With the background of the Republic of China, the TV series "Sweet Flowers in May" tells the life-long grievances of three men and two women in the antique street of Liulichang, Beijing, and shows all kinds of people and stories in the antique industry in old Beijing, while also interspersed with interesting cultural relics knowledge.

In the mid-forties, Beiping Antique Street Liulichang. Tong Fengquan, the shopkeeper, was framed by his colleague Shen Songshan for designing an official kiln porcelain in the Northern Song Dynasty. Tong Fengquan avenged himself, and eventually made Shen Songshan go bankrupt and commit suicide. Tong Fengquan, who didn't want to take revenge and harm others, was reported by serial newspapers. His money was swept away by the man Erkui and he became a street vendor.

The fallen Tong Feng Quan accidentally met the brother and sister Fan Wuye, a lonely Manchu legacy, and fell in love with his sister Mohe. In order to change the embarrassing situation, Master Fan repeatedly used Moho as a bargaining chip to force Tong Fengquan to make up a broken old painting for him in order to make a profit.

Tong Fengquan insisted that he should not. In the street market, I met Grandma Ruer, who escaped with two boxes of wenwan stolen from Rebecca's house. When Tong Fengquan was selling wenwan for Mrs. Ru's second daughter, she offended her clansman Soba and was killed and put in prison. Later, it was redeemed by Grandma Ru. At this point, Tong Fengquan had a continuous emotional entanglement with Ruqiulan and Mohe!

The Creation Background of "Sweet Sophora in May"

Arguably, Zou Jingzhi should be very at ease with the "Sweet Sophora in May", which has been infiltrated in the antique shop for more than ten years and lasted for two years.

In fact, from the first TV script "The Legend of Liulichang" to four later films "An Interview with Kangxi incognito" and three films "Ji Xiaolan with Iron Teeth and Copper Teeth", Zou Jingzhi, a poet-turned-screenwriter, never lost his hand. In 2003, his drama "I Love Peach Blossom" was performed in a hundred performances, which was talked about by people.

Different from the flying feeling of Ji Xiaolan and Kangxi, Zou Jingzhi described "Sweet Sophora in May" as falling to the ground, and it was not the imagination that spelled it, but the most kung fu. The ordinary people lived an ordinary life. The so-called "seemingly life, in fact, the waves were deep and long" was the most difficult to write well.