This is the late autumn in the ancient country, and the weather is very early. Thousands of miles are like a river, like clusters of Qingfeng. Sailing towards the sunset, leaning against the west wind and leaning against the wine flag. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw. Miss the past, compete for prosperity, sigh outside the door, and continue to hate. Throughout the ages, relying on height is an honor. The past events of the Six Dynasties are like running water, cold smoke and rotten grass are green. Today, business women are still singing, and "backyard" is a heritage.

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Climbing to the top of the tall building, the scene of Jinling is late autumn, and the weather has just begun to get cold. The Yangtze River, which flows thousands of miles, is brewing like white practice, and the Qingfeng Mountain is majestic and steep like an arrow. The boat on the river is full of sails and sails for the sunset. The swaying wine flag swayed against the west wind on the shore. Colorful floats haunt the clouds, and egrets in the middle of the river sometimes stop flying. This beautiful scenery is hard to draw with the most beautiful pictures.

Looking back on the past, luxury and lewd life compete endlessly, sighing that "Han Qinhu outside the door, Zhang Lihua on the roof" comes one after another. From a distance through the ages, the scenery you see is like this. Don't feel sorry for the gains and losses in history. All the changes in the Six Dynasties disappeared with the flowing water, only the cold smoke and withered weeds in the suburbs were still green. Until now, women in business still don't know the sorrow and hatred of national subjugation, and always sing the legacy of "backyard" loudly.

Appreciate:

Gui Zhi Xiang Jin Mausoleum Nostalgia may have been written by Wang Anshi when he came to jiangning house in four years (1067). According to the records quoted from Ancient and Modern in Poems of Past Dynasties, at that time, more than 30 people used this tune to write Jinling's nostalgia poems. "Only Wang sang it."

First of all, the scenery of this poem is magnificent and the weather is vast, which fully shows the author's high foothold and broad mind. The first three sentences are generally written. In a few words, the season, place and weather are clearly explained, and the whole word is put in a perspective overlooking the fence. In a crisp autumn atmosphere, the momentum is extraordinary. The following "A thousand miles into a river is like a practice" describes water, and "Qingfeng is like a cluster" describes mountains, which describes the situation of mountains and rivers in Jinling as a whole and depicts a broad background for the whole poem. Navigation is a concrete description of the scenery under this background. On the river, countless sails are sailing in a hurry in the afterglow of the sunset. Compared with "Western jackdaw is somewhat west outside the sunset, and the water flows around the lonely village" (Qin Guan's Man Ting Fang), the former is vast and magnificent, while the latter is sad and has a different style. However, many jagged wine flags on both sides of the Yangtze River are floating in the wind. Compared with Du Mu's "Wine Flag Wind in Guo Shan in Water Village", the difference between bodybuilding and bodybuilding is obvious. As for "colorful boats are cloudy, herons rise to the Milky Way", just like the focal plane is further pushed away, with the sails drifting away, the poet's field of vision is also expanded, so that water and heaven can be integrated into one, and the myriad manners of the Yangtze River are written in a broader space. From a distance, the sails are like floating in the faint white clouds, and the flying egrets are like starting from the Milky Way. After reading this, I can't help but think of Wang Bo's Preface to Wang Tengting: "The sunset is lonely in Qi Fei, and the autumn water is the same as the sky." One is eternal parallel prose, and the other is unprecedented ci creation, which is really the same.

The word scenery is mixed with reality, alternating with shades, interlaced with distance, combined with reality, and the shades are appropriate, which constitutes a wonderful landscape map of Jinling. Its broad, fresh realm, vigorous and magnificent style are incomparable to those works such as Small Garden Fragrant Path and Falling Moon.

