Draw an untitled picture. Draw a willow pond, willow trees are free and easy, and an old man stands under the tree leaning on a hoe, calling for a cattle that is not far away and looking forward to making a response. The scene is very moving. The painter's description of the calf is very delicate and compelling, especially the calf's eyes, which are flowing tactfully and affectionate, and the gratitude and attachment to the owner are beyond words.
? The picture is unsigned, made by people in the Southern Song Dynasty. Write a branch of okra, outline it with meticulous brushwork, fill it with color, the petals are finely hooked with powder, the leaves are heavy green, the posture is vivid, the color is rendered, and the layout is rigorous. Two blooming flowers and sparse leaves fully show the look of okra, which is a masterpiece of sketching in the Southern Song Dynasty.
There is no money on the painting. The picture shows a branch of camellia, which inclines diagonally from the upper left corner, relaxes its soft strips, and produces a blue sky. The painter does not take a wait-and-see attitude, but describes the state of things from the dynamic, which can be described as ingenuity. Camellia leaves are delicate and charming, and the breeze is light. What is particularly prominent is the residual snow on the petal mosaic, which is about to melt. The white and red petals and dark green mosaic constitute a gorgeous and contrast color.
There is no money on the painting. The painting method uses double hooks to set colors, and the colors are smudged, with deep workmanship, tender and old leaves, and golden fragrance, which is vivid and vivid. The fruit leaves are dense, oblique, curled and shaded, with a deep sense of space.
This picture depicts a lifelike turtledove standing on a leafless branch, in sharp contrast to the dense and prosperous bamboo leaves. Turtledove's round eyes are bright, and its slightly curved body is in perfect harmony with the abrupt branches, revealing a slightly melancholy atmosphere. This painting is beautiful and elegant in color, rigorous and meticulous in brushwork, and it is one of the few masterpieces handed down by Li Anzhong. There are collection marks such as "the treasure of Xuantong Royal View" on the painting.
Chen Juzhong, whose birth and death are unknown, was a painter in the Southern Song Dynasty. He used to be a painter in the Painting Academy, specializing in figures and horses. He described the state of things accurately and naturally, with fine painting techniques and both form and spirit. This picture depicts four goats with different coat colors in a corner scene with a solid left and a virtual right. The simple picture composition, concise pen and ink, elegant colors and accurate and vivid images fully and vividly show the naughty and aggressive nature of goats. On the slope, there are dead trees and thorns, withered leaves and yellow weeds. The picture has a quiet atmosphere of clear autumn and is full of life interest.
This picture originally contained the first volume of Collection of Famous Paintings in Past Dynasties (see Record of Famous Paintings in Xuzhai). Signed by Chen Juzhong. Geng Zhaozhong wrote: Chen Juzhong Liutang Shepherd Horse Map, though slender as a rope, has the potential to ride the wind and waves. Yesterday, I commented on the cloud: "The scenery is colored, which is not inferior to Huang Zongdao. Today, it is too much to look at its vivid charm, spiritual state and full shape, that is, to surpass its predecessors. " This praise is true. On the face of the little Wan Fan, there are more than 20 people and more than 50 horses painted, and the posture is active and abnormal, and that skill is profound.
This picture was originally contained in Wan Fan Album (see the sequel of Shiqu Baodi). There is Zhang Mao's inscription on it. Zhang Mao, a native of Hangzhou, was in the Painting Academy when Guangzong was (1 190-1 1 194). He was a landscape artist with exquisite flowers and birds, and the small scenery was better. This painting is a small scene of a pond. In addition to a pair of mandarin ducks chasing each other, a bird in the sky is dying, and a bird perched on a reed branch and looked up. Although the scale is small, it has the potential to find a zhangs.
This picture was originally published in Wan Fan Album (see Shiqu Baodi). No author's last name. The object is extremely exquisite, which was made by experts in the early Southern Song Dynasty.
