Say "konoha"

Author: Lin Geng

"Autumn wind is blowing, and Dongting waves are under the leaves." ("Nine Songs") Since this touching poem was written, its vivid image has always influenced the poets of later generations, and many poems that have been recited by people have been inspired from here. For example, Xie Zhuang's Yuefu said: "The Dongting begins to wave, and the leaves are slightly separated." Lu Jue's "Song of the King of Linjiang Festival" also said: "Under the leaves, Jiang Bolian, the autumn moon shines on the clouds and rests on the mountain." As for Wang Bao's famous sentence "Crossing Hebei": "Autumn wind blows the leaves of wood, like Dongting waves." The impact is more obvious. It can be seen that "konoha" has become a favorite image of poets.

What is "konoha"? Literally, "wood" means "tree" and "wood leaf" means "leaf", which seems to need no more explanation; But the question is why we seldom see the use of "leaves" in ancient poetry. In fact, "trees" are very common. For example, in Ode to Oranges, Qu Yuan said, "After the emperor, trees are beautiful and oranges are attractive." And Huainan Villa's "Recruit Hermits" also said: "There are many osmanthus trees in the mountains." Anonymous's ancient poem also said: "There are strange trees in the courtyard with gorgeous green leaves." But why are "leaves" not common? Generally speaking, when you meet a "leaf", you will call it "leaf" for short. For example, "dense birds fly in the way, and the wind is light and the flowers fall late." (Xiaogang's "Folding Willow") "Moonlight leaves burn." (Tao Yuanming's "Imitating the Ancient") Of course, this can also be said to be caused by the tempering of the poet's words, but this explanation can't solve the problem, because when you meet "Muye", the situation is obviously different; It seems that the poet no longer thinks about writing, but tries his best to write famous sentences spread to the public through "leaves", for example, "Under the leaves of Gao Ting, autumn flies first." (Liu Yun's "Yi Dao Shi") "When I heard the cold sound of the hammer shaking the leaves, I traveled to Liaoyang for ten years." "(Shen Quanqi's" Ancient Meaning ") It can be seen that washing cannot be used as a special reason for the word" Ye ",so why has the word" Ye "never been asked? At least it never produced a beautiful poem. And that's exactly what happened. Ever since Qu Yuan discovered the mystery of "Mu Ye" with amazing genius, poets since then have refused to let it go easily. So once you use it again, practice makes perfect; In the language of poetry, it is not limited to the word "konoha". For example, Du Fu's famous poem "Ascending the Mountain" said: "Leaves fall like the waves of a waterfall, and I watch the long river always roll forward." This is a well-known sentence, and the "falling wood" here is undoubtedly developed from the "wood leaf" in Qu Yuan's Nine Songs. According to our usual thinking, it seems that the word "Ye" should not be omitted. For example, we might as well say, "There are boundless leaves rustling", wouldn't it be more clear? However, Du Fu, a genius, would rather leave out the "leaves" of "konoha" than give up the "wood" of "konoha". Why on earth is this truth? In fact, before Du Fu, Yu Xin had said in "Mourning the South of the Yangtze River": "Leave the cave and fall into the forest, and go to the anode." Here we can see that the word "falling wood" is not accidental. Ancient poets borrowed from predecessors' creation and created in their own study, which made China's poetic language so colorful. This is just a small example.

The key to the development from "wood leaf" to "fallen leaf" is obviously the word "wood", which is also the difference from "leaf" or "fallen leaf". Needless to say, "Ye" is rarely used in ancient poetry; Is "fallen leaves", although common, but it is also a general image. It turns out that the subtlety of poetic language is different from the general concept, and it will be much worse if it is almost; This shows that the language of poetry cannot rely solely on concepts. Conceptually speaking, "konoha" is "leaf", and there is nothing to argue about; But when it comes to thinking in images of poetry, the latter is ignored, while the former is developing constantly. As bold and creative as "leaves fall like the spray of a waterfall", aren't you afraid of diehards mistaking wood for falling from the sky? Our poet Du Fu, on the other hand, would rather take the risk and create a vivid poem handed down from generation to generation. This adventure, this image, is actually in this word "wood", but isn't the origin of this word worth thinking about? Here we have to analyze the word "wood" first.