Secondly, the idea is novel and far-sighted, which shows the insight of a sober politician. The comments made by Gui Zhixiang in his next films are by no means lamenting personal joys and sorrows, but reflecting his concern and anxiety about the future of the country and the nation. The first three sentences, "I miss the luxury struggle in the past, sigh on the roof outside the door, and complain constantly", were read by exposing the rulers of the Six Dynasties who built Jinling as their capital and took advantage of the beautiful mountains and rivers in the south of the Yangtze River to make a mistake. People who sigh are contemptuous of their tragedy after tragedy, which is both sad and hateful. The criticism of this sentence is that since ancient times, literati and poets have only lamented the rise and fall of dynasties in the face of Jinling mountains and rivers, failed to jump out of the small circle of honor and disgrace, and failed to stand at the proper height, so it is difficult to learn historical lessons from the successive collapse of the Six Dynasties. Now, the past of the Six Dynasties has gone with the flowing water, leaving only a few lifeless strands of hay shrouded in cold smoke. This song "Cold Smoke Rotting Grass Coagulating Green" clearly reveals the author's dissatisfaction with the failure to make great efforts to govern the country in the Northern Song Dynasty. The whole word focuses on the conclusion: "Today, business women still sing all the time, and the music stays in the backyard." The so-called "backyard heritage" is Chen Houzhu's colourful song "Flowers in the Back Garden of Yushu". In this sense, Du Mu, a man in the Tang Dynasty, also wrote: "Business women don't know how to hate their country, but they still sing backyard flowers across the river." However, unlike Du Mu, the author does not accuse business women of ignorance, but refers to scolding, suggesting that geisha are still singing the voice of national subjugation, precisely because those in power indulge in debauchery and lead a life of drunkenness. However, it will be as sad and hateful as the Six Dynasties if we don't change our ways and take measures to enrich Qiang Bing. This conclusion is tantamount to warning the authorities in the Northern Song Dynasty. Some people say that Li is the prototype of Wang Anshi's item. From the perspective of language and syntax, Wang Ci was really influenced by Zhang Ci. However, Zhang Sheng is only a kind of negative sadness about the rise and fall of the Six Dynasties: "What happened in the Six Dynasties is gossip. Looking at the floor, there is nothing to say when it is cold. " The ideological realm of these two words can hardly be mentioned in the same breath.

Third, the composition pays attention to the writing of prose, which is coherent and extremely similar. In the first sentence of the last movie, the word "seeing is wrong" enveloped the whole article, and an article was born. The second sentence "old country" points to Jinling, paving the way for the next discussion of homesickness. The following scenery is written from a general perspective, followed by close-up and prospect, and finally stopped at "painting difficulty", which not only summarizes the above scenery, but also naturally turns to the following discussion. This arrangement is very appropriate and natural. The following film opens a discussion: Jinling is so magnificent, but it is a historical witness to the successive demise of the Six Dynasties. The three sentences of "thinking about the past and thinking about the future" show the attitude towards the rise and fall of the Six Dynasties, and the two sentences of "leaning on the sky to shine through the ages" write the views on the works that have always paid tribute to Jinling. The following is to turn it into reality, and the sentence goes back to today. The head and tail are round, the structure is precise, and the layers are unfolded. There are scenes in the lyrics, such as Yan Shu's "Walking on the Sand": "A sad dream wakes up and the sunset shines deep in the courtyard", which is an inexplicable spring worry; There is a love complex, such as Liu Yong's "Wu Fengqi": "Clothes are getting wider and wider without regrets, and people are haggard for Iraq", which shows a single-minded and sincere love. Guizhixiang ends with a discussion, in which the author's views on major practical and political issues are entrusted. These characteristics of the text structure of Guizhixiang reflect that the development of Ci is characterized by prose after entering slow Ci.

Fourth, allusions are appropriate and natural. "A thousand miles into a river is like practicing" is a poem in Xie Tiao's "Going to Three Mountains at Night and Returning to Wangjing": "Yu Xia is scattered into beautiful scenery, and Chengjiang is as quiet as practicing." The Star River Herons Rise is based on a poem written by Li Bai when he boarded the Phoenix Terrace in Nanjing: "Three mountains and a half fall out of the sky, like this egret is divided into Dao Jiang". "Sighing on the roof outside the door, sorrow and hatred continue" is an allusion of the Sui Dynasty's destruction of the past: when Enemy at the Gates was in China, the heartless General Sui was still singing and dancing with his beloved concubine Zhang Lihua. Du Mu's "Taicheng Qu" once recited this matter: "Han Qinhu is outside the door and Zhang Lihua is at the top of the building." However, Wang Anshi skillfully only borrowed the word "building outside the door", saying that the army was under pressure and the building was decadent and shameless, which showed the collapse of the Six Dynasties very succinctly and vividly. The word "sorrow and hatred" summarizes the history of the Southern Dynasties. The end of the sentence is based on Du Mu's poem "Bo Qinhuai", but it is endowed with more profound and incisive ideological content. Before Wang Anshi, it was rare to use four allusions in one word.

