1, the theme of the movie. In fact, it is not difficult to find that the director wants to sublimate the theme of the legend, because unlike Nezha, Jiang Ziya is a very special role, and naturally he can't interpret this role in Nezha's way. Therefore, it is understandable that he is eager to add some in-depth content. So this movie is full of metaphors to satirize some things. For example, after apotheosis, Jiang Ziya discovered that Zhou Wang had become a god. But da ji is just a pawn used by his master to defend his rights. Even if he asked Jiang Ziya to find the so-called evidence, it was actually in his own calculation, but an unexpected accident happened midway, which is also the old routine of film and television drama creation.
Besides, the film does imply that even if Shang Zhouwang is overthrown, the world is not better. Jiang Ziya is just playing the role of a savior, which is why Jiang Ziya finally wants to be independent from the world, because God will not save them, but this is just a beautiful fantasy. For the master, he won't make mistakes. He told Jiang Ziya to cut off his love affair, which was almost explicit. Finally, the grandmaster came forward, so the core of this work is actually very obscure.
2. Logical loopholes+movie rhythm+mythical characters. Some people think that this work is criticized because it is too literary and even a bit melodramatic, but in fact, in my opinion, commercial works are not completely popcorn, but they can also have depth. Even a standard commercial film can have its own depth. Why is there such a problem in Legend of Deification? It may be because of logical loopholes+narrative rhythm+characters. Let's take a look at the settings of the movie first, after the gods are sealed. That is to say, Jiang Ziya was the commander in chief before that. If according to the logic of the movie, all the battles are finished, Jiang Ziya should not be bothered by these things long ago, and should know everything he needs to know. Whether you can win as a commander-in-chief is a loophole. The narrative rhythm of the film is obscure because of the theme, and the director's expression is too conservative, which leads to great problems in the rhythm of the film, including the theme is too literary, which is fatal to commercial works.