First of all, it seems that we should study where ancient poets used the word "wood". In other words, on what occasions can the word "wood" constitute a subtle poetic language; In fact, they are not used everywhere. In this case, they will become "universal ingots". It is no accident that poets such as Xie Zhuang, Lu Jue, Liu Yun, Wang Bao, Shen Quan, Du Fu and Huang Tingjian have created distinctive images in autumn scenery since Qu Yuan accurately used the image of autumn scenery in the autumn leaves. For example, Wu Jun replied to Liu Yun: "The autumn moon shines on the mountains, and the cold wind sweeps the tall trees." Can I use "tall tree" here? Sure; Cao Zhi's "Wild Yellowbird Tour" said: "There are many trees in Taiwan, and the sea water rises." This is also a famous sentence through the ages, but the image of "hating many trees on Taiwan" here has not fallen leaves, while "the cold wind sweeps high trees" is obviously a scene of falling leaves. The former is about to express deep grievances like the tide by the blowing of leaves. The more leaves there are, the fuller the feelings are. The latter is the situation that there are fewer and fewer leaves. Isn't the so-called "sweeping the high wood" the emptiness of "falling the wood"? However, the "tall tree" is full, while the "tall tree" is empty; This is where "wood" and "tree" are the same but different. The "wood" here is simpler than the "tree", and the so-called "knowing the wind when dying" seems to be closer to the "wood"; It seems to contain a deciduous factor, which is the first artistic feature of "wood".

To explain why "wood" has such characteristics, we can't help touching the suggestibility in poetic language, which seems to be the shadow of the concept and often hides behind it. If we don't pay attention, we won't notice its existence. Sensitive and cultured poets are trying to understand all the potential forces in language images and interweave these potential forces with the meanings in concepts, thus becoming colorful words; It affects us unconsciously; It's very infectious and inspiring here. And "wood" is the concept of "tree", which has the general shadow of "wood", "wood" and "board". This potential image often affects us to think more about trunk and less about leaves, because leaves are not wood originally, so "leaves" are often excluded from the sparse image of "wood", which is why it is implied. What about the "tree" It has lush branches and leaves, and it and the "leaves" have dense dark associations. As the saying goes, "The beautiful trees in the afternoon are clear and round." (Fang Ting, a man from Zhou Bangyan) If the word "wood" is used here, there will be a lack of a more realistic image of "noon shadow". However, the images of "tree" and "leaf" are not exclusive, but very consistent; It is precisely because there is too much agreement between them that "leaf" will not bring more than one word "leaf". The word "Ye" has never appeared in classical poems that are used to words. As for "konoha", it is completely different. Here we need to talk about the second artistic feature of "wood" in image.

