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When will Love Is Delicious be broadcast?

When will Love Is Delicious be broadcast?

When will "Love Is Delicious" be broadcast?

When will "Love Is Delicious" be broadcast? "Love Is Delicious" is directed by Chen Zhengdao and Xu Zhaoren, and stars Li Chun, Zhang Hanyun, Wang Ju, Zhou Chengao, Liu Dongqin , a contemporary urban TV series starring Ren Bin, Zhang Fan and Yang Boxiao. When will Love is Delicious air?

When will "Love Is Delicious" be broadcast? 1 On the evening of November 26, "Love Is Delicious" directed by Chen Zhengdao was launched on Tencent Video, starting the premiere mode. This TV series co-stars Li Chun, Zhang Hanyun and Wang Ju, and tells the story of a 30-year-old woman's troubled marriage and love. For the show, the audience's reputation should be polarized. First of all, this work is not grounded and lacks a sense of reality. Even in terms of creative consciousness, it does not want reality on a realistic level. Secondly, this TV series is very interesting, with a lot of hilarious content, and the storyline is also a fun drama.

"Love Is Delicious" faces a choice, whether to make a good-looking drama or a believable drama. Obviously, this work has chosen a good-looking direction. In order to realize the cool drama mode, a lot of realism was given up, and instead, a lot of hilarious jokes were used to fill it in. Some scenes were even typical Internet jokes, silly content, etc. For example, during the epidemic, the character Zhang Hanyun encountered her husband doing things outside of marriage that were not protected by law, and the other person turned out to be a close contact. For another example, in a taxi, the driver made fun of the Internet profession of public relations and so on.

Such content is obviously not well grounded in reality. Some viewers will definitely feel that "Love Is Delicious" is divorced from real life and work. But at the same time, I have to point out that in the design of many sections of "Love Is Delicious", they deliberately found very clear stinging points. This is done by pricking people, not by realism. Here are a few examples. For example, there is no market for female programmers over thirty years old and they are destined to be fired. For example, strong women over thirty are destined to have no love, etc. These are all "pain points" in society, and using them directly is an important manifestation of the pursuit of a cool drama model.

If we abandon realistic requirements and only focus on whether the play is good-looking, "Love Is Delicious" will be very successful. The three narrative clues run in parallel. The stories of the three women can not only unfold independently, but also merge in real time. In terms of the tightness of the narrative clues, this TV series can simply be used as a model for young screenwriters to learn from. At the same time, the "tingling points" on each narrative clue are also relatively real. They are good at making fuss about these points to make the audience feel a slight tingling sensation, thus involving the audience to continue to follow the drama. This is a very smart screenwriting technique among commercial dramas.

In terms of narrative rhythm, "Love Is Delicious" is also at textbook level. Although there are many bloody scenes in the plot, every plot arrangement follows the logic of succession and transition, and follows the principle of escalation of conflicts. In the play, a large number of plots can be taken out and analyzed individually for their advantages. Just give a simple example. For example, when Zhang Hanyun's character is in a taxi, the content revolves around the topic of "public relations". It starts with Zhang Hanyun's character complaining to her boss about her public relations status. What she takes over is the taxi driver's misunderstanding, and the misunderstanding deepens, verbal teasing, and twists. In one case, the taxi driver did not look at the road and a traffic accident occurred. In another case, Zhang Hanyun's character helped passers-by to accuse the driver, and the driver continued to joke about "public relations".

Of course, this section is bloody, but it is performed with a very professional narrative rhythm, and it also presents a hilarious state. A similar situation exists in "Love Is Delicious", both up and down. The screenwriter and director's fast-paced narrative technique makes a lot of content that is inherently bloody very watchable. This is actually the sense of accomplishment brought by technological advantages. If you are familiar with the creative techniques and shooting techniques, you can make many bloody scenes come alive.

In "Love Is Delicious", Li Chun's character does not get married, Zhang Hanyun's character wants a divorce, and Wang Ju's character is too strong and her boyfriend wants to break up. The three different female states also have a sense of happiness like facial makeup portraits. Among the plot content, the strong female role played by Wang Ju is relatively the best, and may make many female viewers feel immersed in it. Especially the topic: In love, are men afraid that women are stronger and better than themselves? This has a very good topical effect, and this kind of thing does happen among some couples.

In the plot of the third episode, the character Wang Ju, who had just broken up, met a male fitness instructor while running at night. When the fitness instructor recommended his own course, he saw Wang Ju's character having leg cramps and started first aid. In this clip, the fitness trainer’s strong status in his profession gave him a sense of conquest over Wang Ju’s character. Obviously, at this moment, this strong woman may have really found her love partner. The story creation of "Love Is Delicious" does not follow the principle of reality and uses a lot of coincidences and accidents, but these coincidences and accidents are in line with the characters' personalities.

This TV series should be classified as a technical success. "Love Is Delicious" has no realistic ambitions. It relies on its high-quality narrative and skillful filming to complete various interesting stories and characters, and then give the audience a sense of joy in following a fun drama.