Xiaogang Feng starred in a movie called "Old Six and Old Six". He was a gangster in old Beijing. In the movie, Xiaogang Feng plays Liu Ye because his son is involved in a conflict with the rich second generation.
He is paranoid about using his own "rules" to solve contradictions, and the result will only get deeper and deeper.
There are indeed many similarities between Xiaogang Feng in reality and Liu Ye in the movie. They have a Beijing accent, an old-fashioned attitude towards life, are full of vitality, and refuse to compromise what they think is "irregular".
The difference is that Liu Ye was brilliant when he was young, so his strength was released. On the other hand, Xiaogang Feng is at the peak of his career, and this strength comes from him. Besides, Xiaogang Feng is almost another Sixth Master.
What is the real Xiaogang Feng like? How did he get that power? This has to start with a company.
Company name: Beijing Menghao Film and Television Planning Service Company; Registration telephone number:1101081435912; Address: No.2, Zaojun Temple A, Sidaokou Road, Haidian District, Beijing; Legal Representative: Shark Wang; Competent unit: Beijing Television Art Center; Enterprise status: revoked. The business scope reads: film, TV series, cultural program planning and consultation, economic information consultation, retail household appliances, household electronic products, decorative materials, arts and crafts (except fireworks) and building materials.
Years later, Xiaogang Feng recalled this long-gone company in his autobiography, and the words that impressed him the most-except fireworks. In fact, there are only three people in this seemingly diversified company-Chairman Wang Shuo, General Manager Xiaogang Feng and a Chief Financial Officer.
There are no employees to lead. In Xiaogang Feng's words, the chairman personally sweeps the floor and cleans the table every day.
1at the end of 993, under the arrangement of three people, this company named Sweet Dreams was established. Because it is the first time to start a company, the three of them are a little weak. When decorating the office, they intend to transform the chairman's office into a secret room. If someone doesn't want to visit, they can lie that the boss is not here.
On the opening day, all the guests who came to celebrate found a lottery box at the door of the company, which was different from the gift given to the guests when the company opened. This lottery box made the guests bleed. There is a pile of invoices for buying office supplies in the lottery box for the guests who come to congratulate to draw. Whichever invoice they touch, they pay the bill according to the face value.
In other words, it is not enough for the guests who come to congratulate to say "business is booming", but also to have substantive performance. The luckiest guest touched a large invoice of 4000 yuan and asked for the full amount.
The name of this company is Dream, and its behavior is like a dream. On the opening day, the company opened, and the invoice reimbursed by the guests became the first income of the company. The reason why this company can have such a big face is to mention Xiaogang Feng and Wang Shuo.
Xiaogang Feng was born in Beijing. His parents divorced when he was a child. His mother brought him and his sister up all the way. When he was in middle school, he fell in love with oil painting. You know, when he was growing up in the 1960s, learning art was definitely a luxury. His mother bought him all kinds of pigments very hard to save money.
A few years later, it was this painting skill that enabled him to earn his own living and share his worries for his mother. That's 1978, and the college entrance examination has just resumed. Xiaogang Feng faces two choices. One is to enter the Fine Arts Department of Beijing Film Academy for further study. If he chooses this road, history may enter another interesting fork in the road, and his contemporaries, such as Zhang Yimou, Chen Kaige and Tian Zhuangzhuang, may enter the film industry with another attitude.
The second choice is to join the army and join the comrades-in-arms art troupe to be a literary soldier. Xiaogang Feng chose the latter without hesitation. First, because he joined the army and got a salary, he could reduce the burden on his family. Secondly, he envies soldiers, especially literary and art soldiers, who can wear cadres' uniforms, get a salary of six yuan and wear tunics, which makes him look proud. After receiving the military uniform, he also asked for leave to go home and let his mother have a look.
In this way, Xiaogang Feng became a literary fighter. In his own words, the literary and art soldiers at that time were even worse than the turtles now. Whether walking in the street or performing, they all carry the same suitcase, which is particularly imposing.
It was the nostalgia for this period that prompted him to shoot a film "Fanghua" dedicated to the art troupe.
