Red Cliff Fu mainly describes the author's feelings of boating on the Red Cliff on a moonlit night, from boating to lying on the pillow boat, using the form of dialogue between subject and object to put forward and solve contradictions, revealing the author's hidden worries in a deep and tortuous way, and also showing his broad-minded attitude towards life. The following is the original and translation of Chinese compulsory two red wall fu I compiled for you, hoping to help you!
In the autumn of Renxu, in July, Su Zi and his guests went boating under the Red Cliff. The breeze blew gently, and the water was unable to reach the water. Raise the glass to toast to the companion, recite the article related to the moon, extolling the chapter. Not long, the moon rises from the Dongshan, wandering between the Dipper and Ox. The milky fog runs across the surface of the river, and the clear water is connected to the sky. Let the boat be floating on the river of mangwubianji, across the vast expanse of the river. The vastness is like relying on the virtual wind, and I don't know what it will stop; Floating like a world of independence, feathering and becoming immortal.
So he was very happy to drink and sang. The song said, "Gui Gui is like a blue oar, striking the sky and tracing the streamer. I am pregnant, and I hope that the beauty will be one side. " The guest has a blowjob, and he leans on the song to make peace. Its voice is whiny, like resentment, like crying; The lingering sound is endless. Can make the dragon in the deep valley dance, can make the widow on a boat to hear tears.
Su Zi, in a sad mood, sat upright and asked the guest, "What is it?" The guest said, "The moon stars are scarce, and the blackbirds fly south. Isn't this a poem by Cao Mengde? Looking at Xiakou in the west, looking at Wuchang in the east, the mountains and rivers are misty and gloomy. Is this not because Meng Dezhi is trapped in Zhou Lang? Fang Qi broke Jingzhou, went down to Jiangling, and went downstream to the east. It was thousands of miles long, covered with flags, drank wine and was near the river, and wrote poems horizontally, which made it a hero of the world. Now it's safe! My son and I are fishing on the river, and we are friends with fish and shrimp and elk, driving a boat with a leaf, and raising bottles to belong to each other. Sending ephemera to heaven and earth is a drop in the ocean. Mourn for a moment of my life and admire the infinity of the Yangtze River. Fly with flying fairy, hold the bright moon and end up long. Knowing it is impossible to get it suddenly, and the legacy will ring in hentai. "
Su Zi said, "Do guests know about the water and the moon? The deceased is like this, but he has never been there; Those who are full of deficiency are like that, while those who die are not ebbing and flowing. Gai will look at it from its changers, then heaven and earth can't be in an instant; If you look at it from its unchangeable point of view, then things and I are endless, but why envy it? Besides, between heaven and earth, everything has its own owner, and if it is not mine, I will take it for nothing. However, the breeze in the river and the bright moon in the mountains are heard by the ears, and the color of the eyes is inexhaustible. It is the endless hiding place of the creator, and my son and I are in the right place. "
guests smile when they are happy, but it is better to wash their lamps. The dishes are exhausted, and the cups and plates are messy. Sleeping in the boat with each other sleeping, I know that the horizon has been white.
Translation of Red Cliff Fu
In the autumn of Renxu, on July 16th, Su's family and friends went boating under the Red Cliff. The breeze is blowing, and the water is not wavering. Raise your glass to propose a toast to your companions, recite (praise) the poems of the bright moon, and sing melodious music. Soon, the bright moon rose from the back of Dongshan Mountain and lingered between Dousu and Niusu. The white mist crosses the river, and the clear water is connected to the sky. Let the boat drift everywhere and linger on the boundless river. Riding on the breeze (on the river) everywhere, I don't know where I will stop, and I feel as light as if I want to leave the world and fly away, like a Taoist feather.
So he drank happily, rapped the ship's rail with his hand, and sang in response. The song sings: "The osmanthus wooden boat paddles the vanilla oars, facing the empty waves and the floodlight of the running water. My heart is far away, and I want Iraqis to be on the other side of the world. " The companions played the flute, accompanied by the song according to the rhythm, and the flute whined: like resentment, like admiration, like sobbing, like whispering, and the lingering sound echoed on the river, lingering in the air. Can make the dragon in the deep valley dance for it, can make the widow in the lonely boat cry for it.
