Understand the basic knowledge of couplets 1. Basic knowledge of couplets

Basic knowledge of couplets 1. Origin and development of couplets (1. Overview of couplets) Couplets are commonly known as "couplets", referred to as "couplets" for short; Otherwise known as "upper link", "lower link" and "lower link"; Couplets, couplets, stickers, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets, couplets.

Couplets have a long history, with a history of 1000 years. They are traditional and practical styles. Just as the unit of poetry is called "first" and the unit of writing is called "article", the unit of couplets is called "deputy", and the ancients used "painting".

Couplets consist of two equivalent words. The first part is called shanglian, also called shangzhi, shangbi, antithesis, or confrontation with the prime minister and the prime minister. The latter part is called bottom link, also called bottom branch, bottom comparison, antithesis or right mother and right tail.

The upper and lower sentences are called a couplet, which is indispensable for the whole couplet. Couplets are traditional metrical literature, which is rhythmic and typical.

Any work that does not meet the basic requirements of couplets should not be called couplets. There is a corresponding relationship between the number of words in couplets and the word "Zi"

The number of words is the sum of the upper and lower couplet words, and half of the sum is "word". For example, traditional Spring Festival couplets are "unified"; Vientiane Update is a four-character couplet, and the couplet in the bedroom is "Why should the room be elegant? "Not many flowers" is the cross of five words; ""Huaying is everywhere; "Pavilion, Mountain, Color and Moon Peek at People" is a combination of fourteen words and seven words.

The most closely related couplets are horizontal comments, also called "horizontal couplets" and "banners". Horizontal batch is posted between two couplets, usually four words.

Its function is to summarize the central idea of the upper and lower links, and it has the function of summarizing and enlightening. (II) The origin and formation of couplets There are similarities between couplets and other literary genres, languages and literary theories, including parallel prose, Tang poetry, Song poetry, Yuanqu and folk rhythmic literature in terms of mutual tolerance, infiltration and wings, and they also have their own laws and rules.

1. Duality rhetoric gives birth to the most remarkable and basic features that distinguish couplets from other styles. It lies in its upper and lower couplet, which uses duality from the aspects of word number, sentence pattern, content, level and rhythm. Therefore, to explore the origin and development of couplets, we must first involve duality.

Duality is one of Chinese figures of speech. Duality is the evolutionary synthesis of the words "dual" and "parallel pair".

Antithesis is a dual form of sentences in poetry and music couplets. "Dui" originated from the honor guard of ancient court guards.

This guard of honor is arranged in pairs, and its formation, number of people, clothing, flags, etc. They are all arranged neatly and symmetrically, so they are called "antithesis"; Parallel couple's "parallel" means that two horses are neck and neck, and "flat" means that two people are combined. The combination of "parallel couples" also means pairs.

Duality and opposition are different in density and severity. Duality is not taboo. As a rhetorical device, antithesis has been used in China's ancient poems for a long time, and it appeared in pre-Qin literary works more than two thousand years ago.

"Full will hurt, and modesty will benefit" (Shangshu Dayu Mo). "I used to go to, willow, a; Today, I think it's raining "("I chose Wei wrong ").

"Drink Mulan Dew in the morning and Qiujuying in the evening" (Qu Yuan's Lisao). In the Han Dynasty, a literary genre called "Fu" developed, and dual rhetoric was widely and consciously used.

In the Wei and Jin Dynasties, Fu-style works gradually tended to be parallel prose, resulting in "parallel prose". The development and maturity of dual rhetoric not only played a positive role in enriching and developing China's language and writing art, but also gave birth to two art forms, namely, regular poems in the Tang Dynasty and couplets in later generations.

Judging from the history of the whole literature and art and the development law of language and writing, the literary art form of couplets is closely related to the whole language and writing art in China. It came into being with the emergence, development and perfection of dual rhetoric in China's language and writing art, and it is an independent and unique style born out of dual rhetoric.

It can be said that couplets are the product of maturity, typicality and stylization of dual rhetoric. 2. The custom of peach symbol directly produced couplets, which gave birth to couplets. However, confrontation does not mean opposition.