This picture originally contained the first volume of Collection of Famous Paintings in Past Dynasties (see Record of Famous Paintings in Xuzhai). Sign the title Huang Ju Cai Zuo. According to this painting, it is by no means a kind of work, and it is needless to attach its name, so it is changed to anonymous work today.
I don't know the original volume of this picture, and there is no author's surname. Judging his style, it should be written by people in the early Southern Song Dynasty Painting Academy.
This picture is also a loose page. I don't know what volume it was originally contained in, and it is signed with the word "Ma Yuan". There are not many people who see the flowers painted by Ma Yuan. The white rose in full bloom in this painting is meticulous and can be called the direct descendant of Xuanhe Painting Academy. If it weren't for his title, we wouldn't have written it for Ma Yuan. It can be seen that what the Almighty wrote is omnipotent.
This painting depicts plum branches slanting out of the stone, and there are groups of plums flying and floating in the water. Cutting and composition are new tricks. There is a small word "Ma Yuan". The painted plum branches are strong and tortuous, and the trunk outlined by Jiao Mo looks "as thin as iron". The rocks are chopped with a big axe, which is solid, bright and powerful. Water waves are very moving, showing circuitous, hovering and microwaves blown by the breeze. This picture belongs to the so-called "small scenery of rivers and lakes".
Ma Yuan, a remote father, was born in Yongji, Shanxi Province. The painting academies in South Song Guangzong and Ningzongshi (1190-1224) are still pending. Five generations in the family are court painters. He inherited his family's studies, was good at painting landscapes, and took Li Tang as his inspiration. Most of them are "one corner" and "half side", and their compositions are unique, so they are called "one corner of a horse". This picture depicts the early morning when the mountain is closed by heavy snow. A mountain man is driving two little donkeys carrying charcoal to walk in the snow-covered mountains. The pen and ink near and far in the picture, with strong and light effects, has a strong sense of space in the picture.
This picture shows Ma Yuan's excellent creative composition skills and his ability to express specific environmental atmosphere and artistic conception. The looming corner of the distant tall snow-capped mountain is almost full of the whole picture. Taking this as the background, it not only points out the environmental atmosphere of the work, but also plays a good role in setting off the rocks and trees as the foreground of the key description. Branches with snow protruding from the left side bend downward and then turn to the right to stretch, with extremely varied crosswise twists and turns. On the left and lower side of the rocks, a square, hard and angular "corner" is drawn with a water-filled ink pen as a big axe.
The picture of leaning on the clouds and immortals and apricots shows the basic features of Ma Yuan's flower-and-bird paintings, with neat brushwork and strong colors. This picture only draws a part of the flower branches protruding from the lower left corner of the frame. This partial description of the composition technique is similar to the treatment of "corner" and "half" in his landscape painting. The flower branch twists and turns, then one branch points to the upper left and the other to the lower right. The branches are hooked with fine pen and thick ink, and then rendered with ink and wash; The upper branches of the branches are stacked with blooming flowers and budding flower buds, and thick white powder is added with reddish color, and the sepals are purple. The whole flower branch not only has the beauty of twists and turns and graceful posture, but also reveals a bit of luxury.
I don't know the original volume of this picture, and there is the title of "lin ma" on the frame. The title of Guan lin ma is absolutely different from that of Ma Yuan, and the style of his paintings is also very different. Lin is especially good at flowers and plants. I have seen its plum blossom, the branches are ancient, and the buds are fresh and beautiful, as if to spray fragrance. This green orange picture also shows that it is a wonderful hand in writing things.
This picture is a masterpiece of lin ma's flower-and-bird painting. Describe two branches of green sepals, one leaning and the other leaning, graceful. It is said that the green sepal plum has a pure green calyx and a bluish branch, which is a very valuable variety in plum blossom. The picture is as beautiful as a jade blossom, and the Qiongpa is full of dew, graceful and exquisite, and beautiful in Leng Yan. The sparse and thin pistil is cold and fragrant, which is a typical "courtyard" palace plum. The painter wrote the petals with thin lines of light ink by hook method, and then filled them with colors layer by layer. Painting branches with ink and wash, dyeing flowers with heavy colors, and contrasting with each other, vividly embodies the beauty of jade bone.
