The film shooting scenes of desert, beach and red intestines are making the composer Zhao Jiping, who is trying to find artistic inspiration at the scene, collapse greatly, and said never to attach his name to the film list, for fear that the image of a world-famous composer would be destroyed. This is both a correct judgment and a wrong judgment. The correct judgment is that this is indeed a bad film. After the release, the box office was terrible, and it was selected as the first of the top ten bad films that year. The wrong judgment is that he never imagined that after more than 11 years of changes, it turned out to be a masterpiece with a high score of 9.2 in Chinese film and television. What is the reason for a bad film to attack the masterpiece? In the background of the modern era, which changed from the traditional patriarchal system to the pursuit of individual personality, young people and their parents had a huge game in the inheritance of values. This film just vividly showed the game process of the inheritance of values in that era, and young people also had a huge emotional sound. Gadamer said that when an interpreter interprets, he always starts from his current situation with his own preconceptions, contacts with the "horizon" of the text, and grasps the meaning revealed by the text, thus leading to the fusion of the horizon of the interpreter, the horizon of the text and the horizon of the current situation. I think this is the real reason why this film has gone from a bad film to a good one.
If you go to a special cake-sharing event with someone else, and that person fiercely tells you that this cake is all mine and has nothing to do with you! What should you do at this time? You should fight back at this time. Only by fighting back can you get the cake that belongs to you. So what kind of cake is this? This is a cake about the inheritance of values. Young people's growing brains are like a blank sheet of paper, which can be engraved with the values that their parents want to engrave and the values that young people choose themselves. This is a cake that can be smeared with various ideas such as love, responsibility and justice. At that time, the fathers wanted to paint it with all kinds of hardships that can recall their life journey and tried to cast it into a statue of glory symbol meaning. However, young people regard the traditional values of their fathers as the values of depression, darkness, depression and conformity. The younger generation is more eager to smear with distinctive personal personality and love. So the two generations began to spread in the inheritance of values and how to distribute smoke.
? Film art is one of the carriers that can reflect the inheritance of values, and it is also a counter-attack weapon for bargaining on the inheritance of values. And A Chinese Odyssey appeared at the right time in that era. It became a very fierce counterattack weapon for young people in that era. Like a Tu Longdao. This is a weapon that can fight back against the father's fierce statement that the values on this cake are all painted with what his father wants to carve.
? So how do young people use this "A Chinese Odyssey", the Tu Longdao, to fight back against patriarchal values?
focus plane language's counterattack. The lens in A Chinese Odyssey is a desolate yellow sand and a desert where sand is flying and stones are flying. Most of the buildings are simple, and there are few patriarchal buildings symbolizing tall, dignified and solemn in focus plane, such as the Forbidden City and towering pagodas. And the desolate yellow sand and the focus plane with simple architecture often symbolize the moral desolation, and the symbol of patriarchy is gone. Focus plane in movies like "Knights in Shuangqi Town" and "Xinlongmen Inn" mostly happened in the desolate Gobi desert in northwest China. There are bandits, thieves and assassins in this environment, and often they don't follow the patriarchal rules. The protagonist and his partners in the film A Chinese Odyssey are a group of mountain thieves, and they are also a group of dynamic mountain thieves. These mountain thieves are all challenging patriarchy.
? The resistance of language banter. The film is full of a kind of life breath language, such as only you. It thundered, rained, and the clothes were collected, sister Guanyin. In particular, the banter "Sister Guanyin" shattered the strict class hierarchy. The language in the film makes the characters in the film full of class equality. The movies we can't see are like a language in which the elders reprimand the younger generation. It is this kind of language that laughs, scolds and plays abuse that shatters the patriarchal significance, such as the image of Tang priest.
? The way movies tell stories is different from the traditional way of telling stories. The protagonist in A Chinese Odyssey keeps crossing. This unconventional narrative method of story evolution on time line has caused difficulties for the older generation to understand. The older generation tend to understand the world according to the psychological mechanism of sequential development on the timeline. However, this "A Chinese Odyssey" subverts the desire of the older generation for a safe and stable psychological mechanism. The older generation is often quietly cultivated by a long-winded farming break at sunset, while the younger generation at that time is eager to fight against the world with their own will, and another lifestyle that will be repeatedly challenged may be displayed. And the older generation never imagined that this narrative way of crossing will become a trend in the future. The narrative of this film narrative is also full of young people's free will and personal character, full of yearning for distinctive personality and freedom.