In order to transform antithesis into duality, it must have an external form. The external form of making couplets independently is a national custom in ancient China-hanging "Fu Tao".

Therefore, couplets originated in ancient Fu Tao, that is, couplets originated in Spring Festival couplets, and Spring Festival couplets began in Fu Tao. "Fu Tao" is also called "virtuous mother".

As early as more than 2,000 years ago, during the Qin and Han Dynasties, the people of the Central Plains wrote the names of "Shen Tu" and "Lei Yu" Er Shen on two mahogany boards, or painted Er Shen's patterns on paper, hung, inlaid or posted on the door, aiming at exorcising evil spirits, praying for good luck and avoiding disasters. According to the fairy tale "Shan Hai Jing" and other books, there is a big peach tree in Dushuo Mountain in the East China Sea, whose branches extend to the ghost gate in the northeast, so all the ghosts and gods in the cave will go in and out.

There are two gods guarding the peach tree, named Shen Tu and Lei Yu. Once they find evil spirits that are harmful to people, they tie them up with reeds and send them to tigers, so that people can live and work in peace and contentment.

With the development of society and the progress of culture, the custom of hanging peach symbols is also changing. At first, it was to write Er Shen's name or draw an image. Later, someone wrote auspicious words on the mahogany board, and then developed to write two antithetical poems.

So the so-called "Fu Taoshi" came into being, that is, "showdown". This paste with peach symbols is the embryonic form of couplets.

According to historical records, the earliest couplets-Spring Festival couplets appeared in the Five Dynasties. "The History of the Song Dynasty, the Family History of the Meng Family in Xishu" contains: In 964 AD, Meng Chang (9 19-965) asked the bachelor Xin to write a peach symbol, claiming that he had no job: "Welcome to the New Year; The festival number is Changchun. "

At present, this pair of Spring Festival couplets inscribed by Meng Min, a master of Houshu, is recognized as the first pair of Spring Festival couplets. At this point, antithesis rhetoric gave birth to the independent style of Spring Festival couplets.

By the Song Dynasty, the creation of couplets had become a common practice. Celebrities, Shi, Zhu and Huang Tingjian also have many couplets handed down.

Wang Anshi (1021-1086), a writer in the Northern Song Dynasty, described the scene of people posting Spring Festival couplets in the poem "January Day": one year old in the sound of firecrackers, and send warm enters Tu Su in the spring breeze. Thousands of families always trade new peaches for old ones.

During the Song, Yuan and Ming Dynasties, there were inscriptions on palaces, official gates, temples and Buddhists.

2. Common sense you should know when writing couplets

Couplet rule

(a) The number of words in the upper and lower parts must be equal, and duplicate words cannot be used.

(2) The last sentence of the first part must be written silently, and the last word of the second part must be even.

(3) The sentence patterns of the upper and lower couplets must be consistent (equivalent parts of speech and corresponding structures).

(4) The horizontal lines of the upper and lower couplets should be opposite. Where the upper couplet uses flat sound, the lower couplet must use flat sound, and vice versa (flat: flat sound; Cue, Cue, including words with three tones of up, down and middle).

(5) The upper and lower couplets can have similar or opposite meanings, only one thing can be said, and two things can be said separately.

The antithesis between couplets and regular poems has a relationship of inheritance and evolution, and the flat and even metrical rules of regular poems and the principle of "no matter one, three, five, two, four and six are distinct" are also applicable to couplets. As for the number of words in each couplet, there is no limit, ranging from four words, five words, six words, seven words, eight words and nine words to tens or hundreds of words, as long as there is something to say. Here are some examples to illustrate this point:

The motherland is strong; These people are new here.

(Flat and flat, flat and flat. )

The motherland, mountains and rivers in the upper part and the people and years in the lower part are nouns. The last word Zhuang in the upper part and the last word Xin in the lower part are adjectives, which are relatively harmonious, and their contents and forms are consistent with the above five laws.

In short, rhymes should be harmonious when writing couplets. The language is concise, in line with the law, and has certain content. Words are not relative, levels and levels are not harmonious, or slogan sentences are divided into two lines, which can't be regarded as couplets.