Lin ma inherited the origin of his family. Not only did he paint a castle in the mountains and rivers, but he also had profound skill and unique aesthetic thought in flower-and-bird painting. The picture of cold birds in the twilight snow shows that the birds that have not spread their wings in the cold dusk snow are still standing in the rustling cold wind, which makes a good rendering of the character of cold birds that are not afraid of cold and frost. The painter carefully depicts the branches with staggered knots and the scenery of wind, bamboo and snow. The picture is quaint and elegant, and the pen and ink are light. It is a beautiful flower-and-bird painting.
This scroll depicts the scenery of Liudi Lake and Qing Xiang in summer. On the vast lake, the microwave is swaying gently, and the lotus leaves are green, while the birds nearby add endless interest to the picture. In the painting, the brushwork is exquisite and the description is concrete, especially the willow trees are varied, and the leaves are hooked out and smoke moves. His use of ink is light, with alternating shades and elegant coloring, which highlights the peace and quiet of his realm, from which we can see the remarkable influence of his father Ma Yuan.
This picture originally contained the Collection of Famous Paintings in Past Dynasties (see Record of Famous Paintings in Xuzhai). Signed by lin ma. Careful examination of the title on the painting is very different from lin ma's style, and his style is not similar. The word Ma Xia is ambiguous and should not be mistaken for Lin Zuo. So I have to include it here as anonymous. It may be the work of Ma's family, but it seems to be earlier than Ma Lin's.
This picture originally contained the Algae Selection Map of the Four Dynasties (see the sequel of Shiqu Baodi). Signed by Yao Yuehua, with the title of Ning Zong (1 195-1 1224). Sign Yao Yuehua, no exam. Yao Yuehua may be a female painter in Ningzong era. Her brush strength is slender and her painting style is exquisite and delicate.
This picture originally contained the Algae Selection Book of the Four Dynasties (see the sequel of Shiqu Baodi). Sign the title Yang Houzuo. Empress Yang is the wife of Ning Zong, and none of the books "Pictorial Treasures" and "History of Painting" say that she can paint. This picture says: "The thread twists green, and the gold hangs yellow." But I don't know if this painting is also done. "Painting History Meeting" contains Yang Hou's younger sister (a work of Yang Wa), who will be a witness. The younger sister of Queen Ningzong, dedicated to the imperial palace with art and literature. Good at painting and painting. Try to write a crane map, which is quite fine. It is difficult to tell whether it was painted by Yang Houmei or signed by Yang Houmei.
This picture shows a partridge standing on a nearly dry branch, with sharp mouth and claws, round eyes and sharp eyes. The whole body feathers are rendered in thick ink, and the technique is realistic. The feathers seem to be shiny and shiny, reflecting the painting style of the Song Dynasty Painting Academy. On the contrary, another branch of Qiu Shu, with dense leaves, is gradually drying up because of the coming of autumn. This painting embodies the typical characteristics of the Southern Song Dynasty courtyard painting. Although this painting is anonymous, it does not affect the viewer's judgment.
This painting is fan-shaped, with a willow tree and sparse willow branches in ink, and two Western jackdaw are looking for their home. The rising moon is hidden by mist, and the moonlight is dim, the night is dim, the artistic conception is quiet and desolate, and the brushwork is concise, which belongs to Liang Kai's stick figure.