Su's look became sad. She straightened her skirt and sat upright. She asked her companion, "Why is Xiao Sheng so sad?" The companion replied: "The moon stars are scarce, and the blackbirds fly south." Isn't this a poem by Cao Gong and Meng De? You can see Xiakou to the east and Wuchang to the west. The mountains and rivers are contiguous and (as far as you can see) gloomy. Isn't that where Cao Mengde was besieged by Zhou Yu? At the beginning, he captured Jingzhou, won Jiangling, and went downstream along the Yangtze River. His warships stretched for thousands of miles, covered all the sky with banners, drank wine by the river, and turned his spear around to recite poems. He was really a hero in the world, but where is he today? What's more, I am fishing and chopping wood with you on the waterfront, keeping company with fish and shrimp, making friends with elk, driving this small boat (on the river), raising cups and toasting each other, just like a ephemera in a vast world, as small as a chestnut rice in the sea. (Alas,) lament that our life is only a short moment, and envy the endless Yangtze River. (Want) to travel around the world hand in hand with immortals, embrace the bright moon and live forever in the world. Knowing that these things can't be realized after all, I have to turn my regret into a flute sound and entrust it to the sad autumn wind. "
Su's way: "Do you also know this water and the moon? What passes is like this water, but it has not really passed away; When the round is missing, just like this month, it is not profitable after all. It can be seen that from the changeable side of things, there is not a moment between heaven and earth that does not change; From the unchangeable side of things, everything is as endless as one's own life. What is there to envy? Besides, between heaven and earth, everything has its own ownership, and if it is not what it should have, even a penny can't be obtained. Only the breeze on the river and the bright moon in the mountains will hear the sound when they are sent to the ear, and they will draw all kinds of colors when they enter the eye. No one will forbid these things, and there will be no worries when they feel them. This is an inexhaustible treasure of the creator (gift), and you and I can enjoy it together. "
The guest smiled happily, washed the glass and refilled it. All the dishes and fruits have been eaten, and the cups and plates are in a mess. Everyone slept on the boat, leaning against each other, and before you know it, the white dawn has already appeared in the East.
Appreciation of the Red Cliff Fu
The Former Red Cliff Fu was written in July of the fifth year of Yuanfeng (182), when Su Shi had lived in Huangzhou for nearly four years. It is inevitable that the author was killed innocently and was demoted for a long time. However, he can take it calmly, seek spiritual liberation with an open mind, and not be overwhelmed by the depressed mood of being depressed and world-weary. This complex mood is reflected in his self-talk and self-explanation of his worries in this essay.
The Fu on the Former Red Cliff mainly describes the author's feeling of boating on the Red Cliff on a moonlit night, from boating to lying on the pillow, and puts forward and resolves contradictions in the form of dialogue between subject and object, which reveals the author's hidden worries deeply and slightly, and also shows his broad-minded attitude towards life.
The sadness of the "guest" in the text is caused by three feelings: First, the mountains and rivers around Chibi triggered him to think of heroes in history. What kind of heroes were they then, and now they are safe? Besides, our fishing firewood is above Jiangzhu! Second, from the endless river, I think of a moment of life, which is as small as a drop in the ocean. The third is to get rid of the real situation, eager to "travel with flying fairy, hold the bright moon and end up long", but "know it suddenly"
The reason for writing "guest" is to write Su Zi's enlightening words. Su Zi's words in the article are aimed at the feelings of "guests". He talked about the philosophy of life from the change of the universe. It is believed that from the perspective of change, heaven and earth will not remain unchanged for a moment, and life is short and naturally sad; But from a constant point of view, that is, heaven and earth are born with me, and everything is one with me, and it will be endless. Besides, everything between heaven and earth has its own owners. "If it's not mine, I won't take it." In this way, the honor and disgrace, gains and losses, and sorrows in the world are not enough to be remembered. Finally, he pointed out the way out for the "guests": to seek spiritual sustenance in nature. Obviously, the words of the guests and Su Zi in Fu reflect the author's ideology. The philosophy of life he talked about has a reasonable positive side, but it also contains the negative factors in the Buddha's and Lao's thoughts, which are happy with the situation but suitable for nature. Therefore, the words of the "guest" really reflect the author's inner pain, so when he sent his handwritten poem "Former Red Cliff Fu" to his friend Qin, he specially wrote and told him: "How difficult it is to be afraid of things, if Qin loves me, he will never hide it."