Excerpt from How to Make Couplets, Editorial Department of Literature and History Knowledge, Zhonghua Book Company.

At the same time, the contents of the upper and lower links should be related to a certain extent, but they should not be identical or repetitive. Similar antitheses are usually called "crossing hands", such as "Welcome to Five Blessingg in the New Year, and receive more than three in the Spring Festival", in which "New Year" and "Spring Festival", "Welcome" and "Received" all agree. Traditionally, such couplets are considered to be taboo in making couplets.

3. Basic knowledge of couplets

Couplets are short in form and concise in wording. They are a special form of poetry, an excellent cultural heritage and a highly summarized and condensed literary form. They pay attention to neat antithesis, elegant dictionaries, profound meanings and strict specifications. In the aesthetics of our ancestors, symmetry and balance are the most prominent points. Production tools (making stone tools) have been displayed; In writing, it also shows this aesthetic view. Judging from the carved symbols on pottery unearthed from Banpo site in 4000 BC, these symbols are often symmetrical. Gossip is the earliest very regular and symmetrical depiction symbol in China. The appearance and connotation of divinatory symbols (from form to quality) all reflect the aesthetic view of "symmetry" In the expression of language and words, this aesthetic is manifested in antithetical sentences. "Wen Xin Diao Long" has a saying: "Nature takes shape, supporting double god's use of reason, and things are not isolated. The husband's heart is full of words, and this couple is natural. " Duality is a rhetorical device, which can be said to be the earliest rhetorical device in the world. It is a twin brother with Xiang Sheng. Duality is not only a simple literal and semantic match, but also requires the same weight, not too light or too heavy. There are countless examples: "Folding bamboo and folding bamboo, flying soil and eating meat" ("Ya Yi Pian"); "Qing temple mu Xi inherits, and a hundred people sleep in the hall" ("God Man Fuck"); "Better be a chicken's mouth than a cow's queen" (ancient and modern proverb); "Those who compete for fish want to follow animals" (Liezi); "Whether there is a relationship, it is difficult to complement each other, the length is compared, the height is oblique, the sound and sound are integrated, and they are accompanied by each other." ("Laozi"); "Look at what it is, look at what it is, and see that it is safe." (Analects of Confucius); "Lure it for profit, take it in disorder, prepare it for it, be strong and avoid it, be angry and scratch it, be humble and arrogant, and work hard to stay; The attack was unprepared and unexpected. " (grandson); Those who belong to poetry are: "Who said that birds have no horns, why do they wear my house?" Who said you were homeless? Why are you in such a hurry to send me to prison? " (The Book of Songs; "Names are more regular and words are more spiritual." ("Chu Ci"); It can be seen that antithesis sentences were naturally used in the writing and even oral language in the pre-Qin period. However, there is no intention to carve it in form. Liu Xie said: "Tang Yu's world is not written." Since then, parallel body fu has been formed. In the late Northern and Southern Dynasties, the use of antithetical sentences has been carefully crafted. After Shen Yue, a contemporary of Liu Xie, put forward the theory of "four tones and eight diseases", his poetry creation became more and more rigorous. In this poem, the word "antithesis" is used in the antithesis sentence of the metrical poem. At the same time of the formation of metrical poems, the characters have sprouted and developed, naturally introducing metrical poems and developing into long and short sentences. By the time of the Northern Song Dynasty, the rhythm of ci creation was very skillful, but it was still short and pithy. In the hands of Liu Yong and Su Shi, the number of epigrams increased sharply, the theme was greatly expanded, and the expression techniques were also greatly diverse. When ci reached its peak, qu had risen, and the creation and selection of ci were closer to the people. Poetry and music have a great influence on couplets. Later, a large number of miscellaneous words were used in couplets. In addition to paying attention to elegance, they have become the mainstream in simple classical Chinese or spoken English, reaching the point of appealing to both refined and popular tastes. They are rooted in the people, and at the same time, they draw nutrition from proverbs, slang, proverbs and riddles. If antithetical couplets are the essence of couplets, then they are bred in poems and parallel prose and grow by sucking the milk of poems, words, songs and essays. Especially after going deep into the people, it combines mystery, proverbs, slang, common sayings and so on. , become a literary work that can be used in ancestral temples, courts, humble rooms and filthy places.

