Ming Dynasty.

"A Hundred Birds Returning to Their Nests" is a story written by the Ming Dynasty poet Lun Wensu, which was learned in fourth grade.

Content: Born one after another, three, four, five, six, seven, eight, what few birds are phoenixes, pecking out ten million stones on earth.

The phoenix in this poem refers to people with real talent .

The bird, on the other hand, symbolizes a person who is uneducated but is in a high position.

This seemingly simple poem is a satire on the status quo of the officialdom at that time, which shows that the author was unrecognized for his talent and worried about the country and the people.

The two lines of the poem are profound and thought-provoking, and the master asked Lun Wenxiu what the first two lines meant. Lun Wenxiu explained: "The first two lines point out that there are a hundred birds. One by one is two, three times four is twelve, five times six is thirty, seven times eight is fifty-six, which adds up to one hundred." The crowd couldn't help but be impressed. "For a moment the crowd couldn't help but rave.

Expanded Information

Su Shi made extraordinary achievements in the composition of words, and as far as the development of a genre itself is concerned, the historic contribution of Su lyrics again surpasses that of Su Wen and Su Poetry.

Su Shi, following Liu Yong, carried out a comprehensive reform of the word, and finally broke through the traditional pattern of the word as "Yankee", improved the literary status of the word, and transformed the word from an accessory to the music into an independent lyrical poetic form, which changed the direction of the history of the word fundamentally.

Su Shi's changes to the word were based on his conception of poetry and lyrics as one and his idea of creating a "self-contained family". Since the late Tang Dynasty and the Five Dynasties, the word has been regarded as a "small way". Although Liu Yong devoted his life to writing lyrics and promoted the development of lyrics, he failed to improve the literary status of lyrics. Su Shi, on the other hand, was the first to theoretically dispel the notion that the word was inferior to the poem.

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