Spring in Chang 'an is a paperback book published by Tsinghua University Publishing House, which was written by Kensuke Ishida on [Japan]. The book is priced at 39.11 yuan, and the number of pages is 243. The article gives some readers' comments carefully, hoping to be helpful to everyone.

thoughts on Chang' an spring (1): Bai Juyi's buying a house in Beijing.

Write in the front:

Chang 'an study has become a science. People who have no academic background just like what they like from the sea of historical clouds. Imagine your own Chang 'an story. This book "Bai Juyi Buying a House in Beijing" is a summary of reading several books in Chang 'an recently. What I love most is his years of watching Huayang, as well as Zhao Guo's seclusion. Zhao Guofang period was mainly due to the involvement with Wu Yuanheng. Bai Juyi kept a lot of poems, and he described his life and most of them. This is why people like to write about his buying a house. Of course, Bai Juyi hasn't bought a house for a long time. Apart from money, I think the money in hand can't correspond to the house he likes, because when he was approaching 51 years old, he finally bought a 11-acre house in Xinchang Square, and Bai Juyi didn't particularly like it. Although the bamboo window pine studio finally became an image of memory. However, compared with the hard study of Huayang Temple, it seems that the Sophora japonica in Zhaoguofang is not so dazzling. It's just that this is my opinion. Bai Juyi's favorite garden is Luoyang Ludaofang, which should be 15 mu, half of which is a pool. According to his wishes, bamboo lotus cranes are indispensable. In the last ten years of his life, Bai Juyi spent it safely here.

Thoughts after reading Spring in Chang 'an (2): The designer who made this book can cut his belly = =

First of all, I designed 11,111 bad reviews for this cover, because of this vulgar color and casual design, I missed this book many times. I looked at the book that was actually 15 years old. Are you sure that the design draft left on the hard disk in 2115 was not temporarily taken out to make up for it? I don't understand what's going on in the minds of designers and final reviewers. This kind of color matching and design can pass the test, and they are all relatives of their own, so is it casual? Actually, it belongs to Tsinghua University Publishing House. I also bought a few books from this publishing house. Either this one is faulty or that one is faulty. It's really self-defeating. No wonder JD.COM paid 31,111 attention.

It's a long story about the inner page paper and typesetting. What makes people most angry is the notes at the back of each chapter, which gives pupils a sense of sight when reading the composition. The most unbearable thing is to make the font so, so, so small! ! ! I feel uncomfortable after watching it for a while, and my eyes are sore. I can't wait to see it with a magnifying glass, otherwise my eyes will go wrong after watching it for a long time. How much this book is unpopular, you can always feel the coping and perfunctory between the pages when you look at it, and you are blind to such good content. Now you need to change to a better publishing house or find a reliable designer and editor to reprint it. It's really uncomfortable to turn over this book, so I can't spit it out!

thoughts after reading Chang' an Spring (3): Standing Chang' an

Chang' an written by the Japanese has a different kind of emotion, which is finely broken, as if Chang' an is about to be dismantled for a glimpse.

The old gentleman is knowledgeable, proficient in Chinese, and even read the Complete Tang Poetry. At first glance, this book is a casual book, lively and interesting, easy to understand, but it is a serious collection of essays. For example, the language of the opening Spring in Chang 'an is beautiful, as if reading Japanese literature. However, the article "Hu Xuanwu Quiz" is logical and rigorous.

In the preface, the old gentleman wrote: "In the present era (1941), he got some useless words. My idea is that the study of China has its own distinction between "today's use" and "tomorrow's use", and tomorrow's use will be used ten or twenty years later. Without these seemingly useless studies, learning will inevitably be a castle in the sand. "

In such an embarrassing era, I dare not speculate on what the so-called "today's use" and "tomorrow's use" in Japan are, but this attitude towards learning is really admirable.

If you want to talk about the shortcomings, it is that although the whole book has been carefully arranged, you can't avoid the repetition of some contents, which seems to be a little scattered and lack of systematicness. The more you read it later, the more you feel this way, which may be inevitable in a collection. However, after reading it, I feel that I have benefited a lot, just like an appetizer, which makes people want to go to this dynasty for a big meal.