4. Basic knowledge of couplets

The basic introduction of couplets vector diagram _ _ Spring Festival _ Festival materials couplets, also known as couplets, are named after couplets that were often hung in halls and houses in ancient times. They are called ligatures, couplets, couplets and doors, which began in the Ming Dynasty.

It is a dual literature originated in Fu Tao, and it is a national style written by using the characteristics of Chinese characters. Its wonderful combination with calligraphy has become a colorful artistic creation of the Chinese nation. [2] Folk calligraphers write Spring Festival couplets 4- Video recommended couplets generally do not need to rhyme (some couplets in rhyme only need to rhyme).

Generally, it can be divided into poetry couplet and prose couplet. Poetry couplet has strict requirements and is divided into large and small parts of speech. Traditional couplets are connected in form, with the same content, harmonious tone and rigorous antithesis.

As a custom, couplets are an important part of the excellent traditional culture of the Chinese nation. In 2005, the State Council, China listed couplet customs as the first batch of national intangible cultural heritage list.

The custom of couplets is inherited and spread in Chinese-speaking areas and ethnic groups with cultural origins of Chinese characters, which is of great value to promoting Chinese culture. [3] Li Jiao, a famous calligrapher, created a video of official script couplets. The custom of couplets originated from the dual phenomenon of ancient Chinese in China. As early as the Qin and Han Dynasties, China had the custom of hanging peach symbols for the New Year.

The so-called "Fu Tao" refers to writing the names of the legendary gods "shentu" and "Lei Yu" on two mahogany boards and hanging them on the left and right doors to exorcise ghosts and suppress evil souls. This custom lasted for more than 1000 years.

[4] During the layered Western Jin Dynasty (around 290 AD), the source file __PSD of Xielian appeared a symmetrical antithesis, which can be regarded as an important symbol of its formation. In the historical spread of 1700 years, traditional literary forms such as couplets, parallel prose and regular poems have influenced and borrowed from each other. After three important periods of development: the Northern Song Dynasty, the Ming Dynasty and the Qing Dynasty, the forms became increasingly diverse and the cultural accumulation gradually enriched.

It was not until the Five Dynasties that people began to write couplets on mahogany boards. According to "Songshi Shu Family Biography", Meng Chang, the king of Shu after five dynasties, ordered a bachelor to write a peach symbol and set a bedroom door around him.

At the end of the year (AD 9 * * *), the bachelor was lucky enough to write a poem by Yin Xun. He claimed that he had written a poem: Qing Yu in the New Year, Jiajieno. Changchun. "This is China's first Spring Festival couplets.

After the Song Dynasty, it was quite common for people to hang Spring Festival couplets in the New Year. In Wang Anshi's poems, the phrase "thousands of families always exchange new peaches for old ones" is a true portrayal of the grand occasion at that time. Because the appearance of Spring Festival couplets is closely related to peach symbols, the ancients also called Spring Festival couplets "peach symbols".

It was not until the Ming Dynasty that people began to use red paper instead of red boards, and modern Spring Festival couplets appeared. According to Miscellaneous Notes on Mao Yunlou, before New Year's Eve, after Zhu Yuanzhang, the Ming Emperor, made Jinling his capital, he ordered officials and literati to add a pair of Spring Festival couplets at home, and went out in person to visit incognito and watch and have fun from house to house.

Since then, all scholars believe that antithesis is an elegant thing. After entering the Qing Dynasty, couplets once flourished, and many famous couplets appeared.

[5] With the development of cultural exchanges between countries, couplets have also been introduced to Vietnam, North Korea, Japan, Singapore and other countries. These countries still kept the custom of pasting couplets at the beginning of the 20th century.

The main categories of folding are 1 and Spring Festival couplets: special door couplets for Chinese New Year. Such as: Kyushu Liulin spits green; Peach and apricot compete for spring in May.

2. Greeting couplets: used for birthday, wedding, housewarming, having children, opening business and other festive occasions. Such as: a pair of red hearts moving towards the four modernizations; Two pairs of new hand-painted pictures.

