Cherry Red: Two children without parents.

Warm spring: the old man's son was picked up. The old man never got married for fear that his son would not believe him.

Cherry Red: The old man's son was also picked up. The old man never got married for fear that his son would not believe him.

Warm spring: Xiaohua weaves baskets with her grandfather because her family is poor.

Cherry Red: Because the family is poor, two children also weave baskets with grandpa.

Warm spring: there is a bad wife at home.

Cherry Red: There are also evil wives at home.

The acting is terrible. Grandpa Wenchun is poor, but he is car-scrapping in his bones. Grandpa in cherry red speaks like a dying voice, not to mention those two children. Everyone has a long-term vision, which is a simple feeling played by flowers in warm spring. Swallow's exit and silence are the feelings of this city, and what they say is the words of adults. The younger brother, when he ran away from home, those two sneezed. If I didn't watch the swallow ask him if he was cold, I would also like to say why he said "seven, seven". The grass in that city, I don't want to say, must be related to the director. She can also be a child of a rich family, with the same face as if she had not washed it. The child didn't shed a few tears when he cried. . . .

After watching the warm spring, I feel purified, cherry red, hehe, would I say I was watching with a smile?

It's not just plagiarism, director. You really discredit Zhao Jiaban and never look at your Zhao Jiaban's works again.

This is your original, true inner thought, don't spray it.