The content of Wang Anshi's "Guizhixiang" is Jinling nostalgia. Shang que writes about scenery. Chengjiang, Cuifeng, Sailing, Wine Flag, Float Boat and Luqi constitute a magnificent late autumn picture of Jinling. Xia Gan revealed the luxurious life of the ruling class in the Six Dynasties through nostalgia. Conclusion: "Up to now, strong women in business are still singing all the time, and" Houting "has sounded the alarm for those in power. This poem has vigorous language and broad artistic conception, and has got rid of the influence of beautiful ci style at that time. In terms of artistic style, it is very original to get rid of the slender and elegant ci style and "sweep away the old habits of the Five Dynasties"; In terms of interest and cognition, it is Jinling's farewell song of nostalgia, because it stands high and looks far, which symbolizes reality and deeply cherishes the future. No wonder Su Shi saw it and praised, "This old man is a wild fox. "

Appreciation 2:

Jinling is now Nanjing, the ancient capital of the Six Dynasties. Since the capital was established in 222 AD, Eastern Jin, Song, Qi, Liang and Chen have successively established their capitals here. In the Zhao and Song Dynasties, the city was still crowded and brightly lit, showing a bustling atmosphere. Geographically, Jinling is called a magnificent place, where tigers live in the dragon's nest. River of no return, into the sea. Mountains, hills, rivers and lakes crisscross. Qinhuai River runs through the city like a jade belt, and Xuanwu Lake and Mochou Lake are like two pearls embedded in the left and right of the city. Wang Anshi wrote this political lyric poem, "The interest is empty", thinking that the country is still the same, personnel changes, and nostalgia for the past.

The first part of the word is mainly about scenery. The author climbed into the distance in a cool late autumn weather and saw the most distinctive scenery of Jinling: the Yangtze River is as clear as plain white satin, and the green peaks on both sides seem to be scrambling to gather; At sunset, the sails in the river come and go, and the flags of restaurants on the shore fly against the west wind. At first glance, all kinds of boats are hidden in the light clouds; A flock of egrets rose in the sky of the galactic continent. Such a magnificent scenery is really "difficult to draw"! In the next sentence, the author turned to the theme of nostalgia. The word "nostalgia for the past" opens the contrast between time and space, pointing out that the rulers of the Six Dynasties competed to live a luxurious and dissolute life, so that, like Chen Houzhu, the enemy was already in Enemy at the Gates, and he was still having fun with a group of concubines (the meaning of "outside the building" was translated from Du Mu's Taicheng Qu: "Han Qinhu is outside the door, Zhang Lihua is in the building"). The last six monarchs were like merry-go-round. The author deeply laments: Throughout the ages, people have been climbing to mourn, but they all feel ups and downs in the air. The old story of the Six Dynasties, with the river that died in the East gone forever, left only a few wisps of cold smoke and a piece of green grass. Finally, the author points out that the lesson of national subjugation in the Six Dynasties has been forgotten by borrowing the poem "A businesswoman doesn't know how to hate national subjugation, but still sings the garden flowers across the river" in Bo Qinhuai by Du Mu. The three sentences at the end of this sentence profoundly satirize the present.

Wang Anshi was appointed as the magistrate of Jiangning at the beginning of Zongning (the governor is now Nanjing) and entered the center two years later. This word is used as a magistrate. As a great reformer and thinker, he stood tall and saw far. Through the understanding of the historical lessons of the Six Dynasties, this word expresses his dissatisfaction with the social reality of the Northern Song Dynasty and reveals his awareness of being prepared for danger in times of peace. At the same time, this word also has artistic achievements, which embodies the author's literary proposition of "washing old habits in five generations" Although there were some famous poets such as Yan Shu and Liu Yong in the Northern Song Dynasty, they did not break through the barrier of "Ci is a colorful subject" and their ci style was weak. Wang Anshi's whole poem has a broad artistic conception, and the magnificent scenery blends harmoniously with the historical content, forming its own style. Poems in past dynasties quoted ancient and modern times as saying, "Jinling remembers the past, and sent more than 30 people with cinnamon sticks, and Wang Nai sang a swan song." Although Wang Anshi wrote a few words in his life, this word can be sung through the ages.