After seven years in the army, 1984, Xiaogang Feng was discharged and transferred to Beijing TV Art Center as an artist. It was also from here that Xiaogang Feng met Wang Shuo and worked with him as a screenwriter for the TV series The Story of the Editorial Department. After the TV series was broadcast on 199 1, it became popular all over the country, and then Xiaogang Feng and Zheng Xiaolong directed Peking Man in new york. In the period before the opening of Dream Company, Xiaogang Feng has become a potential stock that cannot be ignored in the film and television industry. At that time, Wang Shuo was much more famous than Xiaogang Feng. In the late 1980s, he was a spiritual mentor in the eyes of countless young people. His literary works, which were lofty and ridiculous, were very popular at that time. In the film and television industry, he also has a pivotal position. Many of his works have been adapted into TV dramas, including classic works such as Stubborn Sunny Days. Many filmmakers are proud to be able to shoot a work by Wang Shuo.
Because Wang Shuo and Xiaogang Feng have a good reputation, a gold owner came to you shortly after the establishment of Dream Company, and that was their first project, Sweet Dreams for You. At that time, it was just an intention, and even the script was not completed, and the investor gave them the profits of the contractor.
What Wang Shuo means is not to worry about dividing the money. This money can't support the elderly, so it's better to spend it on corporate public relations. Xiaogang Feng's understanding of the relationship between * * * is that a bunch of people eat and drink without getting into the point, regardless of temporary gains and losses, laying the groundwork for future cooperation.
Dream Company started their public relations after they got rich: they treat people almost every day, from relatives and friends to peers or entrepreneurs. At these dinners, Xiaogang Feng and Wang Shuo are always male and female. When they catch a person, they give a good compliment. At first, some words didn't convey the meaning, which made the touted object suspicious, but after repeated practice, they all developed a set of unique skills of saying good things and always praised each other.
For example, when praising a boss, he said that there were too many industries under his name to count, so he had to stand on the Jingshan Mountain at night and let his men turn off the lights for his industry. Soon, more than half of Beijing will turn off the lights. The boss who was praised was elated and bluntly said that he would continue to treat guests at night.
In fact, their praise for others has something to do with the project "Have a good dream for you" operated at that time. In the early days of market economy, the communication between people was a bit stiff. They want to change this social atmosphere through Sweet Dreams for You, hoping that people can say more good things and let mutual approval be the lubricant for people's communication.
The accumulation of this life, after many years, was put on the big screen by two people.
However, as the first project of Sweet Dream Company, Sweet Dream for You was not completed as scheduled, and the project was stuck in the script. Xiaogang Feng, who once wrote The Story of the Editorial Department, Peking Man in new york, The Dragon Slayer and other plays, sat in front of the typewriter stateless. In Wang Shuo's words, this is an obstacle.
At that time, the money was almost spent and the crew was built. The script just won't come out. Seeing that a "good dream" is about to become a "nightmare", the more anxious Xiaogang Feng is, the more he can't write it. Looking at Xiaogang Feng's worried appearance, Wang Shuo finally decided to put it down if he couldn't write it, and he couldn't lose his creative ability because of it.
After that, the dream company used the money dug out from three plays, a chicken feather, and never lost my love and love to mourn, and barely plugged the hole.
Lost My Love Forever is the first independent film directed by Xiaogang Feng, which is adapted from Wang Shuo's novel of the same name. This is a work describing the value conflict and spiritual crisis of contemporary people, but it did not attract people's attention at that time. In the mid-1990s, there were two ways to make movies: one was to make movies with symbolic and local visual narratives, like the fifth generation directors; Or, like the sixth generation directors, shoot underground art films at their own expense and take them abroad to participate in the awards. However, Never Lovelorn is a realistic work, which is closer to the style of the fourth generation directors and has not received the attention of the theoretical circles.
On the other hand, influenced by TV dramas, domestic films have been in a slump since the 1980s. 13 in 1993, the output of domestic films was reduced by half and the audience was insufficient. Influenced by the big environment, the box office performance of movies is not ideal. This made Wang Shuo and Xiaogang Feng, who were full of ambitions, a little depressed, but what they didn't expect was that a bigger crisis was approaching them soon.
Many years later, Xiaogang Feng still remembers this day accurately, 1 April 19961day, April Fool's Day in the west. On this day, Xiaogang Feng, who was directing the film "Subversive Life", suddenly received a phone call, and a sense of unease arose.
When he and Wang Shuo walked into the office of Han Sanping, then director of the North Film Factory, a notice from the Film Bureau was handed to them, which read "I suggest that the film Les Miserables stop shooting."
On the same day, Xiaogang Feng dismissed the crew, got drunk with friends and slept all night on the road. When he woke up the next day, he found Xu Fan looking at himself, crying silently, with a thumb-sized scalp on the right side of his head.
