Landscape painting, referred to as "landscape". A kind of Chinese painting. Painting with natural scenery as the main body. The following are "simple landscape painting skills", I hope to help you!
First of all, the outline modeling of rock is drawn with wet ink, which seems simple, but in fact it is the key to the success or failure of the whole painting, because the hook line is actually the design of the overall appearance. Determine the shape and direction of mountains and trees by checking the lines. This step is not done well, and it can't be remedied later, so it should be hung up and revised repeatedly after the tick is drawn until it is satisfactory.
After that, a sketch of the tree was drawn. This kind of tree is mainly made of dead branches and can be set as antlers or straight branches. The leaves are clustered with side strokes, and the periphery can be decorated with thick ink first, and then layered with light ink.
Use a broken brush to texture the rock and trunk, not too many lines. This picture is free to use dry pen, which is more natural, like a point but not a point, like a surface but not a surface. You can also brush wrinkles with a flat brush. Finally, gather the grass on the rock with a knife and pencil to outline the scenery of ships and birds.
1. Hook method
The hook method is a typical painting method of traditional landscapes for thousands of years, which is usually carried out according to the steps of hook, hook, dot and dye. The picture below is set as a landscape of northern school, with cooked propaganda. The landscape characteristics of the Northern School are based on mountains and rivers and ancient trees of Pinus ponderosa, with magnificent composition and emphasis on layout and modeling. Many stippling methods are used, such as Guan Tong's nail head painting, Fan Kuan's raindrop painting and Li Cheng's hemp skin painting, which are meticulous and belong to a small freehand brushwork method. In the later period, Guo changed it to be more casual.
Scale line:
Draw the outline of rocks and trees in light ink. The line should be drawn close to the scene first, from near to far. The lines of the Rocky Mountains and pine trees should not be too smooth, they should have a certain angle, and the lines should be tortuous and changeable.
Hook line
Draw a tree: The picture includes pine trees, sandwich trees and dead trees. Pine trees have bowl-shaped needles, and the trees sandwiched between them are mainly composed of small circular patterns. Brush the trunk with light ink along the lines to make it textured.
Draw some vines on the branches, and some moss on the trunk will be even older. Draw vines and scrape the bristles into a flat front. Brush them lightly from top to bottom, with different lengths and moderate quantity. Click a little. Use positive front spots for moss, the number should be moderate, not too much.
Huashu
Edge: All rocks are made of hemp skin. Dip a dull pen in a little light ink to wrinkle the dark side, which is denser near the line and thinner on the bright side. After drying, use secondary thick ink and once or twice thick ink. The key is that the dark side of the stone is close to the lines, so don't cover all the lines on the head. By the way, when you are pregnant, plant all the bushes and grass on the mountain.
Rendering: Dye the leaves and the shady side of Zhongjing Mountain with light ink. Close-up rocks are dyed with thick ink.
The rendering adopts the method of individual dyeing, painting ink along the dark side of the rock with a pen and dyeing and diluting it with a medium clear water pen. The distant mountains are light ink paintings, and the bottom water pen is light.
After the whole painting is dry, spray all the paper wet, and usually cover it with a Qing ink pen. Covering should be done in the picture to avoid ink staining the picture and polluting the sky. Since the small freehand brushwork paintings after the Five Dynasties are mostly ink paintings, they are no longer dyed.
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3. Dyeing method
Dyeing painting is not much in ancient times, and it is a kind of painting developed by the author on the basis of tradition. Its characteristic is to give full play to the advantages of ink painting, with dripping ink, long lasting appeal, moist picture and full of interest. The following picture is set to three scenes of Nanpai. Because of the use of raw materials, the steps of hooking, dyeing, smashing and dot are pressed down. Of course, you can also follow the steps of checking, picking, clicking and dyeing, but you should prevent the ink from flowing out and scratching the picture when dyeing. The landscape of the Southern School is based on mountains, rivers, lakes, flowers and Vitamin. Its composition is simple and artistic, and it pays attention to poetry and painting. Most of them use the method of twisting lines, such as Dong Yuan's and Ju Ran's braids, Huang's Jie Suocun's "Zhi", Ni Zan's "Zhi" and Wang Meng's "Zhi", all of which are gentle and unobtrusive.
Tick marks: The composition is diagonal at two points. The close shot is composed of soil slopes, the middle shot is rocky mountains, and the distant mountains are hilly landforms. Therefore, the lines should be soft, the rocky landforms can be outlined with wet ink, and the lines should be near thick and far light.
Hook line
Painting trees: The landscape paintings of the Southern School mostly draw flowers, plants and willows, and several trees are arranged together, so the picture will not be dull and the painting method is freehand brushwork. After painting the tree, blow dry the tree with a hair dryer and dye the leaves and trunk with wet ink or light ink.
Huashu
Rendering: After the picture is dried, spray the paper to the extent that it is just completely wet. To wash the pen, first dip it in half a pen of wet ink, smear it along the shady side of the mountain outline with a side pen, and then gradually deepen it with light ink and sub-thick ink at the outline until it is satisfactory. When deepening, it is best to draw with a brush, dip less ink, and use a pen lightly. This method is called ink accumulation. Pay attention to the concentration of each ink, try to dye it successfully once or twice, and don't smear it repeatedly.
If the technical foundation is good, you can also use mixed dyeing, dip half a pen in wet ink with clear water, then dip a little thick ink in the tip of the pen, start writing from the darkest place of the rock, and draw along the contour line in a sideways manner, dyeing one contour line at a time.
Leaving a blank space for the cloud is relatively simple. Please leave a blank when rendering. If you need to break the white rendering, please dip a clean pen in half wet ink, with the nib inward, the pen holder tilted to dye the shape of the cloud head, and some places deepened with light ink. The picture below shows ink accumulated in the mountains and white rendering in the clouds.
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Edge: When the picture is 80% dry, re-tick the outline to make the outline of the rock clearer. Note that the ink concentration used is almost the same as that of the dyed ink, and the brushwork is better to spread the front. After that, dip the pen in a little light ink and scrape it into a flat front. Brush lightly along the contour line to create rough patterns, and brush with thick ink in some places. Be careful not to have too much ink on the pen. Dry pen is better, too many lines are not desirable. Don't make a comprehensive line, just simply draw some lines.
edge
Viewpoint: It is inevitable not to run away from ink when large-scale publicity is rendered. Point view can cover up the operation of ink painting and enrich the picture. Draw the bushes on the rock with a knife and pencil or a side stroke. Pay attention to density and height. If there is ink coming out, you can light some bushes to cover it up. After that, you can draw a small dead tree or two in the right place. Draw one or two boats or birds on the river to make the picture lively.
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