As a real life drama, there is no Gao Daquan's character frame, and there are no absolute good guys and bad guys. However, in such an ordinary crowd, Junzi's daughter Diao Juhua was labeled as an "evil girl" by the audience from the beginning of the broadcast, and even some viewers commented in Zi Ling actor Weibo: "I want to beat her up as soon as I come out." In the face of the audience's doubts, Zi Ling, the actor of Diao Juhua, also quipped that "Didi stopped playing and took orders online", which not only resolved the audience's anger, but also saw Zi Ling's success in shaping the role from the side.
Diao Chrysanthemum: "Lady Enforcers" with real background color
Diao Juhua in the original works is eccentric, and she is a dirty "older woman". Although her settings in the TV series "Dressing Taiwan" are a little more joyful, she still lives like a firecracker. When she is a little unhappy, she will explode in an instant. Only Junko said that she was a "good woman" with a bad temper. A child who always treats his parents with bad temper should reflect on it. Let's take a look at the growth trajectory of chrysanthemum:
The early Diao Chrysanthemum was the "Lady Enforcers" that bloomed wildly at first. As soon as she appeared, both the "God" in others' mouths and the way she dragged her feet with sunglasses revealed her prickly character and disdain for this family.
The way she gets along with her father, stepmother and lover is puzzling: Shunza feels indebted and often avoids her provocation, but she repeatedly breaks through the bottom line and constantly asks her father to pay for her ignorance; She turned a blind eye to Cai Sufen's kindness, and even expressed hostility with excessive acts such as smashing things; Even in the face of the second generation who really loves her, she can get the marriage certificate and turn her face away from others ... Her shortcomings are obvious: she is childish and doesn't know how to get along with her family.
If we can discuss the harm of family background to a person through the roles of Fan and Su Mingyu, can we also think through Diao Juhua: Why does Diao Juhua always use bad temper to escape their responsibilities as children or even as members of society?
Diao Juhua lacked maternal love since childhood, and her father didn't care about her. She is so eager for the warmth of her family that she can only grow up crazily. She is full of resentment against Shunza: complaining that he is timid, complaining that he didn't keep his mother who wants to run away from home, complaining that he got married again and again, and even hating that he gave love to his unrelated sister ... This accumulated resentment makes Chrysanthemum's body and mind full of gas, if she wants to protect herself.
Just when everyone thought Chrysanthemum was hopeless, an unexpected pregnancy showed her soft side. She wanted to defend her family and longed for warmth:
Regardless of her health, she mistakenly thought that Shunza was bullied. She will be "desperate" with a kitchen knife and stepmother, and her eyes are full of protection for her father.
Looking at the second generation's warm-hearted behavior towards herself, she will shed tears of sincere feelings, but she doesn't want the other party to see her weakness. ...
As a heartbroken person. When she saw the big bird daughter with scar on her face, she immediately took care of this equally unfortunate girl with her mother's loving eyes and warm care, just like taking care of her sister. ...
When Diao Juhua tried to express her love and stopped showing people with "thorns", the audience also understood her previous practice: as a loveless daughter, she was extremely dependent on her father and could only pay attention to her father in a rude way; For element fragrance, she is afraid that her father will be cheated, and she wants to let her stepmother back down with words. In the face of the second generation's love for herself, she knew the material gap between them and didn't want to embarrass each other ... Fortunately, Diao Juhua realized her own problems, eased her grievances, reconciled with her family and faced the next life as an adult.
Zi Ling: I skinned myself for playing Diao Juhua.
Zi Ling's team and friends were slightly suspicious of playing Diao Juhua when they received the book "Putting on a Stage". Because the role is not pleasing, as a young actor, he may be under pressure from public opinion after the series is broadcast. However, after in-depth discussion and analysis of the role, Zi Ling was still attracted by the three-dimensional and profound nature of the role. Although the role is difficult to control, it is a professional challenge for the actress, and she is willing to accept it.
In terms of personnel, the existence of Diao Juhua is not just as simple as advancing the plot. In Zi Ling's view, the contradiction between Diao Juhua and Shunza's father and daughter seems simple, but in fact, there are a series of family difficulties and social difficulties hidden behind family of origin, especially remarried families, which are extremely difficult to deal with. It is precisely because of Diao Chrysanthemum that the audience will be in tears when watching the drama, and then feel the hardships and difficulties of life.