This day will remain in Xiaogang Feng's memory forever. He felt that fate had played a big joke on them. The six works invested by Sweet Dream Company were either stopped, blocked or ended badly. After this incident, the ambitious dream company came to an end.
After the dissolution of the company, Wang Shuo went to the United States to hide his strength, while Xiaogang Feng once hid in an unknown villa. His career has also reached its lowest point. This is a self-report by Ge You in the movie Party A and Party B, which not only reflects the depression of the film industry at that time, but also reflects the state of Xiaogang Feng at that time. In reality, his dream company with Wang Shuo is gone, and his dream of film career has just arrived.
1997 Just after the Spring Festival, Xiaogang Feng received a phone call from Han Sanping, then director of Beijing Film Studio, and asked him to come and talk. Han Sanping and Zhang Heping, general manager of the Forbidden City Film Company, both wanted to save the depressed domestic film market at that time. They want to make a New Year's film, and they want to find a mature director who is active, has material in his hand and meets the taste of the audience.
Well-known big-name film directors are obviously not their consideration-at that time, it was almost impossible to impose the concept of market on those directors who made art films. As a last resort, Han Sanping and Zhang Heping turned their attention to the TV drama circle with more audience affinity and more grounded creative style, and Xiaogang Feng entered their sight.
This time, Xiaogang Feng came up with this idea, which is the project "Give you a sweet dream" that the original dream company failed to make. He told Han Sanping the idea of the central plot of the script "A Sweet Dream Day Tour", and Han Sanping soon finalized the project after listening to it.
Perhaps Xiaogang Feng, who has experienced the rise and fall of the dream company, has more insights. Three years later, Xiaogang Feng finished the script he had been worried about but couldn't write, and named it Heart Than Hot. At first, Wang Shuo said that the obstacles encountered in his creation had passed.
This film is Xiaogang Feng's last battle. He boldly accepted a condition put forward by the producer Forbidden City Film: no money, no pay, only box office income. If you don't succeed, you will die.
Xiaogang Feng's mentality at that time was understandable. After experiencing the setbacks of Dream Company, he wanted to win public opinion, which was the only factor that allowed him to continue to be a director, and the direct expression of public opinion was the box office. To this end, Xiaogang Feng must make itself more market-oriented.
In order to be close to the audience, the theater manager and audience representatives were invited to participate in the script seminar, and 1 1 times were discussed back and forth, and ten manuscripts were revised. A female cinema manager surnamed Chen gave him an opinion: "The scene where Zhang was abused by the landlord was not filmed properly. Zhang never kneels, doesn't abuse his son like that, and can't get comedy effect. Make sure he kneels. "
This opinion is unprofessional. Hearing this, Xiaogang Feng was anxious and blurted out, "Do you understand the script?" The female manager blushed: "Feng asked me to tell you that although I don't know the script, I know the audience and I know the market!" " "
Finally, let Zhang, played by Fu Biao, kneel. When the film held an audience meeting in the theater of Beijing Geological Auditorium, Xiaogang Feng bowed deeply to the female manager and said, "Manager Chen, I have to thank you. After watching the movie, I think your opinion is particularly good. Although it does not conform to the rules of scriptwriting, it is especially in line with the taste of the audience, effective and funny. "
This elaborate film was finally named "Party A and Party B" and put on the market on February 20th. 1997. Soon after its release, it caused a sensation. This film successfully shifted many people's eyes from TV to movies. In order to see the film, people went back to the cinema. The film with an investment of 3.7 million yuan finally earned 30 million yuan at the box office, and the income in Beijing alone was 1 1.5 million, which gave a shot in the arm to the depressed film market at that time.
However, this film, which set a box office record at that time, could not be recognized by the theoretical circle. Some critics even said: "Party A and Party B" is just a dirty "sketch skewering". These harsh voices may be related to Xiaogang Feng's embarrassing position in the film industry at that time.
In terms of age, he is six years younger than Chen Kaige, just between the fifth generation directors and the sixth generation directors. As far as creative style is concerned, he does not belong to any group between the two. For a long time, Xiaogang Feng's name was tied to Wang Shuo, and his works were regarded as part of Wang Shuo's films.