"Wood" not only reminds us of the trunk, but also brings the color implied by "wood". The color of trees, that is, as far as trunk is concerned, is generally brown-green, which is similar to leaves; As for "wood", it may be yellow, and it may feel dry rather than wet; Door bolt, door rod, door rod, etc. What we are used to seeing is like this; Here is a more general word "wood". Although "wood" appears as a special concept of "tree" here, its more general potential meaning still affects this image, so "wood leaf" naturally has the yellowish and dry feeling of fallen leaves, thus bringing the breath of the whole clear autumn. "Autumn wind is blowing, and Dongting waves are under the leaves." This autumn is by no means a green and soft leaf, but a rustling and yellowish leaf. We seem to hear the sigh of leaving people and think of the wandering of wanderers. This is why the image of "Konoha" is so vivid. It is different from: "beauty is idle, picking mulberry road;" The soft belt is in Ran Ran and the leaves are falling. " (Beauty by Cao Zhi), because it is a dense leaf full of moisture at the turn of spring and summer. It is also different from: "There are no other neighbors except quiet nights, and I live in the same old cottage;" Raindrops illuminate the yellow leaves, and lights illuminate my white hair. "Yellow leaves" ("When My Cousin Lu Lun came to spend the night"), because the yellow leaves still grow quietly on the trees, in the misty rain, although it has the yellowish color of "Konoha", it does not have the dry feeling of "Konoha", so it lacks the meaning of falling; And because it rains, its yellow is obviously too yellow. " Konoha "belongs to wind rather than rain, to bright clear sky rather than heavy cloudy day;" This is a typical clear autumn character. As for "falling wood", it is more spacious than "konoha", and it even washes away the subtle meaning left by the word "leaf": "The wind blows the sunset, and the leaves fall off the branches." (Wu Jun's Song of Sister-in-law in Qingxi) is just enough to illustrate the lingering side of this "leaf". However, there is still a certain distance between "konoha" and "falling wood". It is the unity of "konoha" and "Ye", and the interweaving of "Shu Lang" and "Mianmi" is a distant and affectionate beautiful image. This is exactly the character image of Mrs. Xiang in Nine Songs.

The difference between "konoha" and "leaf" is only one word. The concepts of "wood" and "tree" are almost the same. However, in the field of artistic image, the difference here is almost a thousand miles away.

Second, musical instruments.

Konoha is a single spring breath of Miao, Yao, Dong, Yi, Zhuang, Buyi, Li, Tujia, Yi, Achang, Bai, Dai, Shui, Hani, Gelao, Maonan, Manchu, Mongolian, Tibetan and Han. Miao language says that black is not a dragon, which promotes the brain. The Dong language is called Bamei and Gabulo. Yi language is called Sike and Sikga. Zhuang language is called worship of beauty. Widely popular in Guizhou, Sichuan, Yunnan, Hunan, Hubei, Guangxi, Fujian, Hainan, Inner Mongolia and Northeast China.

On the banks of clear rivers in the south-central and southwest of China, and on the mountain paths in the Yunnan-Guizhou Plateau, you can often hear waves of melodious music. This is the crisp and bright music made by clever minority people with a smooth and tough oval leaf through various playing techniques, just like a versatile mountain singer singing happily. Konoha is a natural musical instrument endowed by nature, which is deeply loved by many ethnic minorities in China. Although the leaves are small, the timbre is beautiful and the music is moving and unique.

Edit the source of this paragraph.

There is a story about the origin of blowing leaves in Miao village in southeastern Guizhou: a long time ago, there was a young Miao boy named Jiang Xiongjiu and a girl named Jia Xiongjiu. Their home is blocked by a high mountain, and they can't see each other all the year round. Once, they fell in love at first sight when they were "traveling" (that is, young men and women talked about love with songs). Not long after, the girl came to Brother Jiang's ninth dormitory, but the boy's mother didn't like the girl and always wanted her to go. In order to keep the girl, brother Jiang pretended to be sick and bedridden, and the girl stayed with him to serve. Jia Jiu Ge didn't know it was a plan. After serving for three years, he didn't recover, so he picked up his luggage and left. Brother Jiang chased out the door, conveniently picked the pepper leaves in front of the door and put them in his mouth to blow out the truth. The beautiful and sincere voice of Konoha flies over fields and hills and floats to the hillside. The girl returned after hearing the sound. The boy's mother saw that the girl was so affectionate that she would never send her away again. They got married happily, and their family lived a harmonious and happy life.

There is an old love song among Buyi people: leaves are piled up on the mountain, but unfortunately my brother can't play, so when the leaves are called, he only uses leaves without media.