I stumbled across a website where I can learn about the cultural relics of the Tang Dynasty-

Thoughts on Spring in Chang 'an in Shaanxi Digital Museum (4): Can I forget Chang 'an!

Two days ago, on a rare snowy day in Beijing, the circle of friends was screened and the Forbidden City was crowded. The Internet said, "When it snows in Beijing, it becomes Peiping." Full of admiration for the snow in the imperial city. Beiping is beautiful, and there is another imperial city in my heart: Chang 'an.

I am a real old Xi 'an, and my birthplace, birthplace and growth are all in Xi 'an. Therefore, when I saw the title of Spring in Chang 'an, I felt I had to buy it anyway. After reading it again, there was a feeling of rolling on the peony that was blown down by the spring breeze. It was "a fragrant wind in Wan Li, and Chang' an came here." I don't know whether it is the beauty of writing or translation, or whether the Chang 'an of the Tang Dynasty described is the great beauty itself. Spring in Chang 'an is a collection of articles about Chang 'an customs in Tang Dynasty by Japanese scholar Kansuke Ishida. The title comes from the title of the first article. The article is beautifully written. It is hard to imagine that this emotional description was written by a foreigner. It is estimated that translation also played a role. The translator Qian Wanyue is the granddaughter of Qian Mu.

majestic and majestic

But Chang 'an itself can't be described as beautiful in any way. Although it is located in the Guanzhong Plain, it is surrounded by yellow land in a larger geographical background, which is doomed to be heroic, and the pattern and demeanor of the capital in the prosperous Tang Dynasty have given the city a majestic posture and majestic momentum. For example, when talking about the "word dance" in the Tang Dynasty, the book said: "In other words, the scale of music and dance in the Tang Dynasty is grand and the scene is spectacular. Hundreds of beautiful women dressed up and playing the drums and orchestras advance and retreat, and they quickly change clothes to form text patterns." "As for the dance that many people dance, specifically, it is as small as 64 people, as many as 121 or 181 people, and the grandest even has hundreds of people. I'm afraid such a dance scale needs a quite grand stage to match it. Sure enough, I saw a record that echoed and corroborated each other in another place-an article about the architecture of the Tang Dynasty, Dream Back to the Tang Dynasty, was published in the 1514 issue of Reading Library this year. There were several paragraphs in it, which compared Chang 'an City of Tang with Beijing: "The (Tang Taiji) Palace is 1,285 meters wide from east to west and 1,492 meters deep from north to south, covering an area of 1.9 square kilometers, which is about 2.7 times that of the Forbidden City in Beijing. "The most magnificent is the Hengjie in front of the main entrance of Taiji Palace, which is 221 meters wide. This is probably the widest elder sister in China history, with a length of 2,821 meters from east to west and an area of 621,111 square meters, even exceeding today's Tiananmen Square (411,111 square meters)." In this way, hundreds of people can dance! Time has turned to the present, and even after thousands of years of cleansing and digestion, the grand momentum of Tang Changan still has a aftertaste. When I was a child, I rode my bike to school every day, and I had to cross the city wall through Andingmen (West Gate). Every winter, in the early morning, when the sky is still dark and there are few pedestrians, I can't help but slow down and slowly approach the city wall from far and near. The gray city wall is extremely thick, calm and solemn in a quiet dark color. It is in this scene that this quaint and loess-filled city has taken deep root in my heart.