(Lian), happy as the East China Sea; Life is better than Nanshan. (Shoulian) [6] 3, elegiac couplet: used to mourn the dead.

Such as: the book has a strong future, which will shock the world; Let the spirit shine forever and then benefit the people. 4. Gift giving: praise or encourage others to use it.

Such as: wind, rain, reading, listening; Family affairs, state affairs and everything in the world care about everything. 5. Self-encouragement: Self-encouragement.

For example, books about the country are often read; Nothing is bad for body and mind. 6. Industry Association: Different industries are posted at the gates or storefronts.

Such as: to know things from ancient times to the present; I have to read five books. (Bookstore) Although it is a clean business; But it's top kung fu.

(Barber shop) welcomes guests in spring, summer, autumn and winter; Entertain people from east, west, north and south. (Hotel) 7. Yan Zhilian: Tell the purpose of ambition.

Such as: I would rather be Zhao's ghost; Not for him, minister. Couplets are divided into 1, short couplet (within the cross) 2, couplet (within 100 words) 3, long couplet (above 100 words) and so on.

Folding is divided into 1 and dual forms: word pair, object pair, right pair, opposition pair, working pair, width pair, running pair, palindrome pair and thimble equivalence. 2. Rhetoric: metaphor, exaggeration, backchat, pun, rhetorical question and homophonic.

3. Wording skills: embedding words, Tibetan words, compound words, overlapping words, radicals, word analysis, word segmentation, numbers, etc. 4. Logical structure: juxtaposition, turning, choice, cause and effect.

Folding is divided into 1, couplets: hanging on columns, used in houses, institutions, temples, historical sites and other places. 2, door couplet: posted on the gate.

3. nave couplets: Couplets hung in conspicuous positions in the living room and bedroom to match calligraphy and painting. Folding in half is divided into 1 according to the source of couplets, and antithetical couplet: a couplet composed entirely of ready-made sentences in ancient poetry.

2. Ci couplets: couplets composed of ancient Copybook for calligraphy articles and figures. 3. Sentence-abstracted couplets: Couplets directly abstracted from other people's poems.

4. Create couplets: couplets independently created by the author. According to the artistic characteristics, couplets are overlapping: the same word appears continuously.

Compound word combination: the same word appears discontinuously and repeatedly. Thimble: The bottom word of the previous clause is used as the center word of the next clause.

Embedding: including embedding ordinal number, orientation, solar terms, year number, surname, name, place name, name of things (such as drugs), etc. Splitting: breaking a combined word into several independent words; Some people divide it into "word splitting, word combination and word analysis".

Phonetic association: including homophones, homographs and rhymes. Humor association: take the meaning of humor.

No love: the meaning of the first couplet doesn't matter, but every word is neat. Most loveless couples are very interesting and can be classified as humorous associations.

Palindrome: Reading backwards and reading backwards have exactly the same meaning. The longest couplet: The author was Zhong Jiangjin scholar in the late Qing Dynasty, who wrote it in Chengdu Prison in the 30th year of Guangxu in the Qing Dynasty (AD 1904) to express his anger.

The writing format is couplet source file _ Spring Festival _ poster design 1, with equal words and consistent sentence breaks. In addition to deliberately leaving a word position to achieve a certain effect, the number of words in the upper and lower couplets must be the same, neither more nor less.

2, to be clear-cut, and harmonious tone. Traditional habits.

I want to ask some knowledge about couplets.

First of all, the number of words should be equal and the sentences should be consistent.

In addition to deliberately leaving a word position to achieve a certain effect, the number of words in the upper and lower couplets must be the same, neither more nor less. Second, the parts of speech should be relative and in the same position.

It is generally called "virtual to virtual, real to real" (the classification of parts of speech in ancient Chinese is different from that in modern Chinese), which is equivalent to noun to noun in modern Chinese. Verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb and relative words must be in the same position.

Fourth, it is necessary to have a clear hierarchy and a harmonious tone. The traditional habit is to "pucker up and fall flat", that is, the ending word of the last sentence of the first couplet is puckered up and the ending word of the last sentence of the second couplet is flat.