Edit this legend

According to legend, Ye Dan, an orphan, was hardworking and simple, earning a living by collecting firewood and selling grass, and got married at the age of 25. One day, when he was resting on his way home to collect firewood, he saw a leaf called "Guanmenchai" rolled up and closed. When the breeze blows, it even makes a melodious "cry" sound. He picked a piece and tried to blow it, and the leaves made clear music. Since then, every day when he went up the mountain to cut wood, he had to pick a few leaves and blow 372 1 day continuously. His playing has become proficient, and he can express his miserable life and his mixed feelings with 2 1 tunes. Who knows that this wonderful music has touched the heartstrings of the seven fairies in the sky. Regardless of the rules and regulations in the sky, she resolutely came to the world to "whistle" with Ye Dan (Buyi means love). Ye Dan is on the South Longshan Mountain, and the seven fairies are on the North Phoenix Slope, exchanging whistles with the sound of leaves. You blow one, I'll answer you one. The more they blow together, the closer they get. When Ye Dan came to the middle of the two mountains, I saw seven fairies waiting there shyly like camellias, with a young leaf in their hands. They became relatives and lived a beautiful life of farming and weaving. Since then, Buyi people have been playing with konoha, and young men and women use the sound of konoha to convey their love. This love song "Only Konoha Without Media" has already been produced. Legends like Buyi nationality are also popular among other ethnic minorities such as Yi nationality. To this day, they still have the custom of blowing leaves to invite love.

Edit this paragraph to develop.

Konoha is the simplest and oldest musical instrument. In the hunting era of primitive society, it was used to hunt birds with onomatopoeia, and later it gradually changed into an instrument that used sound instead of music and sang with sound. It has been widely circulated for thousands of years, but it was found late in history books. In the Tang Dynasty, blowing wood leaves was more popular, and it also occupied a place in the royal court band and was officially used in the "Ten Music" and "Qing Music". The Book of Music in the Old Tang Dynasty called blowing wood leaves "whistling leaves". And described the court music "Ye Er Gore". It shows that there are two singers and two leaf-blowing accompaniment in the band. Who was Du, the messenger of Lingnan in Tang Dynasty? He is good at studying blowing leaves. He said in Tongdian (Volume 1 14): "When you hold a leaf, you can whistle, and its sound is clear, especially orange pomelo (leaf); Or clouds roll reed leaves, such as heads. " It is clearly recorded in the Book of the New Tang Dynasty that there is a saying that "one person blows leaves" when playing a banquet. It is worth mentioning that when the band plays important music such as "Jing Yun He Qing Ge" and "Cai Yu", there must also be blowing leaves. At this time, Konoha has doubled in value and received a grand courtesy. Bai Juyi, a great poet in the Tang Dynasty, vividly wrote in Eight Poems (VI): "Su's youngest daughter (Su Xiaoxiao, a geisha of the Six Dynasties) was very famous in the past, but Yang used to have a different feeling, peeling a plate to make a silver ring and blowing leaves to make a Yu Di." Lang Shiyuan, a poet in the Tang Dynasty, described it more incisively and vividly in his poem Yang Ye Er Xu: "Yang Ye Miao blows people's grief, and Huma hates the wind. If it is a cold moonlit night in Yanmen, you should roll up the sand at this time. " "A natural art is more incoherent, and the bright sound is fascinating. Blow to the place of parting, when there is a broken heart. " It can be seen that people were talking about the superb skills of playing konoha and the touching charm of music. At the end of the Tang Dynasty, a singer named Herry Liu lived in Luoyang at the age of 17. She is already very good at playing leaf music. Accompanied by orchestral music, she can play "sea breeze music, sad and sad sounds", which deeply touched and shocked the audience. In the literature of the Tang Dynasty, there are also records of figures of southwest ethnic minorities beating wooden leaves. At that time, in Nanzhao area (now Dali, Yunnan), young men and women often expressed their love with the sound of leaves when they were in love. Fan Chuo's Schumann in the Tang Dynasty said: "Under the common law, virgins and widows have to go in and out. Young children parade in the alley at night, playing cucurbits or blowing leaves. In the sound and rhyme, they all send love words and call each other. " Among the 24 music and dance reliefs in the tomb of Wang Jian, the Emperor of Shu before the Five Dynasties in Chengdu, Sichuan, there is an image of a musician playing with a wooden leaf in his mouth. He sat on the ground, holding a bunch of leaves in his right hand and left hand, and his expression was lifelike. The above fully proves that as early as 1000 years ago, Konoha was not only widely circulated among the people, but also a common instrument in the court bands of Tang Dynasty and former Shu Dynasty.