Fu is divided into three meanings, one is about the joy of night outing, the other is about Syaraku's extreme sadness, and the third is about the realization of grief. Emotional twists and turns, layers of depth. The style of writing is ups and downs, melting scenery, lyricism and discussion in one furnace. Scenery is like the moonlight, emotion is like sorrow and joy, reason is like things, and it is mixed with the sound of vuvuzelas and flutes, which is a long story. The beauty of writing about things is that you don't leave your eyes open, but your discussion and knowledge are not limited to your eyes open. Emotion comes from the scene, and the scene shows emotion, touching each other, and creating a wonderful mythical realm. It also uses scenery to explain reason and emotion, which makes Fu full of poetry and painting and philosophy. The author uses a fresh prose style as a fu, with parallel words, couples' sentences, rhymes and more casual sentences in the middle. This kind of fu is called Wen Fu. In addition to the traditional question-and-answer form of Fu style, Qian Chibi Fu has the advantages of arbitrary sentence length, scattered rhyme, smooth and clear language, lyrics and dialogue, free and easy lyricism and reasoning, and strong expressive force. All these are the development of Fu writing.
the whole article is divided into five paragraphs.
The first paragraph begins with "Autumn of Renxu" and ends with "Feathering and Ascending to the Immortal". This is a short narrative before the text of Fu, which is divided into three sections.
four sentences in the first section * * *, indicating the time, person and place. This is the formal pen and ink for writing Fu, like the preface before a long poem.
in the second section, there are * * * five sentences. The first two sentences describe scenery, and the last three sentences describe things, that is, the objective scenery and subjective words and deeds are intertwined and written alternately. As I said before, this article focuses on writing records, and does not emphasize the description of the scenery; Therefore, there are only four sentences in this article, that is, "the breeze is Xu Lai, and the water waves are stagnant" and the next section's "The white dew crosses the river, and the water meets the sky". But these four sentences are extremely concise, and the "breeze" is written about the wind and the river. "The Millennium" is written about the moon and the river. In a word, the description of scenery is only for pointing out "Jiang" and "Yue", which are used as examples in the later writing. At present, the author has written the river scenery under the moon, so there is no need to spend more ink.
The phrase "reciting the poem of the bright moon" is the same as the following phrase "the moon stars are scarce", which makes it easy for Gai literati to associate with the works he read in the past from the objective scenery, and then give his own feelings from the works of his predecessors. Here, before the moon comes out, Chen Fengyue comes out as the introduction. The two sentences of "reciting the poem of the bright moon" are intertextual, but sometimes these intertextual sentences cannot be interchanged. Because the "My Gentle Chapter" is in the "Poem of the Moon" with different connotations, the little one cannot be placed before the big one. And "chanting" before "singing" is also in line with the actual situation of the poet when chanting. People are always more and more excited about the scene, and "song" is more emotional than "chanting", so chanting comes first and singing comes last. It can be seen here that the author's literary mind is fine.
The third section is still a foretaste of the past, and events give birth to feelings. Language creation is natural and vivid, but there are many reasons for it. There are many ancient poems in which the moonlight moves, such as Seven Mournings by Cao Zhi, The bright moon shines on the tall building, and the streamer is wandering, Zhang Ruoxu's Moonlit Night on the Spring River, Poor Moon Wandering upstairs and Li Bai's drinking Alone with the Moon and I sang. The moon encouraged me. The sentence "The White Dew Crossing the River" is also transformed from "A Moonlit Night on a Spring River", and the sentence "Water and light meet the sky" is transformed into Zhao Jie's "Feeling old on the river floor", "Moonlight is like water and water is like sky", "A reed" is used in the Book of Songs, "A reed hangs on the river" and "Wan Qing" is used in Xie Huilian's "Snow Fu" The beauty of its naturalness and vividness lies in the fact that the words occasionally don't contradict each other, which makes it the god of ancient fu (for example, in Nine Songs, "Hui Yao is steamed and Xi Lan is borrowed, while Gui Jiu is served and Xi Jiao Jiang is served" means that the words occasionally don't contradict each other).
