If you ask me, this result should be.

Whether it is the reasoning that can't stand scrutiny, the embarrassment of forcibly inserting advertisements, or the melodramatic sublimation at the end of the film, it strongly proves that Chen Sicheng has run out of talent in Jiang Lang, at least in the series of Tang Tan.

However, this is not the reason why Tang 3 is so controversial.

The real reason is that the "custom" of "Tang Tan" series to despise women reached its peak in this one.

Seeing the appearance of Masami Nagasawa's Kobayashi Apricot Nai, Tang Ren couldn't help shouting "Good Chest".

The answer to the digital password set by Q is 36d. The camera also deliberately dumped it on the giant doll.

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One of the most physically uncomfortable scenes is the scene in the morgue. People in the elevator mistakenly thought that the body was "back from the dead", so they collectively punched and kicked it. The fact is, she is just an innocent nurse who was stunned.

Yes, I admit that this scene is really funny. But, after laughing?

The director didn't make it clear what happened to the nurse, and the audience didn't care. And this is the most terrible thing-women who are helpless have become jokes, and no one feels wrong. 36D's desire for women, young and beautiful female secretary, and mature waitress at the front desk of the bubble bath shop ... vilify women, and show and fiddle with them as stereotyped symbols. These scenes are everywhere in Tang Detective 3. The question is, doesn't Chen Sicheng know that these will lead to criticism?

Of course he knows.

The problem is that sex is indeed a "plus item" in comedy movies, and demand determines the market. "Since there are so many otaku who like big breasts and long legs, let's show them."

As for the female audience, his idea is also very simple-as long as the movie is good enough, you are willing to pay for the ticket and scold it as much as you like.

The greasy and arrogant "Chen Sicheng" is one of the culprits for the abnormal development of some films in China.

As early as Tang 1 and Tang 2, the scene of "male gaze" has appeared many times. Whether spying on the role played by Tong Liya or stealing female detectives, Tang Ren's behaviors are all engraved in a kind of levity and obscenity towards women. To put it bluntly, this is Teddy among people.

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In this regard, Chen Sicheng once explained humorously in an interview: "I may have teased some women, but I also teased some men." It seems reasonable at first glance, but it's nonsense to think about it.

The reason is simple-they are all stereotypes, and women will be hurt much more obviously than men.

Take the story at the end of "Tang Tan 3" as an example. Kobayashi Xingnai cried that she had no father's support when she was a child, and her mother had to commit herself to hooliganism and even go to jail. All the listeners cried on the spot.

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Wait a minute.

You have hands and feet, why can't you go to work normally? Commit yourself to hooliganism just for a bowl of soba noodles, excuse me? No matter how harsh the Japanese law is, is it a death sentence for theft?

In the final analysis, this plot arrangement is to sensationalize and sublimate the theme. In order to achieve the goal, even at the expense of opening the scars of female characters to be "sacrificed."

It's disgusting. Open the fucking door for disgusting. It's disgusting! Yes, you can say that I'm a hustler, but you can't deny that the similar story of "orphans and widows are miserable because of their husbands' absence" always appears in movie scenes. So that people in reality, once they hear who has become a single-parent family, immediately respond with sympathetic eyes. As an important part of mass media, movies are bound to assume their due social responsibilities. Every move of the characters in the plot is likely to slowly change or even poison the minds of the audience like the "butterfly effect". I'm afraid Chen Sicheng doesn't know this truth. But I'm more afraid that he already knows.

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The Beautiful Legend of Sicily must have been read by many people. Marlene dietrich, played by Monica, wears black hair, a short skirt and stockings, and seductive high heels ..... All smiles make men enchanted and women envious.

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There are many male actors in the film who are interested in marlene dietrich YY, and there are also many scenes of the latter. Why doesn't it make people feel disobedient and offensive at all?

The reason is simple: marlene dietrich's sexiness is the power source of the plot. If these shots are erased, the whole film will have no foothold at all.

On the other hand, what about the "Tang Detective" series?

You will find that 90% of the peeping at women's figure has little to do with the plot. The biggest role is nothing more than strengthening Tang Ren's wretched human setup.

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As the main character in the script, Tang Ren's behavior logic is greasy, which somewhat reveals the director's bad taste in artistic creation.

To some extent, Chen Sicheng may quite enjoy the pleasure of "male gaze".

Men have a sense of superiority in the right to speak, and they get a peek at women consciously or unconsciously, which is an inherent chronic disease in patriarchal society.

But that was before, my friend. Nowadays, times have changed.

Song Yi quoted a famous saying of Nietzsche in Tang Detective 2: "When you stare into the abyss, the abyss is also staring at you."

Now, I want to return this sentence to Chen Sicheng intact.

If director Chen still intends to sell stereotypes and take pleasure in consuming women, then the audience at that time will be as cruel as they laugh.

And "Tang Tan", a seemingly gorgeous building, will eventually collapse sooner or later.