Edit the instrument selection in this paragraph.

To blow wood leaves, we should choose excellent tree species, usually using non-toxic leaves such as orange, grapefruit, poplar, maple, holly and so on. The structure of leaves is symmetrical, and the front and back sides should be smooth, especially the leaves with moderate softness. Leaves that are too tender are soft and difficult to pronounce; The old leaves are hard and the tone is not soft. The size of leaves also has a great relationship with performance. The leaves are too big or too small to play, and the pronunciation is not good. Generally used leaves, the leaf length is 5.5 cm, and the middle leaf width is about 2.2 cm. Leaves are not resistant to blowing, and a leaf will become soft and broken after blowing several times, so players need more leaves to spare when playing.

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When playing, you should first wipe off the dust attached to the blade, stick the front of the blade to your lips, slightly open the index finger and middle finger with your right hand (or left hand), gently stick the back of the blade, and hold the lower edge of the blade with your thumb in reverse, so that the upper edge of the blade held by your index finger and middle finger is slightly higher than your lower lip. Blow the blade edge with proper airflow to make the blade vibrate and make a sound. Konoha is a reed, the mouth is like a resonance box, and both hands can also help to resonate. By controlling the strength of the mouth, the shape of the mouth and the tip of the tongue, and tightening or loosening the blade with your fingers, you can change the vibration frequency of the blade and play different sounds, ranging from eleven degrees to two degrees. To make it produce different timbres, you need to use different playing methods. Usually, you hold down the lower part of the leaf and blow the upper part with air. You can also hold the leaves with one hand and pat them gently with the other. Just like playing a harmonica, the sound not only resonates, but also fluctuates. A more advanced technique is to put the leaves between your lips without holding them. Just like playing a bamboo flute, with the level of melody, it sends out a sudden and different airflow and plays a wonderful melody. A skilled performer is even more impressive. He can blow two leaves at the same time, or he can play a tune without the help of his fingers. Konoha needs to use different air volume when playing high and low notes, and the lips are also tight to control the air flow. Blowing wood leaves should not be broken at will, especially pay attention to the smooth and melodious tune.

The timbre of konoha is similar to that of the small suona, crisp and bright, pleasing to the ear and similar to human voice. As the saying goes, "Silk is not as good as bamboo, and bamboo is not as good as meat", but this little leaf is comparable to human voice, just like human voice singing, and it has Shan Ye flavor. It can be solo, ensemble or accompanied by song and dance, and has a very rich expressive force. Most of the music played is selected from folk songs that people like to listen to and sing. In Hunan and other places, it is accompanied by konoha. Among the Bai and Dai people, konoha is also used in the music of Bai and Dai drama.

Edit the performance customs of all ethnic groups in this paragraph.