Mou Yi, a native of Kunshan, Wujun, was a candidate for imperial examination in the Southern Song Dynasty (1165-173). He painted flowers and bamboo feathers, especially in rendering, and was good at calligraphy and painting. The Book of Pictorial Treasures says that he "painted into an energy product". This picture depicts a willow hill with a shepherd boy straddling the back of a cow, holding a small wooden pole in one hand and an insect in the other. Then a calf followed the Daniel in front, and the picture was lively. The cow in the painting is accurate in shape, vivid in image and simple in brushwork. This picture has an imperial poem written by the Qing emperor Gan Long, followed by the inscriptions of nine people, including Fan Wei.
This picture originally contained the Algae Selection Book of the Four Dynasties (see the sequel of Shiqu Baodi). Signed by Lu Zonggui. "Pictorial Treasures" says: Lu Zonggui, a native of Qiantang. Good at painting flowers, bamboo, birds and beasts' nests, and excellent in tracing and dyeing. You Chang sketched, chicken and duck yellow, the most business. Shao Dingnian (1228 ——1233) Painting Academy is waiting for a letter. In and out of Yang Fuma House. This painting is also made by means of sketching, which is very lively.
This picture originally contained the Algae Collection of Celebrities in Song Dynasty (see the sequel of Shiqu Baodi). Sign Chen Ke's nine works. "Pictorial Treasure" cloud: Chen Kejiu, Baoyu key (1253-1258) is to be written. He painted fish, flowers and trees in four seasons, and studied under Xu Xi. This painting method has the legacy of Xu Xi.
This picture was originally contained in the Algae Selection Book of the Four Dynasties. See the sequel of Shiqu Baodi. Signed by Zhu Shaozong. The picture is inscribed with the word "Zhu", but there is no handwriting under it. Today, from the "Four Dynasties Selected Algae Book", Zhu Shaozong wrote it. "Picturesque Treasure Mirror" says: Zhu Shaozong's work figures are cats, dogs and birds, and his coloring is far more refined than that of the current generation. Li Ji painting academy "Preparation for Painting" goes: Zhu Shaozong was transferred to the school. When you are waiting, you will be retired. Make several ink paintings every day, thinking that wine is worth it. The same column has a pen and ink for the royal family, and it is necessary to carry wine to discuss.
This picture was originally contained in the Collection of Paintings by Song People (see Part III of Shiqu Baodi). No author's last name. Although this style of flower-and-bird painting has no name, it can be seen at first glance that it was made by people in the painting academy in the middle and late Southern Song Dynasty (about 1 195-1 1279), and its body shape is very exquisite and has business.
I don't know the original volume of this picture, and there is no author's surname. Quiet mountain streams, towering old pines, sparse bamboo rafts and long-tailed mountain birds, where they fly, breathe or peck, are quiet and clear as if they overflow the silk surface.
This picture originally contained the Algae Selection Book of the Four Dynasties (see the sequel of Shiqu Baodi). Signed by Mao Yizuo. According to Maoyi as the main road (1165-1173), the painting academy is waiting for a letter, and it is especially capable of rendering, which seems to fly. For details, see Pictorial Treasures and Painting Records of Southern Song Academy. The title of this picture is Mao Yizuo, which is quite similar, but it seems to be late, so it is changed to Anonymous.
This picture was originally contained in Wan Fan Album (see Part III of Shiqu Baodi). No author's last name. The composition is exquisite, and the colors are especially bright. On the green maple leaf, there is a red beetle, which suddenly enriches the whole picture.
I don't know the original volume of this picture, and there is no author's surname. The description of the ape ecology in the deep Shan Ye forest is rigorous, precise and vivid, especially the dynamic depiction of the ape, which is quite vivid and typical of the courtyard style.
This picture originally contained the Algae Selection Book of the Four Dynasties (see the sequel of Shiqu Baodi). There is no basis for signing the title of lin ma, so the title is changed to anonymous. Orchids are blooming, fragrant and full of paper, which is quite vivid.