Outside voices did not interfere with Xiaogang Feng's creation. In the next two years, he made two blockbuster New Year movies, Either Here or Never Stop. The concept of "New Year's Eve File" appeared in the blank China film market, and Xiaogang Feng became the "father of New Year's Eve File". After his new year's film became famous, he tried to go back and shoot realistic films that suited his taste. However, after filming A Sigh, which reflects the problems of social life, the mainstream comments still haven't improved. In 2000, A Sigh's box office performance was second only to the main theme film Life and Death Choice, which included all five awards except the best director award, but it still failed to make the Golden Rooster Award that year. During that time, Xiaogang Feng's works were not recognized by mainstream critics at all.
Another by-product brought to Xiaogang Feng by a sigh is the deepening of cooperation with Huayi Company. In fact, from Endless, Huayi Company has become one of the producers of Xiaogang Feng films.
But at that time, Xiaogang Feng was not the only choice for Huayi.
Almost at the same time, Huayi Company also invested in Chen Kaige's Jing Ke Stabbed the King of Qin, Jiang Wen's The Devil Comes, and the theme film My 19 19. Among many directors who have invested, Wang, the boss of Huayi Company, seems to prefer Jiang Wen, and has invested in many films such as The Devil Comes, A Thunderbolt and so on. However, Jiang Wen, who is domineering and opinionated, makes the Wang brothers of Huayi Company "unable to hold on".
Comparatively speaking, Huayi Company has found a lot of recognition in the process of contact and running-in with Xiaogang Feng. Xiaogang Feng's thinking mode and starting point of many films are quite close to those of the producers, and he has repeatedly expressed his willingness to share the commercial risks of film operation with the producers. Similar ideas and the commercial guarantee brought by the box office appeal made Huayi make up its mind and quickly signed Xiaogang Feng at a high price of 4 million yuan a year.
Years later, we can still see the great ambitions of two companies from the cast, not only Xiaogang Feng's old partner and veteran actor Ge You, but also Hong Kong star Rosamund Kwan and Hollywood veteran actor donald sutherland. This film is also Xiaogang Feng's transformational work. Compared with the previous dzogchen ending, this movie is downright black humor. In addition to retaining Jingweier's teasing style as always, he also keenly noticed some hot issues and controversial topics in society, such as Internet companies and real estate fever.
The last paragraph of "Big Man": You must choose the best prime location, hire French designers and build the most upscale apartments. The elevator goes straight to home, and the smallest apartment is 400 square meters. Broadband, optical cable, satellite, whatever you can connect him to. There is a garden upstairs and a swimming pool in the building. There is an English housekeeper in the building, wearing a wig and a special gentleman. As soon as the host comes in, no matter what happens, he must tell others: Sir, what can I do for you? With a perfect cockney accent, Bell has face. It will cost tens of thousands of dollars a year to build another aristocratic school in the community with Harvard textbooks. Build another American clinic and wait 24 hours. Just one word-expensive! It costs 18 thousand to see a cold. The neighbors either drive BMW or Mercedes. If you drive a Japanese car, you are embarrassed to say hello. How much do you say this apartment costs per square meter? I think it will cost two thousand dollars anyway. Two thousand dollars? This is the cost! Starting at $4,000! Not too expensive, no discount. You have to study the shopping psychology of the owners. Owners who are willing to spend $2,000 on a house don't care about paying another $2,000. Do you know what a successful person is? Successful people buy the most expensive things instead of the best. Therefore, our slogan for real estate is: not the best, but the most expensive!
Interestingly, many seemingly absurd plots in the film were fulfilled in reality several years later. However, while filming this film, Xiaogang Feng almost lost his life.
In fact, before recording this program, Xiaogang Feng's heart had warned him more than once. On the set of the movie "Big Man", he had a heart attack and was once taken to the hospital for emergency treatment. After his condition was stable, he rushed back to the studio from the hospital to continue filming.
He seems to have nothing to do in front of outsiders, and only he knows his inner anxiety. In Xiaogang Feng's autobiography "I dedicate my youth to you", Xiaogang Feng described his state of mind at that time:
For a long time, I have been living in exaggerated panic. A little uncomfortable, immediately swallow a few quick-acting rescue pills, lie flat with oxygen, and look at the world around you helplessly.
For more than a year after the filming of "Big Man", Xiaogang Feng was not filming a new work, but recuperating with his wife Xu Fan.
In other words, during Xiaogang Feng's recovery, the film market in China has undergone tremendous changes. In 2002, Hero directed by Zhang Yimou won 250 million domestic box office, 1, 1 overseas box office. The following year, the State Administration of Radio, Film and Television promulgated the Interim Provisions on the Admission of Film Production, Distribution and Projection, and a large number of venture capital began to enter the film field. More and more viewers think that if you go to the cinema to watch movies, you should watch "blockbusters"; Investors also believe that only making big movies can make a lot of money, and China movies have officially entered the "blockbuster era".
