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When mathematics meets ancient poetry, what wonderful reaction will there be?

As the saying goes: there is no separation between arts and science. It is not enough for a person to only study mathematics, and it is impossible to study only Chinese. There is some inevitable connection between literature and science.

It is said that Chinese is a representative of sensibility, and mathematics is a representative of rationality. When mathematics meets ancient poetry, a beautiful digital poem will collide:

"Mountain Village Ode" Song Dynasty Shao Yong

Once you go two or three miles away, you will find four or five houses in the village.

There are six or seven pavilions with eighty or ninety flowers.

Number poetry embeds numbers into the poem and combines them with other words to make the whole poem into a whole.

The poet uses the method of "primary school counting" to describe the beautiful rural scenery one by one, which is easy to understand, as if the picture is right in front of you.

"The Picture of a Hundred Birds Returning to their Nests" by Lun Wenxu of the Song Dynasty

One after another, three, four, five, six or seven eight birds returned.

There are so few phoenixes and so many birds, they can eat up thousands of stones in the world.

Miscellaneous poetry is a genre of poetry. Some are titled with numbers, and some are embedded with verses, similar to word games.

Why is the title of this article "Hundred Birds"? The answer lies in the poem. The sum of two ones, three fours, five sixes, and seven eights is one hundred (1 1 3×4 5×6 7×8=100). Have you found this rule?

"Broken Heart Confusion" by Zhu Shuzhen of the Song Dynasty

Going downstairs, the money fell;

Ask the sky, where is the person?

I hate the king and my grandson and keep going away;

I am an enemy and it is hard to stay if I say goodbye.

I regret that I made a mistake at the beginning,

There is a hand in hand but no hand in hand.

Why do you need to ask?

You don’t need a knife to separate. From now on, don’t rely on your enemies. Thousands of lovesickness can be written off in one go.

Have you found the way to the poem above? Did you find the hidden number?

The number hidden poem is to show the numbers in the form of riddles. Each sentence of Zhu Shuzhen's work serves as a riddle of the "splitting grid" rhetoric, and the answer happens to be the ten numbers "one, two, three...ten".

"Picture of Fishing Alone on the Autumn River" by Wang Shizhen of the Tang Dynasty

A coir, a straw hat, a small boat, a foot of silk fiber and an inch of hook.

One song and one bottle of wine, one person fishing alone in the river.

One-character poem, as the name suggests, means that there are many "一" characters in the poem, so the similar terms are "一" characters. The word "一" has the fewest strokes, but with clever arrangement by the poet, it can turn the ordinary into magical. Such poems often use line drawing techniques to give readers a strong sense of immersion.

"Dwelling in Dinglin" Wang Anshi, Song Dynasty

The house surrounds the bay, the stream and the bamboo surround the mountain, but the stream and the mountain are among the white clouds.

I put my boat next to the stream and sit on the mountain. I am free to watch the birds, mountains and flowers in the stream.

Compound-word poetry is the repeated use of the same word in each line of the poem. In this poem, the word "brook" appears in every sentence, so the similar term is "brook".

Due to the limitation of the number of words, there are also half-word poems. The whole poem is inseparable from the word "half", but it does not feel wordy or cumbersome, but has a kind of phonological beauty. There are also pagoda poems, which are shaped like a pagoda, starting from the top of a one-character or two-character sentence, extending downward, increasing the number of words layer by layer, and ending at the bottom of a seven-character sentence. The above is for reference.