The opposite of the mirror is a fixed mirror, which makes people feel rigid, while the moving lens will make the picture more dynamic.
There are eight "killing skills" in mirror transport, namely: pushing, pulling, shaking, moving, following, throwing, rising and falling. In our common film and television works, most of the contents are the combination of eight mirror-carrying skills.
1, push the lens
Push shot is a kind of lens whose composition changes from far to near. The camera moves forward slowly or quickly without changing the position of the main body.
As the lens moves forward, the picture has gone through a complete or incomplete process from foreground, panorama, middle shot, close shot and close-up, but it must be a continuous sewing process.
The main function of this kind of lens is to highlight the subject, make the audience's visual attention relatively concentrated, strengthen the visual experience and create a state of scrutiny. It conforms to the visual psychology of people observing things from far and near, from whole to part, from panorama to detail in real life.
Step 2 pull the lens
Pulling the lens is the opposite, that is, the lens gradually moves away from the subject.
On the one hand, the range of framing changes from small to large, and the accompanying body or environment gradually blends into the picture;
On the other hand, the subject has changed from big to small, and its expression or subtle movements are not clear, and the distance from the audience is gradually increasing.
Pulling a lens is often used to re-integrate the subject into a certain environment and remind the audience of the changes in the environment where the characters are located or the relationship between the characters and the environment.
Step 3 shake the lens
When shaking the lens, the camera itself does not move, and the camera lens rotates up and down, left and right or even left and right with the help of the movable chassis.
Panning can represent the eyes of the characters and see everything around them.