In 2003, Xiaogang Feng, who was getting better and better, also felt the changes of the times. Unable to reverse the social trend, he simply joined Huayi Company in this blockbuster era. He wanted to show it to those people, and I also made a movie that you found difficult. This shot quickly set off a storm in the commercial blockbuster market. With a keen sense of market and the skillful commercial operation of the Wang brothers of Huayi Company, works such as Mobile Phone, world without thieves, Banquet, Assembly Number and If You Are the One have been launched one after another, and the cooperation with Huayi Company has broken the box office record of the domestic film market. In 2008, "If You Are the One" was released 19 days, and the box office exceeded 300 million. Xiaogang Feng became the first film director in China whose personal works exceeded 1 100 million yuan. During that time, Xiaogang Feng proudly said that his film investment rate of return was 200%, and his profit was second only to drug trafficking.
In 2009, Huayi Company was listed on the Growth Enterprise Market. In their company's listing prospectus, Xiaogang Feng's contribution and significance to the company are also unabashedly emphasized.
In addition, due to the limited business scale of the company, a few contracted producers and directors have made relatively high contributions to the company's performance. For example, in the film business, Xiaogang Feng Film Studio produced two films, Assembly. And "If You Are the One" was in the reporting period. During the reporting period, the cumulative box office income of these two films was188.965 million yuan, accounting for about 40% of the issuer's film business income and 18% of the total operating income. The company has a certain dependence on the Xiaogang Feng team.
That time can be said to be the golden age of movies. More and more people enter the cinema, and the total box office has grown rapidly for several years in a row. Making commercial films has also become the knowledge of most film companies. However, Xiaogang Feng, the godfather of the commercial film "New Year's Eve Market", has a different idea-making a film about national suffering 1942.
This idea has been hovering in his mind for 18 years, and it is very difficult to turn this idea into reality in the era when commercial films dominate.
Xiaogang Feng skillfully uses cooperation and rotation to shoot his favorite movies. He divides his films into two types: those that satisfy himself and those that satisfy others.
1999 He finished filming Endless, which he didn't like relatively, and got a chance to finish it in one breath. Since then, every time he makes a film, he will reach a certain tacit understanding with the investors: I satisfy you and you satisfy me. After "Sigh", Xiaogang Feng took a "mobile phone" to satisfy investors; After the blockbuster "The Banquet" was finished, it was his favorite "Assembly", and then he quickly filmed "If You Are the One" to satisfy investors.
20 1 1, he finally got the chance to sell 1942.
The story prototype of "1942" comes from Liu Zhenyun's novel "Memories of Time Past", which is an investigation novel with no characters and no plot. It's just a historical jigsaw puzzle of 1942, and the difficulty of shooting on this basis can be imagined.
As early as the early 1990s, after reading Liu Zhenyun's novels, Xiaogang Feng had the idea of putting this history on the big screen. 1994, when Xiaogang Feng and Liu Zhenyun attended the Beijing Youth Games together, they asked Liu Zhenyun to adapt 1942, but Liu Zhenyun refused and told him that the time was not ripe. Xiaogang Feng later played a joke. He may be afraid that I can't shoot well.
After a lapse of six years, during the Spring Festival in 2000, Xiaogang Feng received a New Year call from Liu Zhenyun, and at the same time received a big gift. Liu Zhenyun said on the phone that Review 1942 can be on its way.
The project can be started, but the problem remains. How can a movie be supported without characters and stories? Xiaogang Feng and Liu Zhenyun thought of two ways, one is to carefully conceive characters and stories in hotel rooms, and the other is a stupid way, that is, to take the route of refugees fleeing from famine again.
Two people looked at each other. "Neither of them is so clever, so we have to use stupid methods." So they set off from Beijing and went to Hebei, Henan, Shanxi and Shaanxi. It took them nearly two months. After the whole process came down, the victims came to mind one by one. Some of the characters in the movie survived 1942, and some met their souls.
When the first draft of the script came out, every detail was particularly vivid and the characters' language was very accurate.