The film's leading role's exquisite nonsense comedy performance has also made the film full of irony. Many exaggerated performances of Master Xing often ignore the whole traditional morality. This kind of Hollywood mixed comics combined with the understanding of the local low-level people in Hong Kong and the unique comedy performance completely broke away from the traditional comedy performance. And it is this special performance that madness makes me laugh at others, which greatly weakens the traditional sense of moral bondage.
? This is the artistic characteristics of the film A Chinese Odyssey, which just gives the young people of that generation the courage to resist morally. It was a special weapon for young people in that era to fight back. The film, like Tu Longdao, cracked the problem of putting pressure on them to inherit their values.
? Bargaining is a technical job! If someone else takes all the cakes away, it's a very simple and rude way for you to smash all the cakes. No one can eat this cake. Just like brother crow, take the whole table off. This is the great courage of that young man, who completely smashed and disintegrated and deconstructed traditional values. The majestic, solemn and tall aesthetic system cast by them all smashed them. It is also in line with the psychological expectation of the young people of that era, and completely smashed the hierarchical values of depression and depression.
of course, this will inevitably be strongly opposed by the older generation. As the six-year-old boy said, how could Bai Jingjing fall in love with the Monkey King? There is no distinction between shemale and shemale, right and wrong. This overreaction of six-year-old children is actually afraid that the new "A Chinese Odyssey" filmed by the younger generation will completely negate the values of the older generation. I am also afraid that the new image the Monkey King will be nothing in the artistic and historical sense or even replace the old image of the Monkey King. This is absolutely unacceptable to his old man.
? The struggle between values inheritance is like you are fighting for something with your dad. Your dad pointed to your nose and told you that all these things are mine. Listen to me and listen to how I arrange them. Then you were unconvinced and overturned everything at once. This will only irritate your father. He'll break your leg. Of course, considering that you are his own son. It won't really break your dog's leg, but a beating can't be avoided. So the plot of A Chinese Odyssey shows the process of father-son game skillfully. Guanyin in the movie wants to kill the Monkey King completely. Then the Tang Priest said, "Don't don't", saying that he was also at fault, sacrificing himself and letting the Monkey King do his heavy work. This is like a real young man rebelling against his father completely. Dad can't completely kill his son, and he can only find a step. It is incredible that the older generation is so rebellious towards young people and completely denies their past values. But they have to sit down quietly and listen to young people's demands for the inheritance of values.
? So the young people of that era began to talk about their demands in the inheritance of values. That is the pursuit of personalized rights. At that time, Bi Super Girl was a complete hit. Behind this popularity, young people voted for it themselves. It expresses the young people's aesthetic requirements for their own personality specialization and self-shaping. In any case, Chris Lee is an aesthetic with a special personality. Rather than the aesthetic taste imposed on the younger generation by the older generation. It was also a carnival in which young people pursued the expression of personal will and the rights of individual personality.
? And the pursuit of a romantic love has been a sacred position in the values of young people at that time. Young people also refute the past values that emphasized the meaning of selfless dedication to suffering. Young people will say that the past times have solved the problem of food and clothing. We should not let the past focus on suffering, toil and fatigue, and only emphasize dedication without asking for any selfless return become the dominant thinking of young people. Young people are telling that this kind of value has no meaning in the new era.
? At the same time, the new young people just often watch comics, animations, Hollywood movies and TV series in Hong Kong and Taiwan. Influenced by Hong Kong and Taiwan-style TV dramas and cartoons, they have outlined a perfect trinity partner image in love for themselves.
? This girl is as savage and overbearing as the Zi Xia fairy in the movie. In the movie, Fairy Zi Xia branded the toes of the Supreme Treasure, and then said savagely and overbearingly: Now I solemnly declare that everything on this mountain is mine, including you. In the movie, Fairy Zi Xia is a metaphor for modern women who use force to break men's emotional hesitation. Women are braver than men, and she leads boys to fall in love. This kind of reverse overlord female president kissed the image of male diaosi, which revived the inner passion of men in that era. It is a projection of the desire of male collective turmoil in that era. In this way, the Supreme Treasure in the movie is strongly led by Zi Xia Fairy to fall in love. It also reflects the psychology of young men in that era who were at a loss, scared and looking forward to true love. It also plays the role of mother and sister, and plays the role of hiding in the mother's arms and crying when the boy licks the wound when he is frustrated. The boy needs a woman to tolerate him, even if he makes a major mistake. Just like in the movie, in order to get the Moonlight Box, the Supreme Treasure cheated Zi Xia Fairy by fraud, and after telling her a super classic line, the woman forgave the Supreme Treasure. This plot is undoubtedly the boy's mental fantasy projection of his mother and sister. Finally, it also satisfied the desire of men in that era to be appreciated because they thought they were talented or self-satisfied, but no one appreciated them. And this way of being appreciated is expressed in the eyes of women's worship. Just as the lines in the film are so handsome, this requires women to play the role of daughters, a form in which daughters are obsessed with heroic fathers. This is the projection of men's longing for trinity women in that era.
