The scenes of Johnny and Yanhui Wang were deleted the most, and the lack of plot made their personnel settings flat and monotonous. Even in the preview, Johnny's sentence "I can go back, but I can only return home with my clothes on" was deleted from the feature film, and the theme of "leaving my hometown" was no longer distinct. When the mass interview in the egg revealed the theme of leaving my hometown, the audience was confused and felt cheated.

It's a pity that the film "Buckwheat Grows Wild" has a strong cast and cast, and the picture and concept are not lost, but it has become a bad film because it has deleted too many key plots and the story is fragmented. In Buckwheat Grows Wild, several fragments were deleted.

However, the lack of plot directly affects the narrative and logic, which makes it more difficult for the audience to understand the film. For example, Wu Feng, played by Johnny, carried the body of an adult man when he was stabbed in the abdomen with a dagger, and dug a hole in the heavy rain to bury him. This is obviously unreasonable, but it is not like this in the original film that has not been cut.

The call for film classification has been going on for a long time, and the important reason is that excessive deletion will destroy the audience's viewing experience. Three-line parallel narration is an advanced gameplay, and the director of Buckwheat is a debut, so the narrative difficulty is self-evident.

In the story of the three seemingly independent and inextricably linked people, some plots were deleted in the whole paragraph, which made the understanding of the film worse, and turned the gorgeous scene that should have been a highlight moment into exquisite mediocrity, because all the vision of the film should serve the narrative and central idea, and the audience could not even understand the story, so it was even more difficult to understand what the director wanted to express.