In October of 20 1 1, the movie started again. After 10 months of preparation, 5 months of shooting and 7 months of post-production, by the end of 20 12, 1942 was finally released. Before the film was released, Xiaogang Feng put down his malicious words on the Weibo: I bet on the popularity accumulated in the previous 12 films, and I believe my judgment on the audience. I am also mentally prepared, even if I lose everything, I have no regrets. To shoot 1942, you have to unplug all the antennas in your head. The deaf are not afraid of thunder.
This is his second time in the last battle. When everyone was filming art films, he went upstream and filmed both parties, which was a great success.
Many years later, when everyone was filming a commercial blockbuster, he went against the current and filmed this national tragedy, gambling on the popularity accumulated in the previous 12 movies. This time, did he bet on the right treasure?
At the end of 20 12, the film 1942, which he made in19, was finally released. However, the first day's box office was only 26 million, and the reputation was also very poor. Some movie websites even failed at the beginning. The poor box office opening made Huayi's market value evaporate by 65.438+0.3 billion in two days.
Subsequently, the opponents of the same period, the fantasy drifting of the Youth School and the embarrassment of Thailand, all showed great strength. The former unexpectedly exceeded 500 million yuan at the domestic box office, while the latter made a total of 65.438+26.7 million yuan, making it the highest-grossing Chinese film in the box office history of China at that time.
The box office failure made Xiaogang Feng suddenly realize that he couldn't figure out the preferences of the audience now. When "If You Are the One" came out in 2008, he confidently said to the media, "For so many years, no one has been optimistic about my film, but every time, the audience has supported me. Among the directors in China, I don't think anyone has ever lost at the box office like me. " But in 1942, this law was broken for the first time.
After the film was released, it was not over yet. In order to repay Huayi Brothers, he had to shoot Feng's comedies frequently, which became the so-called personal tailor. Later, on 20 13, he served as the general director of CCTV Spring Festival Evening. He was busy for half a year and finally got a buzz. During that time, he was not happy.
20 15 July, Xiaogang Feng sent a Weibo: If I am 30 years old, I can compromise and settle for the second best, because there is still plenty of time; But I'm almost sixty years old, and I don't want to compromise and use a phrase commonly used in social news to describe an old man who is over half a century old, because time is running out.
Starring in the movie Mr. Six this year. In the film, Liu Ye is a nobody at the bottom of the changing society and times, and his life situation is not very good. Xiaogang Feng's understanding of the role is: "This role has a sigh of relief. To release this tone, just in time for his son to be kidnapped, he will throw caution to the wind. "
Coincidentally, at that time, because of the box office failure of "1942" and a series of subsequent events, Xiaogang Feng's whole state was very similar to that of "Six Lords". After Private Order, he hasn't made a movie for some time, and that sulk needs an outlet to vent and erupt, and the movie Mr. Six just happened to catch up.
At the end of "Mr. Six", Liu Ye runs on the ice with the mountain city, regardless of the ice that may melt at any time under his feet, to meet the enemy one hundred times opposite. That axial force is not a portrayal of Xiaogang Feng, who is over 60 years old this year.
I often feel that I don't have much time, and I am more persistent in artistic creation and refuse to compromise. In his new film "I am not Pan Jinlian" on 20 16, he insisted on shooting in a round frame. This composition technique, which is biased towards China's traditional ink painting style, is not only novel in form, but also makes the film feel alienated to some extent, making people sit upright.
However, Xiaogang Feng's idea was only supported by the photographer, and other masters from the producer to the crew were opposed to such shooting. Some people who oppose him are still his good friends for many years. For this insistence, Xiaogang Feng once said: All the people who invest in this film will either take money to avoid it or jump into the river with me. There is no middle way.
It was this persistence that made him stand on the awarding stage of the 53rd Golden Horse Award in Taiwan Province Province, China on June 20th. This time, he will win the best director award.
After 60 years old, many changes have taken place in Xiaogang Feng's mentality. On the one hand, he is more persistent in art, on the other hand, many of his ideas have changed with the times, and these changes are also reflected in his films.
In the last paragraph of "Party A and Party B" filmed by Xiaogang Feng more than 20 years ago, people from sleepwalking company took to the streets to put in a good word for everyone, and they told everyone to let go of that cautious era. In the last paragraph of personal tailor more than 20 years later, the protagonists apologize to people and nature. He told this slightly impetuous era to keep it. Broadcast time of archives: Daily program Monday and Tuesday at 23: 16 Special program Wednesday at 2 1:20 for more exciting content. Welcome to pay attention to Beijing Satellite TV official WeChat Beijing Satellite TV official Weibo editor Rafik.