? After listening to young people painting their ideal demands in this inheritance of values, the older generation. They tend to be silent at first, but scoff. They said, is such love meaningful without the support of bread? The meaning behind bread is a kind of suffering, a kind of responsibility and an ability.
? But there is no doubt that the young people at that time would basically go in one ear and out the other.
? So who is right? Time will give the best answer and society will give the best answer.
? In fact, the young people of that era plunged into the melting pot of society with a radiant, sharp-edged, dissolute and free mentality and experienced a roll in the world of mortals. Like the supreme treasure in the movie.
? However, they see that there is something happening in the society that seems to be different from the society they expected. They found the girl who had just left the campus. It turned out to be so young and lovely, but when I left the society, I immediately learned to dress and dress up the fashion life of thrush. They blend in with fashion so quickly as fish into the river. Moreover, the society is full of all kinds of expensive consumer goods. Extremely expensive notebooks, delicious food and all kinds of dazzling goods. This is a consumerist society. Men are still struggling repeatedly on the edge of the trap of consumerism, but they find that the young and beautiful girls who have just left campus quickly fall into the trap of consumerism. And I don't know when there will be a wind that loves girls and consumes for her. Girls don't know whether it is intentional or forced, or they just fall into the consumerism trap and become sacrifices in the consumerism trap.
? Similar plots will appear in many movie stories and novels. Like Snow White's fairy tales, a man needs to go through difficulties to kiss the princess to wake her up. Women's willingness to become sacrifices often comes from women's psychological expectations. They deliberately let men go into the trap to cut through the thorns and score men through the process of men cutting through the thorns. See if you are qualified to have me! If females in the animal world judge the qualification of male courtship through the fighting mechanism between males. Modern women deliberately fall into the trap of consumerism, tempting men to score men through the process of trap, which is euphemistically called a test. There is a similar bridge in A Chinese Odyssey. That is, when Fairy Zi Xia met Niu Mowang, she deliberately fell into the trap of consumerism. The last place to get married is very similar to an altar. Fairy Zi Xia herself became a sacrifice on the altar. This is a very aesthetic symbol, just like Snow White lying in a very beautiful crystal coffin. Maybe that's what women want. And there is only such a protagonist: my lover is a hero in the world, and one day he will step on seven-color clouds to marry me. To deserve her. This sacrifice is waiting for the protagonist in the movie to pick it up. This process is to defeat Niu Mowang. In reality, men are expected to satisfy women's necessary consumerism.
? Young people in that era deeply realized that they had just left the wolf's den of food and clothing and fell into the tiger's den of consumerism. Materials were the gateway to love. And not only love, but also the maintenance of necessary friendship in life can not escape the hammer of consumerism. Just like those people in the movie were killed willfully by Spider Spirit for no reason. When the young man first left the society, he was often short of money. It also made young people in that era extremely miserable. They may be like Mario in the game, playing BOSS one level at a time to see the princess. In the process of cutting through thorns, for the love of their hearts. There is no choice but to give up the freedom of hanging out with friends, playing games and being bohemian. They need to put on the golden hoop without hesitation and jump into the trap of consumerism to fight BOSS.
? Perhaps the scoring mechanism of this process test is too fancy skill test. Maybe this test requires too much material. Perhaps this kind of test process always makes men feel at a loss in the process of guessing and guessing. Exhausting men. Men have lost the ability to love. This ending is that the woman guessed the beginning but didn't guess the end.
? The young people of that era woke up to the fact that the love at the end of A Chinese Odyssey was what they really longed for. Women on the loess high wall have no endless fancy forms to test men, which makes men exhausted in the process of proving love. Men also put down their aloof personality and expectations of all kinds of brilliant tossing in society, and surrendered early under the green pomegranate skirt.
instead of going to the society to roll around, both myself and girls have long been transformed. The men also missed it.