There are many kinds of music, but I don't like jazz. Jazz gives me the feeling that it is floating on the surface of flashy life, affectedly superficial, feminine and lacking in strength. Jazz is suitable for flirting, not for sincere feelings. Even if you make a very devoted appearance, you are just waiting for an affair or creating an ambiguous atmosphere for an affair. It is a tacit expression of taking part in accidental amusement. Jazz belongs only to jewels, magnificence, posh, heavy makeup, cigars and champagne beauties. It lacks the simplicity of food and the elegance of real food. From the occasion of its appearance and performance, jazz is only a foil to enjoyment, and it is difficult to achieve a grand theme, but it can only add fuel to some superficial emotions. Therefore, jazz is often only touch, not move, and it is short-lived and changeable. The source of jazz is African music. In the place where it was born, I think African music is very vital and infectious. There is a scene that I will never forget. Before Mandela was released from prison, black people in South Africa often held large-scale mass gatherings in order to resist apartheid. In these gatherings or parades, thousands of blacks sing and dance together, and its momentum is extremely shocking. Among them, there are both willpower and free play. They regard resistance as a ritual with both divinity and daily life. Although entertainment weakens its sharpness, it is still fearless and heroic. However, this is the development of African music in its native land. Jazz is actually developed from African music in the United States. It not only has the characteristics of African music, but also has strong American characteristics. Most of the instruments used in jazz are European instruments. It was originally the music for black Americans to entertain themselves, and there was no certain rule. By virtue of their nature and African free music tradition, blacks freely expressed their own voices after slavery in the United States and slavery. There is a characteristic in American society. Most white people who come to the United States from Europe have low educational level, low appreciation interest and vulgarity. European traditional music has little market in American society. At the beginning of the twentieth century, the United States began to introduce more European operas and ballets, mainly because a few rich people were arty after the United States became rich, and not many people really knew how to appreciate them. For a large number of white Americans with low educational level and vulgar appreciation, the strong emotional component of black music brings them together. For a long time, blacks have no chance to receive education in the United States. Therefore, if we take European art as a reference, the distance is far. Because American whites are far from the elegant court art in Europe, they are close to blacks in artistic taste. However, at that time, the superficial and vulgar rich white people in America were also selective about black music. They rejected the divine elements in black music and were willing to accept its rich and perceptual content. The consumption tendency of rich white people influenced the spectacular jazz music in the future. It likes to show off its skills and doesn't care about the connotation of music; It is casual and free, in line with the psychology of rich white people; It is relaxed and creates an atmosphere of enjoyment, which basically has nothing to do with nobility; It has a fast pace, which is actually a portrayal of the life of rich white Americans. There is no room for thinking, so we have to move on to the next action or step mechanically. It has only a surface, but no interior. Originally, there were many elements in black music, but under the guidance of vulgar white people's money, jazz gradually became a pure entertainment. Black jazz performers no longer wear their own clothes, and they are as sleek as white people in appearance, and even smile as much. In fact, black people who serve white people with jazz can't be equal to white people in essence. Therefore, the fundamental difference of skin color and disguised equality, like the pleasure of jazz, can only be superficial and soulless. It is an art of flattery to money, just as black musicians make a living by it. It is an art that breeds from money, is a kind of flattery to money, and is a grandiose and pretentious way to hide their true nature. When I see the happy appearance of black people performing jazz for white people in historical images, and think of the discrimination against black people from slavery to apartheid, I always feel that it is like a deliberately pretending or sincere docile subject, who is using music to greet the high and superficial rich white people, and its real soul is not in it. Jazz is the transformation of black music by white Americans with vulgar tastes, in order to adapt to the results of white Americans' pursuit of sensory enjoyment, drunkenness and feasting. Due to the inequality of social status, when blacks perform jazz performances for whites, they often have false happiness elements, or strengthen their sensory happiness to the point of serious distortion. However, for the sake of their own sensory stimulation, white people don't care about the flattening of black jazz, which makes the superficial relaxation and disguised happiness of jazz increasingly prominent. Jazz today is different from that half a century ago. However, American jazz, which was born under the social inequality system, still retains a lot of affectation of that year. In China's words, jazz is like the decadent sound of Shang Zhouwang. It can't make people excited, but it can only make people feminine and decadent, intoxicated with pleasure and not enterprising. More than 2 years ago, Confucius was intoxicated with "Shaole" and didn't know the taste of meat in March. Today we can't hear the real "Shaole", but Confucius said that it is "perfect". In other words, China people think that the best music is music that guides people's hearts and spiritual world to be kind and beautiful. American jazz can't reach it at all. It is only an intensified stimulus to dance academy and eat, drink, and be merry. It is the "decadent sound" defined by China people more than 2, years ago.