therefore, the great success of this film in publicity is "unforgivable". However, so far, no film has been so widely used by opponents. Countries opposed to Hitler borrowed most of the contents of Victory of the Will from their own anti-war propaganda films. No film shows Hitler's demonic nature and the loss of human self-control so vividly. The only explanation for this strange phenomenon is that Rivesta's camera doesn't lie, and the truth it reveals always makes people shudder. French film historian George. Sadoul said: "It inadvertently became a very meaningful material, exposing the two sides of the regime it praised, namely, politeness on the surface and barbarism in the bones." As an artist, Riefenstahl is excellent, and her artistic skills and accomplishments are amazing. Even as a propagandist, she was praised for her extraordinary ability and political frankness in dealing with spectacular scenes. As a film director, Li Finstad developed photography and filter technology, and developed montage factors including nature, architectural art and human body. Her documentary masterpiece has become a valuable document in The Times. As female directors, her artistic attainments are no less than those of male directors, and her dedication and sacrifice to mountaineering films and sports films are obvious to all. Rivesta started from the male-dominated art field in the 1930s. She has no advantages in financial resources, organizational means and social status, but she dares to liberate herself in the tough competition. She likes sports, whether climbing mountains or diving. She appreciates and praises her strong physique. Rivenstar's art has a * * * similarity, that is, it places great emphasis on the vitality of the body, which is highlighted in dance and sports, and later reflected in African jungles and underwater photography. This may be the reason why she has a soft spot for sports movies.