every sentence in this section is written in turn and cannot be moved. Write a month out below "Shao Yan", from "out" to "wandering" "White dew" is what you see after the moon rises, from water to sky, from near to far. The sentence of "longitudinal reed" is about subjective tourists, and the sentence of "Lingwanqing" is about objective river surface. The sentence "vast" describes the phenomenon of boating on the river, while the sentence "floating" describes the feelings of people in the boat. The brushwork is smooth, just like a hand, and the words are all written, but there is no trace of piling up.
The second paragraph is from "So I'm very happy to drink" to "The widow who cries alone". There are naturally two layers, the lyrics are one layer, and Xiao Sheng is another. The author describes the sound of Xiao as a "physical object", but the "physical object" is for "writing". In this essay, Su Shi uses "sadness" and "joy" as the antithesis, and uses the question and answer of subject and object to express his feelings, which are actually two aspects of the author's ambivalence. Finally, "music" triumphed over "sorrow", and the subject and object reached the realm of "* * *". The expression of "mourning" is all with the help of the sound of Xiao. Therefore, the author depicts it with all his strength here.
personally, I think that the main sentence of this article is all in the last two sentences of this song, that is, "I am longing for you, and I hope that the beauty will be far away." "Beauty" is better than Jun. These two sentences show Su Shi's ardent loyalty to Jun. Loyalty to the monarch is indeed a limitation, but it should be treated in two in Su Shi. The idea of loyalty to the monarch is the driving force for Su Shi to think about serving the world, hoping to share his worries for the Song Dynasty and make achievements in his career. There are positive factors in this. The following "mourning for my life for a moment" and "fitting for * * *" in the "endless hiding" are all born from now on, but there is no trace. Since a person is an official and thinks about the world, it is natural to have a "sad" side when he is slandered by a villain. However, if you are depressed and don't cheer up from now on, you can't achieve the goal of loyalty to the monarch. So when the objective situation is the most unfavorable to you, you try to be open-minded and conform to nature to adapt to adversity; At the same time, he does not give up the consistent spirit of being loyal to the monarch and serving the world, and even when he is relegated, he still wants to "look at the beauty and hope for the sky", which is Su Shi's main and consistent attitude towards life. There is no "sadness" in the author's lyrics, and even it is unintentionally revealed under the condition of "drinking very much". The so-called "ethereal and cherished" is precisely the performance of being loyal to the world, so I have to "hope for beauty and hope for heaven". The "guest" who plays the flute understands the contents of the lyrics, so he strengthens his feelings in this respect and pours out the singer's inner sorrow with the flute sound. In this way, the contradiction is exposed publicly, which leads to the following, and the complicated ideological activities are told by the dialogue between subject and object, but they are completely different. The ingenious conception of the article has reached an imperceptible level, which cannot but be said to be the embodiment of Su Shi's talent.
Writing Xiao Sheng is also a wonderful piece of writing. The words "resentment", "admiration", "weeping" and "complaint" capture the characteristics of Xiao Sheng and also write the characteristics of "mourning". "Woo-hoo" was written at the beginning, literally using Biography of Historical Records and Lisi; "Resentment", "longing", "weeping" and "complaint" are translated into Mencius; The phrase "dancing in a secluded valley" secretly uses the flute in the supplement to national history; "A lonely boat kills a woman" secretly uses Bai Juyi's Pipa Trip. The sentence of "Resentment is like longing", the sound of the flute is wonderful and moving, which makes the listener think of worldly desires. The second sentence of "lingering sound" ends with the sound of a flute. Then add two exaggerated metaphors to describe it.
the third paragraph is a positive writing about worrying about the country when you are hurt, but it is a matter of writing from the aspect of nostalgia. Nostalgia begins with reciting ancient poems, and the phrase "the moon stars are rare" is associated with the current scenery of the river and the moon, which seems intentional, if unintentional. Push it out from the poem in your heart, then write about the terrain you see in your eyes, and then push the ancient Cao Cao to the right of the background.