The Dragon, a novel in my mind,
When I show dragons to children, he can't understand the charm. When I show them to adults, he thinks it's too second grade.
I really like dragons and am addicted to them. It's no exaggeration to say that dragons are my youth after I grew up with them in middle school, and now I'm a sophomore.
Looking at Dragon 1 in middle school, it was an ignorant and second-grade age. Everyone felt like Ricardo·M·Lu in the book, ignorant and second-grade, looking forward to having his own Nuo Nuo falling from the sky.
When I watched Dragon 2 in junior high school, it was the age of seed of love, and I began to gradually understand Ricardo·M·Lu's feelings for Nuo Nuo, admiring the love-hate relationship between Shrimp and my brother.
When I watched Dragon 3 in senior high school, it was the age when the three views began to awaken. It is no exaggeration to say that it was the first time that I was moved to tears because of novels (including other virtual worlds, games, TV dramas and movies, etc.).
Now I'm a sophomore, and many people have already worked. In fact, I think Dragon 4 and Dragon 5 should be the same movie, and both of them talk about the same thing. Ricardo·M·Lu, Ricardo·M·Lu, who we liked from childhood to adulthood and thought was a microcosm of himself, finally grew up. He became domineering and cool, and his fighting power was unparalleled, but his feelings and loneliness for Nuo Nuo remained unchanged, and his guilt for painting pears was mixed with it.
I believe that many readers now feel the same way as I do, because Ricardo·M·Lu's feelings for Nuo Nuo are complicated, and they feel distressed and guilty about painting pear clothes. For senior brothers, Caesar and the headmaster, it can be said that it is difficult for you to find a character you don't like in the Dragon, except for the insignificant passerby A, B, C and D. They are all so real and far away, as if they are someone around you or a certain kind of people
hit the point. Why do we like dragons so much? Because dragons can arouse our strong * * *
Dragon is not only a novel, but also the youth of a generation. The book is about a loser with a story, but everyone who listens to the story has a Ricardo·M·Lu in his heart.
The first time I came into contact with Dragon was in a middle school year, when I was "walking with flying, watching clouds and dreaming". Ricardo·M·Lu, a weak child who looks and does not slip in grades, stayed with an uncle and aunt who didn't like him. He had a secret crush on a girl for three years and was afraid to confess. His only specialty was playing StarCraft, and he could sweep away thousands of troops without using the mouse. Suddenly surprised, this person is not who I can be, and as Ricardo·M·Lu opened the cinema door, he also opened the door to the new world for me.
The book incorporates Nordic myths, such as World Tree, Black Dragon nidhogg, Haila and Fenrir.
Of course, Dragon 3 also clearly shows the concept of "mourning for things" in Japanese aesthetics, that is, looking for decline in silence and death, looking for beauty in breaking and disappearing, and finding the ultimate beauty when the most beautiful things are destroyed, such as going to the top of a shirt, giving birth to truth, and cherry blossoms. They all choose to bloom the ultimate beauty with death, living like summer flowers and ending brilliantly. To sum up, the epic chapter, the magnificent myth, the fate of the characters, and the joy and sadness that seem to pass by.
Why?