Fifth, the content should be related from top to bottom. The meanings of the upper and lower couplet should be interrelated and cannot be repeated.

Sixth, the words in the corresponding positions of the upper and lower couplets should be as flat as possible, so that they can be read cadently and beautifully. Everything absolutely and wonderfully correct, such as embedded characters, thimbles, palindromes, split characters, etc. Only the last word of the upper and lower couplet is required to be even.

But to write couplets well, this knowledge is not enough. You can recite the melody first.

(See the original) An east cloud faces the rain, snowflakes face the wind, and the night faces the clear sky. Come to Hong to swallow, and lodge birds to sing insects.

Three-foot sword, six bows, north of the ridge to Jiangdong. The Summer Palace on earth, the Guanghan Palace in the sky.

The two sides of the strait are green with smoke, and the garden is full of spring rain and apricot flowers. The wind and frost on the temple, the guests who left early on the journey; A misty rain, a person who was late by the stream.

Along the way, we are different from each other, and the old man is against Huang Tong. River wind is to sea fog, shepherd is to fisherman.

Xiang Yan is poor, Ruan Tu is poor, and northern Hebei faces Liaodong. The pool is full of water and the wind is blowing outside the door.

Emperor Liang gave lectures at Tongtai Temple, and Emperor Han bought wine at Weiyang Palace. Dust worries people's hearts, lazy to caress the seven strings; Frost is full of temples, shame to see bronze.

Poverty is to wealth, congestion to communication, and barbarism to children. The temples are green to the eyebrows and the teeth are red to the lips.

The sky is vast, the sun is shining, and the sword bends to the bow. Half a brook is green, and thousands of trees are red.

Swallows in the wild cross the willow rain, and fish in the fragrant pond play with the wind. Women's eyebrows are slender and a crescent moon appears under their foreheads; A man is strong and his chest is full of pride.

Two winters, spring goes to summer, autumn goes to winter, and dusk goes to the morning bell. Seeing the mountains is for playing with water, and bamboo is for pines.

Feng Fuhu, Ye Gonglong and the butterfly dancer are singing in duet. Double purple swallows with mud, several wasps with honey.

In spring, warblers are just right in the garden, and in autumn, geese are harmonious outside the Great Wall. Qin Lingyun intersection, 8,000 miles all the way; Wushan is washed by rain, and there are twelve dangerous peaks.

Bright and dark, light and thick, wisdom and base. Mirror to clothes, field pestle to village.

Flowers are burning, grass is fluffy, and nine summers are three winters. Taiwan Province is famous for playing with horses, and Xiaolong is a vegetarian.

The crab claws with broken hands are from Bi Zhuo, and the cranes with heads are from princes. The five old peaks are high, and the show is like a jade pen inserted into the sky; Three aunts are big, and the wind and rain are like gold.

Benevolence is right, courtesy is right, and Yu Shun is right. Snowflakes are on cloud leaves, and peonies are on hibiscus.

Chen Houzhu, Hanzhong school, embroidered tiger versus carved dragon. The wind in Liutang is light and the flower beds are thick.

It is suitable to see butterflies in spring and smell flies in autumn night. When a soldier is honored, he will become brave because of fighting; Yi Minzhi relies on poetry and wine to raise # 92; (Same as sparse) Careless.

Sanjiang is opposite to the pavilion, households are opposite to the window, and the huge sea is opposite to the Yangtze River. Shang Rong is opposite to Zhang Hui, and jade is opposite to silver.

Blue cloth curtain, blue oil building, sword against golden urn. Loyal to the country, the mouth contains the country.

Wang Jie lost his way and killed Pang Long. Autumn rain is raining, rotten yellow flowers are full of paths; The spring breeze is blowing, and green bamboos are all over the windows.

If you are right, you will build the right buildings, so your country is also right for other countries. Qianshan to Wanshui, Jiuze to Sanjiang.

The mountains are crumbling, the water is gurgling and the drums are beating. The breeze gives birth to izakaya, and the bright moon shines on the book window.

In the battle, Jian Ziying on the roadside surrendered. In the summer pond, seagulls are beside the bath; Spring curtain, camp and swallows.