Miao Black Dragon is a favorite playing instrument of Miao people in Guizhou, Yunnan, Hunan, Guangxi and other provinces. Orange leaves, grapefruit leaves and Hollyleaf are mostly used for playing. Miao people near rivers and rivers, as well as those who play with large fish scales, are durable and have a loud voice. Blowing wood leaves is especially favored by Miao youth, which is closely related to their love of life. It is often said that love can be gained by blowing the leaves of konoha, and the sound of konoha is the first sound of happiness. A Miao folk song goes like this: "One konoha, one song, two konoha crossing the hillside, three konoha crossing the fork. When can A-mei see my brother? " In Miao areas, whenever the moon is bright and the wind is clear, there will be beautiful sound of konoha floating from the edge of the village. This is a young man inviting a girl out for a "trip", and a girl can also identify her lover according to the tune played by Konoha. Therefore, in Miao folk songs, there is a saying that "you should take advantage of Ye Ziqing when you are blowing leaves, and you should fall in love while you are young". In the Miao family, old people and women don't blow the leaves, and only young men are experts in blowing the leaves. Today, whenever young men and women hold social and love activities such as "sightseeing", "rocking horses" and "picking flowers", the melodious piano sound of Konoha comes one after another. In Pingbian Miao Autonomous County, Yunnan Province, Miao youth performed the unique solo "Emotional Perception" with soft and bright melody, pure and clear pronunciation and lyrical and natural glide.

In Guangxi, Yao people like to play with banyan leaves, longan leaves, olive leaves and litchi leaves. Yao people have an ancient custom. Every year from the Spring Festival to spring ploughing, every family prepares feasts and drinks, and visits villages to congratulate each other, while boys and girls play with konoha and dance. In the annual "Longping" song concert, melodious, euphemistic and beautiful sound of konoha can be heard everywhere.

Dong people living in Guizhou, Guangxi, Hunan and other places often use tender leaves with slightly hard texture and good toughness, such as camphor tree and ash tree, with bright and melodious pronunciation. Generally, I often play outdoors during the day, such as working in the mountains and walking on the road. In addition to solo, she often accompanies Dong folk songs. Young Dong people often play love songs with leaves. Folk songs, popular in Tianzhu County, Qiandongnan Miao and Dong Autonomous Prefecture, are accompanied by leaves. From "First Meeting" to "Asin Tasting", there are songs dedicated to expressing feelings, such as Acacia, Affection, Vernacular Style and Parting. Every year on the 15th day of the seventh lunar month, young Dong men and women living in Sansui County, Guizhou Province go to the scenic Shengde Mountain to climb mountains and sing songs. The county cultural center also organizes a leaf blowing competition, and the winner often becomes a girl's favorite.

Yi stringed instrument is a favorite instrument of Yi people in Sichuan, Yunnan, Guizhou and other provinces. It is usually played with evergreen leaves or buttonwood leaves. The Yi people in Liangshan, Sichuan are called the bottom of a wooden leaf. The folk story "Wild Goose Girl" circulating in Liangshan region vividly describes the story of a clever beggar in Hu village, playing a kind wild girl and attracting Wild Goose Girl to become a good marriage. The tune of "Climbing the Mountain" played by the Yi youth in luxi county, Yunnan Province is particularly beautiful. In the Yi area of Guizhou, konoha is often used to accompany folk songs, with two-part folk songs called "inverted buckle" and three-part folk songs called "inverted buckle".

Zhuang people's worship of beauty is the favorite and most popular musical instrument of Zhuang families, which is played by soft and resilient leaves such as banyan, longan, litchi and olive. Zhuang people living in Guangxi, Yunnan and other provinces and regions often play konoha in labor breaks, market gatherings and singing competitions. They are inseparable musical instruments in life. No matter in the forest of Shan Ye or on the way to and from work, you can always hear folk songs played by leaves. As a folk song says, "The sun is red, you can pick up a hoe to work, which will increase your output by several percent this year." There is a folk song in Zhuangxiang, Yunnan, which goes like this: "The Zhuang family used to love to blow the leaves of wood, which was passed down from generation to generation. I used to blow bitter water, but now I am drunk. " When young Zhuang people go to Geshi to sing, they often pour out their hearts to girls with leaves of wood. Zhuang families in luxi county especially like to play folk songs.

