"Red hands, yellow vine wine" originated from "The Hairpin Phoenix" by Lu Huai Wu You?

The Southern Song poet Lu You's "Hairpin Phoenix"

Red hands, yellow vine wine. The city is full of spring color palace wall willows; the east wind is evil, the love of happiness is thin, a pocket of sadness, a few years away, wrong, wrong, wrong!

Spring is as old as ever, and the people are empty and thin. It's not easy to find a way to get rid of them, but it's a great way to get rid of them!

Translation:

Your red and crispy hands are holding a cup filled with yellow cord wine. Spring colors fill the city, but you have long been as remote as the green willows in the palace walls. The spring wind is so abominable that it blows the happiness so thin. Full of sadness mood, parting a few years of life is very depressed. I can only think of the time when I could only sigh: wrong, wrong, wrong!

Spring scenery remains the same, but people are emaciated and thin. Tears wash out the face of the rouge, and the thin silk handkerchief all wet. The peach blossoms were blown down by the wind and sprinkled all over the cold pond and pavilion. The vow of eternal love is still there, but it is difficult to deliver the letter of the brocade. I can't think of anything else I'd rather be doing than just sighing," he said!

This lyric always centered around the Shen Yuan this particular space to arrange their own ink, on the piece by tracing the past to caress the present, and with the "east wind is bad" turning; over the piece back to reality, to "spring as old" and the last piece of "... Spring is like the old days" is echoed with the sentence "full of spring colors", "peach blossoms are falling, idle pool pavilion" is echoed with the sentence "the east wind is evil" in the previous piece, so that the feelings and scenes of different times in the same space are reflected as if they were painted.

The whole word uses the technique of comparison, such as the last piece, the more the past couple **** with the life of the beautiful scene written in a realistic, the more they are forced to divorce after the miserable state of mind y palpable, but also the more obvious "east wind" of the heartless and hateful, thus forming a strong contrast of feelings. Another example is that the first part of the poem is about "red hands", and the second part is about "empty and thin people", which, in the image and sharp contrast, fully expresses the great mental torment and pain brought by "a few years of separation" to Tang. The first is the "I'm not sure what I'm talking about".

The whole word has a rapid rhythm, the sound of the poignant, plus "wrong, wrong, wrong" and "Mo, Mo, Mo, Mo," two successive exclamations, the breath of the heart, a mournful, mournful can not say, mournful can not say the mood.