Two baht, only two pairs, Huayue to Xiangjiang River. Cars are forbidden to drum, and fire is blocked.

Clear lock Lu, bi screen window, my humble abode to Zhoubang. The flute sounds good, and the bells and drums ring.

The main book is famous for its habitat, while the surname of governance is only Pang. Su Wu shepherds sheep, and snow is often eaten in the North Sea; Zhuang Zhou is alive, and the water must be settled in Xijiang.

Four teas are wine, poems are poems, and swallows are welcome children. Planting flowers is opposite to planting bamboo, and falling flowers is opposite to gossamer.

Four eyes, one foot, and an egret. Half a pool of red lotus, a cup of white tea.

A few autumn winds can wait, and a spring rain knows when it will come. Wisdom is profound, and the national scholar swallows the charcoal of deformation; The morality of sheep is great, and people in the city have set up a monument to tears.

The line should stop, the speed should be late, and the sword should go The letterhead is opposite to the cursive script, and the bamboo slips are opposite to the hair cone.

Fenshuiding, Fairy Mountain Monument, Tiger and Leopard Fighting Bear. Shuiyang Liuli Bi, the flowers are red.

Go to a woman's house to visit a neighbor's jujube tree, and be a wife to grow sunflowers in the back garden. The flute rhyme is harmonious, and the fairy tube has just fallen from the clouds; Fishing boats are banging in the snow.

Armored, drums and flags, Yan Zi hit the oriole. Li is sour and bitter, and his eyebrows are bitter.

Three flutes, done at once, rain blowing against the wind. Begonia goes to bed early in spring, while willow goes to bed late in the day.

Zhang Jun once wrote poems for Sophora japonica, but Ling Du didn't write poems for Haitang. Jinshi is comparable to a leopard; Tang Confucianism is knowledgeable, in short, it can be regarded as five turtles.

Five microwaves come and go, dense and dense, and Yan dance flies to the warbler. The wind is clear to the moon, and the dew is heavy to the smoke.

The frost chrysanthemum is thin, the rain plum is fat, and the guest road is opposite to the fishing rock. The sunset is beautiful, and the morning dew is decorated with pearls.

In summer and summer, guests miss stone pillows, while in autumn, women miss marginal clothes. In the depth of spring, the fisherman returns to the grass bank; At sunset, lusa went to the shepherd boy's house.

Forgiveness is right or wrong, beauty is right or fat. Coral is to tortoise shell, and splendor is to pearl.

Peach is burning, Liu Yiyi, green is dark, red is thin. The warbler sings at the window and the swallow flies outside the curtain.

Han Zhi Taiping three-foot sword, Zhou Zhen Dading a glorious dress. Sing a poem about the moon, only worrying about the moon setting; Pour the wine to send spring, but regret the spring return.

Sound to color, full to hunger, tiger festival to dragon flag. Huayang is to laurel leaf, and White Sword is to yi zhu.

If you also call, swallows fly and swing around with great momentum. Spring is full of sunshine and autumn is cold.

He sent an envoy, Feng, and dealt with people's differences and other Yin Weng's return. My brother sang a song about Yan Yan; I will be a general, and I will sing for the willow tree.

Six fish have nothing to do with it. The green window is Zhu Hu, and the BMW is a car.

Ma Bole, Haoran Donkey and Yi Yan want fish. Jin Qi Bao Shu, Feng Bi Lin Xiangru.

Throw Sun Chuo's golden voice and reply to Dou Tao's letters. Did not meet Yin Zong, trapped in the building; Every week, Taigong gives up fishing in Weishui.

The ending is right, the disease is right, and Dwarf Brown is wrong. Six Dynasties vs Three Kingdoms, Tianlu vs Shiqu.

A thousand-word strategy, eight-line script, if there is a pair. There are no butterflies in the flowers, but there are diving fish in the seaweed.

The fallen leaves dance with the high wind, and Xiao He floats in the water. I like to associate with people and go to Xu Anni for a holiday. I'm afraid I'm too stingy, but Ruan Yu did burn the car.

Lin is to phoenix, turtle is to fish, and internal history is to Han Shu. Plows and hoes are suitable for thunder, while plows and hoes are suitable for suburban markets.