Buyi youth also like to express their feelings with leaves. Girls often dress up after dinner and wait for their sweetheart to arrive. There is a song "Song of the Waves Whistle" that sings: "The house is brightly lit, and there is the sound of konoha coming from behind. Konoha leaves are like a glow stick. They come to stir my sister's heart at night. " There is a love song circulating among Tujia people in Xiangxi: "When Konoha sings, he falls into Jiujiang River, and he can hear it clearly from a thousand miles away, and Wan Li listens to Lang sing."

Blowing wood leaves is very common among Bai people living in Dali, Yunnan. They often play with bamboo leaves, willow leaves, chestnut leaves and pear leaves. Folk artists have superb skills and diverse playing methods. Among them, Zhang, a blind farmer artist in Heqing County, often plays two musical instruments, namely, the bangdi and the Muye. Sometimes the flute is loud and sometimes the leaves are melodious, showing the scenes of young men and women singing and laughing. Music includes Plum Blossom Melody and so on.

Shui people love to blow leaves, which is the most popular in Sandu County of Guizhou Province and Fuyuan County of Yunnan Province. They are close friends and good companions of young men and women in social activities and love life. They use konoha leaves to express their feelings and feelings, and often play music such as "emotions".

Manchu and Mongolian people living in three northeastern provinces of China and Inner Mongolia Autonomous Region are especially good at playing with konoha. Li in the Northern Song Dynasty? In the series Taiping Yu Lan (volume 58 1), there is: "The pleasure of Hu people rolling reed leaves." Especially among young men and women, konoha has built a bridge to happiness for them. In Mongolia, people often play folk songs with Konoha, and sometimes accompany Konoha with flutes. It can be seen that konoha is closely related to the love life of young people of all ethnic groups.

Modern development of editing this paragraph

Since 1950s, the art of konoha has been developing continuously, and poets have given a more detailed and vivid description of playing with konoha. Zhong wrote in "Konoha": "Pick fresh green leaves and stick them tightly on thick lips. It spouts such a wonderful sound and spins with the local flavor of Miaoshan ... It seems that the whole life and love for Camus are injected into your blood vessels. " In The Voice of Konoha, Zhang Xinquan talked about the wonderful use of Konoha in detail ... Talking about hunting, talking about spring sowing ... Don't shout "go slow" when seeing off guests down the mountain. Green leaves stick to your mouth and send you mountains of green, flowers on a cliff, and the sound of konoha is as strong as wine. I'm not afraid of "ecstasy" when dating at night. The place is "written" on the leaves, with a lower voice and a higher voice. How bright my heart is on the road. General Xiao Hua also wrote a special article introducing the art form of Muye Blowing, and gave a high evaluation: "Like Muye Blowing of the Dai people, they are all beautiful musical instruments, adding color to the art of the motherland." Since 1980s, the weeping leaves have once again entered the music art hall, often playing in concerts and providing music for movies. Luo Daozhong, a wood leaf performer of Buyi nationality in Huaxi, Guiyang, has exquisite skills and beautiful timbre. He can play a range of nearly three octaves with the skills of flat blowing and super blowing. He cooperated with the orchestra to play Konoha's solo "Chen Zihong", which has been made into a compact record and is welcomed by music lovers. In the feature film "The Baptism of Blood and Fire", there is a lyric song "Bitter Song" with Fujian characteristics, accompanied by Chang Xuexian of Beijing Workers' Art Troupe. In addition, blowing leaves is also used in movie music such as "From Slave to General" and "Black Man". Zhao, a Bai Troupe in Dali Bai Autonomous Prefecture, Yunnan Province, cut the plastic film with moderate hardness into a leaf shape with appropriate size through repeated practice, and achieved very ideal results. Pronunciation is sensitive, strong and weak, and the range is as high as three octaves. Playing skills include single spit, Shuang Tu, tongue, glide and vibrato. , you can play difficult music and further develop the art of Konoha music.