Modern, it is from 19 19 to 1949.
Contemporary is from 1949 to the present.
Again, I took these from other answers. . .
Fu Baoshi: (1904- 1964), a newcomer in Jiangxi, studied in Japan in his early years and attacked the history of oriental art. Due to the long-term observation of the true mountains and waters, the painting is profound, the composition is novel, and the methods of thick ink and rendering are used well to integrate water, ink and color, achieving a magnificent effect. On the basis of traditional techniques, it is unique and has played a role in carrying forward the past and opening up the future for landscape painting after liberation. His figure paintings are strong and vivid. Liberate the former art professor of National Central University. After liberation, he served as a professor in the Fine Arts Department of Nanjing Normal University, vice chairman of China Artists Association, and president of Jiangsu Provincial Academy of Traditional Chinese Painting. He has published Studies on the History of Ancient Landscape Paintings in China, Techniques of Landscape Characters in China, China's Painting Theory, Shi Taoshan's Chronicle, Romanian Sketches, Czechoslovakia Sketches, Northeast Sketches and Zhejiang Sketches. He is also good at seal cutting, and has a "printed spectrum". His representative works include Lanting Map, two for the road, Jiuge Map-Mrs. Xiang, Jiangnan Spring, and The Picture of the Jiangshan to Be Carefully Taken. He died in Nanjing in 1965 at the age of 62.
Huang Binhong: (1865- 1955) an outstanding modern painter. Name and quality, the words Piaocun, Piaocen, also known as Piaocheng, Qiqin,No. Bin Hong, Bie Department Yu Xiang, Hongzuo, Huangshan Mountain middleman, etc. My ancestral home is Shexian County, Anhui Province, and I was born in Jinhua, Zhejiang Province. Young people like painting, and in their spare time, they also study seal cutting. At the age of six, he copied Shen Tingrui's landscape book, and learned flowers and birds from Zheng and Chen Chongguang. After living in Shanghai for 30 years, in the first 20 years, I mainly worked in newspapers and bookstores, engaged in news and Art editor; Later, he turned to education and served as a professor at various art schools in Shanghai. He has also taught at the Academy of Fine Arts in Beijing and Hangzhou. Vice Chairman of East China Branch of China Artists Association. His techniques are applied to Li Liufang, Cheng Sui, Can, Hong Ren, etc., but also to France, Song and Yuan Dynasties. Pay attention to the unity of reality, complexity and density in composition; If you use a pen as a seal brush, you are dignified, vigorous and powerful, and you are interested in writing carefully. After the age of seventy, the post-painting works will be dripping and magnificent; I like to use accumulated ink, spilled ink, broken ink and Su Mo to make the mountains and rivers deep and magnificent. The so-called "black, dense, thick and heavy" painting style is his remarkable feature. His calligraphy "Zhong Ding" has a deep skill. His works include: A Study on the Origin of Huangshan Painters, A Talk on Honglu Paintings, Micro-analysis of Ancient Paintings, Compilation of Paintings, Compilation of Jinshi Paintings and Calligraphy, Essentials of Paintings, etc. He and Deng Shi compiled the Fine Arts Series and compiled the Quotations of Huang Binhong's Paintings.
Li Keran: Mr. Li Keran1was born in Xuzhou, Jiangsu Province on March 26th, 1907. 13 years old studied traditional landscape painting with Xianqian Shizhi, a teacher in a rural area, and 16 years old entered a private art school in Shanghai. 1929 He entered Hangzhou (International) West Lake Art Academy with excellent results, and was admitted as a graduate student, studying western painting under Professor Lin Fengmian and others. 1943 was hired as a lecturer of Chongqing National Art College, engaged in the teaching, creation and work of Chinese painting. 1946 was hired by Xu Beihong as a professor of Chinese painting at the National Beiping Art College. At the same time, he studied under Qi Baishi and Huang Binhong and devoted himself to the research and creation of national traditional painting. After the founding of New China, he devoted himself to the innovation of Chinese painting. Taking the motto "those who are valuable are courageous, those who want are soul" and "go in with the greatest skill and fight with the greatest courage" as the motto, the ancient landscape painting art has gained new life. Mr. Keran's landscape is profound and dignified, broad and profound, which promotes the evolution and sublimation of national traditional painting with distinctive spirit of the times and artistic personality. With Mr Keran's self-contained educational thought, the "Li Keran School" active in the painting circle appeared. He is not only a master of painting who has worked hard for more than 70 years, but also made important contributions to the development of artistic concepts. His influence has already gone beyond the art world and has been highly praised by all sides.
Brief introduction of Li Kuchan: (1898- 1983) is a famous English, whose word is bitter Zen. Gaotang people in Shandong. 1925 studied in the western painting department of Beiping Art College. Soon after, I met Qi Baishi, the master of art, and began to learn Chinese painting. After graduation, he taught in Beijing Normal School and Hangzhou Art College. After the founding of the People's Republic of China, he served as a professor at the Central Academy of Fine Arts and a member of the National Committee of the Sixth China People's Political Consultative Conference. He has been engaged in art creation and art education all his life for more than 60 years, and has characteristics in freehand brushwork of flowers and birds. He has absorbed the techniques of Shi Tao, Badashanren, Yangzhou School of Painting, Wu Changshuo, Qi Baishi and other predecessors, and his brushwork is magnificent and unique. His works handed down from generation to generation include Sheng He, A picture of a flock of eagles, Lanzhu, Furong, Autumn Festival Flavor and so on. 1978 After that, People's Fine Arts Publishing House published a photocopy of Li Kuchan's Paintings; 1980 Photocopy of Li Kuchan's Painting Collection published by Shanghai People's Publishing House.
Brief introduction of Huang Zhou: Formerly known as Liang Shunian. 1Born in March, 925, Li County, Hebei Province, participated in the revolution in his early years and served as the editor of the Northwest Military Region Warrior Reading Publishing House.
Huang Zhou studied under Zhao Wangyun, lived in the northwest all the time, became a professional painter, served as a lecturer in the Fine Arts Department of Northwest Teachers College, and later worked as a creator in the General Political Department. Now he is the vice president of the Chinese Painting Research Institute, and died in the spring of 1997.
His Snow in the Wild won the gold medal of the 6th Youth Party, and he has published Huang Zhou's Works, Hundred Donkeys' Picture and Huang Zhou's New Works.
Huang Zhou is an original painter. Huang Zhou played an irreplaceable role in the modernization of Chinese painting. He didn't go through the road of literati painters or the way of college training, but relied on his life to forge a broad road from his creative practice, which greatly influenced and encouraged the young people who studied Chinese painting at the same time.
Huang Zhou is a great figure painter, and he is very good at painting big pictures, large figures and lively scenes. The magnificent masterpieces he created before and after constitute a magnificent picture of the times. He adhered to the realistic creative road, praised labor, strength and enterprising spirit, and showed a bold and magnificent aesthetic tone, which was not only from the painter's positive and optimistic nature, but also a reflection of the spirit of the times of self-improvement.