Accept the heart of tolerance

After crossing the city wall, go straight along West Street, and you will come to the Bell and Drum Tower Square in the city center. The stable bell tower has both wooden and brick structures, which not only inherits the architectural rules of Tang and Song Dynasties, but also absorbs the architectural techniques of Ming Dynasty. The famous food street "Huimin Street" is nearby. In the so-called Huimin Street, most of the merchants are Islamic Muslims. It is said that as early as the Han Dynasty, merchants, envoys, scholars and overseas students from the western regions were welcomed here, and in the Tang Dynasty, there was an endless stream. They gradually settled here because of their similar old country background and religious culture. Now, it is still the largest Muslim community in Xi 'an. If the formation of ethnic minority settlements is a powerful footnote for the integration of multi-ethnic cultures in a city's history, then Huimin Street, which has a history of thousands of years, is an important symbol of Chang 'an, the imperial capital of more than ten dynasties since the Han and Tang Dynasties, as a cultural integration center. Cultural blending is an important theme in Chang 'an Spring. The book examines a lot of daily life and activities of Chang 'an in Tang Dynasty. It can be said that Chang 'an at that time was almost everywhere! For example, Lantern Festival is decorated with lanterns-I still remember when we were young, every night on the fifteenth day of the first month, children from every household would light thriving lanterns and get together for a "Lantern Festival", which was very lively. Only after reading the book did we know that this lantern festival, which has been passed down to this day, was originally introduced to China from the western regions, and was combined with Shangyuan Festival, one of the three festivals, and developed to popularity and prosperity in the Tang Dynasty. There are also Hu Ji, who laughs at the spring breeze, the belle of the Tang Dynasty who wears shoes and shoes, and even the wine beard, a gadget to persuade wine, is the image of the Hu people with sharp nose and bright eyes, and there are countless main figures who are widely circulated in China in the Tang Dynasty. The author wrote in the book: "China in the Tang Dynasty was an exotic era. After Kaiyuan and Tianbao, this trend is particularly remarkable. Chang' an is a center of Hu Feng and Hu Customs. "

Chang' an is full of fragrant dust in February, and the cars and horses on the Sixth Street rattle.

every upstairs is like a flower, and thousands of branches are bright and new.

Laughter between the curtains asks itself, who will win Chang 'an Spring?

Chang' an's spring scenery has no owner, and it has always been a girl in the red chamber.

Now, people in Xingyuan are helpless, and the steeds will go there without pomp.

-Chang 'an Spring by Wei Zhuang

My home is in Chang 'an, so I can't miss Chang 'an!

thoughts after reading "Spring in Chang 'an" (5): Fang Jia's masterpieces

1. You still have to read Fang Jia's masterpieces when you are studying. Tsinghua University Publishing House and the translator of Doctor of Literature guarantee the translation quality of this book. This book was edited by a series of short articles written by Japanese sinologist Mr. Ishida in the 1941s. Judging from the style of writing, there are both the significance of vernacular Chinese in the Republic of China and the small verbosity that Japanese people have. The Japanese sinologists of Ishida's generation are in the period of the Japanese Empire's mainland advancement. Unlike the scientists who are now curled up in the pile of old papers, they are traveling around the Asian continent. In the article, there are not only references, but also observations. 2. This book contrasts with the last book "The Golden Peach of Samarkand" written by westerners, and tells the story of life in Chang 'an from the perspective of orientals. According to the data cited, most of them are Chinese. Tang poetry is not abrupt, and it is indeed the work of immersion for many years. Another historical background of the author of this article is Mo Lixun Library's eastward trip to Japan. Mo Lixun library is followed by oriental library. Its historical significance, you can learn from it, but you can't press it for the time being. 3. The culture of the Tang Dynasty was splendid, and one of the factors was that Hu Fengdong gradually became a great success at this time. The so-called Hu Feng is not the nomadic curiosity I thought before, but the Persian civilization with the same long inheritance as the Han civilization. Many small details are quite interesting, such as the routine of "Hu people buy treasures" which is common in Tang legends or notes, spread to North Korea and Japan, and evolved into the story of "Nuzhen people buy treasures" and "Tang people buy treasures". After the exhaustion of national strength and the severance of the western regions, such stories are difficult to see in later books. 4. Many customs in the Tang Dynasty do not exist today. Such as backgammon, polo, Lantern Festival, Sumo (begging for cold) and so on. Many of them were imported from India and Persia. Of course, some have a silent influence on today's people. Give two examples of Zoroastrianism in Persia (also known as Zarathustra, right, the one written by Nietzsche). Is the god of light and goodness called Ahura? Mazda. Well, the famous Japanese car Mazda comes from here. The popular Polo shirt is actually called polo shirt. Polo is the Persian name for polo. Tang Shi records that this sport (such as Tang Minghuang, whose body is full of artistic cells) loved by the Tang royal family was introduced from Tubo to Han. It is said that polo is called "Bolu" in Tibetan. 5. After reading these books about the scenery of the Tang Dynasty, I plan to find an opportunity to go to Shaanbo again and visit Japan this year. Read more books about Persian culture and civilization of the two rivers, and visit the Middle East in three to five years.