In terms of modeling, Zi Ling, who once starred in "City Beauty", changed her fashion dress, left a big wave for herself, put on rustic clothes and even appeared naked, thus achieving a "similar appearance".
In performance, the role of "Lady Enforcers" like Diao Juhua is not uncommon in the drama series. They have their own dramatic functions and play an indispensable role in promoting the development of stories. Zi Ling has a strong sense of faith. He said, "I scratched my skin while playing Diao Chrysanthemum." She used the method of "experiencing" the actor to peel off the essence of Diao Chrysanthemum layer by layer and give the character a soul.
& gt The first level is closeness. While inheriting the simple style of the original, the TV series "Dressing Taiwan" erased the glitz of modern society and faced the daily life of small people at the grassroots level. In order to make the performance closer to life, Zi Ling went to Xi 'an Village in advance to experience life and observe the living conditions of people in the village. Zi Ling said: "Small shops and hotels have enriched the crowded space and walked out of the village. You should dress appropriately and behave well; When you step into the village entrance, you can put down the pressure together, which will be much easier. "
& gt& gt The second level is language. Although his father was from Shaanxi, Zi Ling, who grew up in Chengdu, never spoke Shaanxi dialect. After receiving the role, she learned Shanpu with her family and friends long in advance.
& gt& gt& gt The third level is the "big opening and big closing" when dealing with roles. Zi Ling describes herself as a "quiet family girl" in life, while Diao Juhua is a person who has a clear love and hate and belongs to an extreme role at any time. It is not easy to take good measures. If she is not careful, she will go too far. However, Zi Ling divided the role of chrysanthemum into two periods:
Early arrogant DiaoJuHua always makes Zi Ling nervous-whether bickering or copying guys, it takes a lot of physical strength. In order to figure out the psychology of the characters. Zi Ling also competed with herself in filming. She never complained about "action drama". In the later period, Diao Juhua, a "good man", showed human feelings. Although Zi Ling is no longer energetic in performance, she wears winter clothes in summer and has a cotton pad in her stomach because the crew is shooting in the off-season. When she moved, she was sweating profusely ... When the movie was finished, Xi 'an's delicious food made the crew gain weight, and Zi Ling lost 80 kilograms for Diao Ju Hua.
Modeling, human design and performance work together to form such a realistic role as Diao Juhua. Diao Juhua in the early stage was ridiculed by everyone because of her extreme truth. She unveiled the warm veil of life because of lack of love-fierce, fierce and vicious, and willful and willful because of the helplessness of life. Diao Juhua felt the love in her later period, so even though life has added difficulties to her, she is still tenacious, kind and affectionate, and it is hard for everyone not to be moved by such background figures.
Pursue dreams tirelessly.
Zi Ling is outstanding. In "Dressing Up", she played Diao Juhua as an "evil girl", which made the audience have different love and hate for this role. A closer look at her resume will reveal that her success is no accident.
Zi Ling graduated from the Performance Department of Shanghai Theatre Academy and is a classmate of Elvis Han and Wen. After graduating from Theatre Academy, she was appreciated by Zhang Jiayi and signed a contract with her agency. Before Taiwan Province, Zi Ling appeared in many hit dramas, such as The First Half of My Life, Together and We Are Fine. From urban white-collar workers to anti-epidemic nurses, she never flinched in her cooperation with Jin Dong, Zhang Jiayi, Yan Ni and Tamia Liu, leaving a deep impression on the audience every time.
As a well-trained actress, Zi Ling has a clear career plan for herself: she wants to be a professional and excellent actress. Looking back on the past few years, all her works are "quality-oriented", and many of them cooperate with Lao Xigu. She doesn't care about the number of plays, but cherishes every opportunity and only considers whether her professional ability has been improved.
In life, Zi Ling is also a self-satisfied person. In her spare time, she likes to stay at home, write essays, cook in Xiu Xiu, and experience the little comforts of life in words and food. She is also very active, never falling behind in folk dance, jazz dance and self-discipline and fitness, and has a small interest in life.
This is the real actor Zi Ling, who is indifferent to his age, but never sets a limit for himself. He pursued tirelessly on the road of performance and constantly enriched himself. I believe that Zi Ling will continue to shine on the stage of dreams after "going on stage".