In the whole play, only the psychiatrist whose ass seems to be integrated with the chair has nothing to say. He doesn't have to say that a psychiatrist is actually the person who lets you spend money to listen to your nonsense, find out what your problems are, and then solve them yourself. Therefore, it can be said that everyone is a philosopher except psychologists. At least in this play, isn't everyone's values philosophical enough? Even Amanda can beautify her irresponsible and immature behaviors into a fear of "commitment". From this point, we can see that everyone has already summed up a set of social skills that make them look more beautiful in their lives. The ending is certain. Falk must leave new york and the people around him who constantly input opinions to him, so that he can regain the balance of his life. But even when he left, Falk was passive. It was only at the last moment, when no one needed him in this city, he was helpless and unconscious. Falk can't escape his own character, but then again, who can? In some contexts, It's like anything else, which can also be translated as, it's no big deal.

Woody Allen is the best and most willing to use subtext, which is very rare in Hollywood market, so it determines his uniqueness. You can be a romantic comedy because it is romantic and comedy ... but it's true, just like its English name, anything else, it's talking about "other things".