Impromptu accompaniment refers to the accompaniment played for songs without accompaniment spectrum. Of course, you can also make some preparations in advance, such as getting familiar with the score, analyzing the basic mood and content of the song, analyzing the mode, marking the function mark, and designing the accompaniment sound type and playing method of each paragraph. Doing so can reduce blindness and enhance the standardization of impromptu accompaniment. The following are the piano improvisation accompaniment skills I have compiled for you, welcome to refer to ~

Impromptu piano accompaniment is a comprehensive course. First of all, of course, you should have a certain piano foundation. According to the textbook, you should have at least the level equivalent to Bayer in the later period or Cherny 599 in the middle period. Of course, piano skills and improvisational accompaniment skills should be developed simultaneously in practical learning. Moreover, the systematic study of harmony is also essential for impromptu accompaniment. Apart from the fact that the latter two courses are directly related to improvisational accompaniment, the most important thing is to do a lot of exercises and exercises. Similarly, the strap in the guitar is also suitable for the piano.

The principle of piano accompaniment is actually a problem of playing harmony, but it is not a simple harmony problem. There are also questions about how to choose and how to play. Harmony should be based on the needs of specific works, which requires analytical ability and comprehensive application ability. Therefore, impromptu accompaniment is a concrete manifestation of a series of basic knowledge and skills applied here. It reflects a person's knowledge, skills, level and comprehensive application ability, which needs to be mastered and improved step by step through continuous learning and repeated practice. Impromptu accompaniment consists of the following elements: piano skills; Harmony Foundation; Type of accompaniment sound; Song analysis; Comprehensive application ability.

First, piano skills

One of the necessary conditions of piano improvisation accompaniment is piano skills. People who can't play the piano can't play the piano accompaniment. However, it needs to be clear that piano skills are by no means the same as accompaniment skills, and there are essential differences between them: the former mainly reproduces the music content through mechanical practice, while the latter completes the task of song accompaniment with creative labor, making it a whole that complements songs.

Second, the foundation of harmony

Impromptu accompaniment belongs to the category of multi-voice, and of course it needs harmony foundation. The level of harmony is directly related to the acoustic effect and expressive force of accompaniment. The choice of harmony should be considered according to the needs of specific works, and the arrangement, connection, ellipsis, functionality, color, rhythm, expressive force, chord structure, chord external sound and harmony style should be handled well. This has fixed rules in harmony practice, but it is very flexible in practical application. There are still some problems that can't be found in practice, but they must be handled well in practical application. So the foundation of harmony is very important.

Third, the types of accompaniment.

If you master a certain piano foundation and harmony foundation, you must make a statement in a certain form. The form of accompaniment sound is a regular statement form in which harmony foundation is applied to specific works. Whether and how this form is appropriate should have certain basis. Such as piano performance, the characteristics and expressive force of accompaniment sound type, playing methods, and the existing piano skill level and application ability of the accompanist. The quality of accompaniment, in addition to the harmony effect, is the application of accompaniment sound patterns. Therefore, the creative choice and design of accompaniment sound form is an essential and important content to play improvisational accompaniment well.

Fourth, song analysis

The analysis of the genre, form, form and content of songs is the basis for the correct choice of harmony and accompaniment. As far as harmony is concerned, the clarity of tonality, the determination of semi-termination and termination, and whether the chord structure, harmony effect and style are consistent with the content of the song are all determined through the analysis of the song. The choice of accompaniment type is also based on the analysis of songs. A beautiful lyric song and a firm and powerful March are definitely different in accompaniment sound form, that is, the same song can't remain the same between each paragraph, from presentation to climax reproduction. Therefore, from the needs of accompaniment, it is very necessary to analyze songs, especially the selection and application of accompaniment sound types is an indispensable main link.

Comprehensive application ability of verbs (abbreviation of verb)

Comprehensive application ability refers to the comprehensive application ability of piano skills, harmony foundation, accompaniment sound type and song analysis, improvisation arrangement, cooperation with singers, artistic practical experience and so on. The cultivation and exercise of this ability is the key to play impromptu accompaniment well.

In a word, impromptu accompaniment is a complex and comprehensive course, which integrates various elements in one furnace. But it is not unfathomable and mysterious. As long as you keep learning, you will eventually improve.

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