This picture originally contained the Collection of Famous Paintings in Past Dynasties (see Record of Famous Paintings in Xuzhai). Signing the title is second to writing. According to the "Pictorial Treasures" cloud: Yan Ji is the son of Yan Zhong. Can learn from the world and pass it. Painting landscape figures, work in painting cows. Xiaozong Longxing Chu (1 163), who entered the painting, said that it was the purpose, second only to Chengwulang and the painting academy. However, this picture is similar to Ma Yuan's family law and should not be written in the early Southern Song Dynasty, so it was changed to anonymous. The painting is a winter scene in the south of the Yangtze River. Bai Mei, daffodils and camellias are in full bloom at the water's edge. The reeds have withered and come to the bottom, and birds are swimming or flying.
This picture was originally contained in the Album of Collected Paintings of Song People, and it is shown in the Three Editions of Stone and Treasure, and no author signed it. Draw snow bamboo standing proudly in the ice and snow and young birds who are not afraid of the cold. The painter's brush strokes are smooth and healthy, bamboo leaves are hooked, and the feathers of birds are outlined, which shows great strength. In meticulous brushwork, however, it is easy to escape, seemingly clumsy at first glance, but fine and muddy at second glance.
This picture was originally contained in the Album of Collected Paintings of Song People, and it is shown in the Three Editions of Stone and Treasure, and no author signed it. It may be a decorative picture on a screen. The painting method is exquisite, neat and vivid. It should be made by a master in the middle and late Southern Song Dynasty.
This picture originally contained "The Collection of Famous Paintings in Past Dynasties". Signed by Zhao Mengjian. Zhao Mengjian was a master of painting orchids in Song Dynasty. But judging from the painting style of this picture, it is not like that painted by Zhao Mengjian. This narcissus painting is very neat and beautiful, and it is a work in the late Southern Song Dynasty. Because it is not sure that it is Zhao Mengjian's work, it has been handed down as anonymous.
This picture was originally contained in the Collection of Paintings of Song People, and is shown in Three Editions of Stone and Treasure. No author's inscription. The picture depicts that after the light snow in winter, the mountain bird rushes to the cold and perches on the branches, because the description is real and touching, which makes the viewer feel a cold face.
This picture was originally contained in the Collection of Paintings of Song People, and is shown in Three Editions of Stone and Treasure. No author signed. The picture shows that the sky is overcast and snowy, the frost is near the water, and bamboo leaves and mountain birds are cold-resistant. Although the scale is small, it is very expressive. Moreover, from the perspective of painting style, it seems that it is written by the same painter as the picture of birds in black tallow.
Although the painting "Lotus Out of the Water" is small, it is very delicate and vivid. This painting is boneless. The pen is light and thin, the color is soft and the handwriting is almost invisible. Pale pink petals, pale yellow stamens, and it seems that there are dewdrops at dawn, which is the best time for the bud to sprout. The pink lotus is particularly beautiful against the green lotus leaf. It prominently shows the noble and clean character of lotus. This is a rare masterpiece among the flower sketches of Song people.
This picture depicts two peach blossoms, some of which are in full bloom and some are in bud. After the petals are sketched with a fine pen, they are smudged in multiple layers, which is rich in hierarchical changes and three-dimensional sense. The whole picture is exquisite in pen, elegant in color, small in picture and endless in interest. It is a wonderful sketch of the Southern Song Dynasty. There is no money in the picture. There are "Rutten" and "He Rong Jing Reward" in the painting. Song Neifu once collected it.
This picture depicts a litchi with two birds standing on the branch by meticulous painting, which is a masterpiece with strong implications. Although the paintings of the painters in the Academy of Painting are inevitably covered with powder and elegant whitewash, they have reached a high level in the colorful corner of the color painting. This painting can be said to be the representative of the Southern Song Dynasty academy painting in terms of composition and brushwork.
This picture shows a clever and lively bird standing on an apple branch. The picture is quaint, tepid, but vivid. The leaves wither gradually because of the maturity of the fruit, and even small holes are bitten by insects. Apples can't escape bad luck, and there are also insect eyes that are extremely uncoordinated with their mature ruddy. This also represents the superb realistic skills of painters in the Southern Song Dynasty. This nameless painting bears such collection marks as "the treasure of Xuantong Imperial View".
This picture shows a hibiscus flower (kapok), which is reddish and smudged, and the flower is lined with green leaves. The painter depicts the charming and fresh appearance and budding charm of hibiscus flowers in full bloom by overlooking and close-up. The brushwork of the whole picture is exquisite, the colors are fresh and elegant, and there are no brush and ink marks. It is a fine work in the Southern Song Dynasty college painting. This nameless painting bears such collection marks as "the treasure of Xuantong Imperial View".
This picture looks like a sketch with three kinds of insects: butterflies, dragonflies, grasshoppers and a green vegetable. The whole picture is exquisite with a pen, vividly depicting the objects, with strong realism, elegant colors, small picture and endless interest, which is a wonderful sketch of the Southern Song Dynasty. This nameless painting bears the collection marks of "Qianlong Appreciation" and "Sanxi Hall Refined Seal".
Monk Fachang, born in muxi and Shu (now four states), has an unknown date of birth and death. The method is often sketched with ink, which means simple and ancient, with a rigorous image and a relatively relaxed background. Fa Chang's works spread to Japan, which had a great influence on the painting in that country. "Guanyin, Ape, Crane Map" is a three-axis painting, with Guanyin sitting in white in the middle of a deep mountain cliff and valley, with a plump face and a quiet expression. The headdress is beautifully depicted, but the clothes lines are painted in thick ink, which is slightly close to Liang Kai's painting method. Right-axis female apes both perch on tall pines, and the tree body leans out, which is quite far from the traditional style. On the left axis, a white crane is singing and walking in the bamboo forest. The bamboo tip reflects the dissolved moonlight, the majestic crane and the elegant bamboo, showing a very quiet and elegant artistic conception.
Zhao Mengjian (1 199— 1264), Zi Zi Gu,No. Yi Zhai, Song Imperial Family. In the second year of Baoqing (1226), he was a scholar. Zhao Mengjian is good at painting ink and wash plum, orchid, bamboo stone, etc., and his painting method is learned without blame, and Tang Zhengzhong is a school. He uses his pen vigorously and smoothly, and his style is beautiful and elegant. "Moran Map" draws two clusters of orchids, leaves and flowers are lightly inked, with a soft and graceful posture, fluent and handsome. It is a literati painting pen and ink all the way, opening up the Moran method for later generations. The running script of the paragraph is young and tender, and it should be the pen of the early years. The self-titled poem reads: "In June, the summer heat in Hengxiang is steaming, and the fragrance is sprayed with ice. Once moved to the west of Zhejiang, only one or two stems were born at the age of one. Zhao Zigu of Yizhai is still endowed. "
Zhao Bosu, whose name is Xiyuan, is the imperial clan of the Song Dynasty, the grandson of Mao VII, and the younger brother of Zhao Boju. He used to be the state defense ambassador and sent to the state of Jin. Good at painting landscapes, figures, flowers and birds. He is as famous as his brother in painting and has a similar style. Its green landscape combines some painting methods and interests of literati painters' ink and wash landscapes, changing the rich and splendid decorative nature of the green landscape in Tang Dynasty into beauty and elegance, which is both "exquisite and morale". "Wansong Golden Que Map" depicts the lush forests of spring mountains, pines and white clouds, the hills are slightly exposed, the golden Que of Qionglou is vast, the sun rises, and the scenery is particularly beautiful.
This picture was originally contained in the first volume of the Collection of Famous Paintings in Past Dynasties. See Record of Famous Paintings in Xuzhai, signed by Ma Yuan. However, this painting is far from Ma Yuan's style, so it is entitled Anonymous Painting.
Transfer from? Aesthetic appreciation