[Abstract] The success of "Wotou Huikuan" is largely due to a kind of continuation - the continuation of the "bloodline" of Beijing Renmin Art. What is it that makes us feel so good when we watch the play? What is it that makes us constantly recall the classics of Peking People's Art - Mr. Lao She's Longshougou and Teahouse - when we watch the play? Of course, you can say that it is because of the Beijing accent filled with slightly flirtatious lines, you can also say that it is because of its continuation and expansion of the structure of the portrait of the exhibition type of form, and a careful reading of the play, we will not be difficult to find that, in fact, whether it is the lines or the structure of the script are based on the theme of the intention, in other words, it is because the play is filled with the character of the inner feelings of the excavation of the characters and characters of the human nature of the glory of the development of the play, so that the fullness of the play, we deeply feel the richness of the play. The first time I saw this movie, it was a very good one, and I think it's a good one.

[Keywords] Grassroots; Sex; Desire; Faith

Before the peaceful liberation of Bejing, the story of The Wo Tou Guai Wan takes place in the context of an era when darkness was about to end and light was about to come, in a small courtyard called The Wo Tou Guai Wan, where the landlord, Yuan Guozhong, guards his courtyard and his son, who has suffered from consumption since birth, although he owns the entire courtyard. Although he owns the whole courtyard, his life is still overstretched, and he sells miscellaneous wines and pickles every day to make a living, and he is very excited when it is the day of rent collection, although the result waiting for him is often laborious and futile; Cuilan's family sells fried liver to make a living, and Cuilan's character is spirited and loquacious, but she has a kind of compassionate feeling in the souls of the traditional underclass women in China; Jin Tomb Rong, the west tenant, is a poor gege (格格格) who is married to a bone-setting doctor, and she has been living in a small courtyard for many years. The west tenant Jin Tomb Rong is married to a doctor of orthopedics of the downtrodden Gege, to produce and sell ointment and her husband in the Chinese medicine hall for a living, although the days of embarrassment, but flowing in her blood of noble posture never yielded, she looked down on any person in the courtyard, every day for the trivial and trivial with Cuilan quarrels; second floor of the ancient masters is a more than seventy years old in the former Qing dynasty liftsmen, play with things to lose their minds, he sold his house for three hundred and twenty pieces of foreign currency and unlimited residency rights in the nest Sold his ancient house for the sake of three hundred and twenty pieces of ocean and unlimited right of abode in the Voodoo Hall, relying on their own old age, experience, every day, cold-eyed look at the whole world, often out of mouth nonsense, nagging, early for their own coffins, and put it openly placed in the corner of the courtyard, only because of one thing nagging, that is, why the big head of the Court overnight wealth bought his ancient house. In the second floor of the residence and Yuan Guo Zhong's son, he from the beginning of the father's care blind, shut himself in the house to read, do not allow anyone to approach, most of the time is to appear with Jin Mu Rong's female son Ping borrow books; Xiao Qishan is that piece of the head of the security, relying on their special status of long-term oppression of the people headed by Yuan big head, and the nest head of the guild hall salivating for a long time, he knows that his good times are about to He knows that his good days are coming to an end, so he is even more aggressive and profit-oriented, and he finally pushes Big Head Yuan to the end of his rope. And his son Xiao Pengda face scenery, suits, but also a poor man, he was counted, repeatedly act as a scapegoat, but the single-minded love Murong's daughter Ping, at the expense of stealing all the deposits at home, with the intention of taking Zi Ping from now on far away from home ...... a. About the desire of the whole drama of the characters do not have their own character traits, is the Such a not too small ancient mansion, but let so many of the old society of the old people of Beiping instantly back to life, listen to their lines, full of Beijing accent, and even some vulgarity, some outlawed, at first I was in Cuilan and Murong stranglehold when I laughed, but with the evolution of the plot, I found that even if I want to music, but the corners of the mouth tangled up can not be upward, this feeling of déjà vu, in the reading of Chekhov, Lu Xun's novels have also appeared. This kind of feeling is familiar to me, as I have experienced it when reading Chekhov's and Lu Xun's novels. Why is it that everyone keeps the word "death" in their mouths, a word long avoided by Chinese people, and uses it to laugh at themselves or attack others from time to time? I guess only people who are really living in despair can do such a thing. Maybe it's self-deprecation, maybe it's venting, maybe it's blaming others, but in my opinion, it's simply a longing, a longing for "death". Life brings them too much burden, they can not stand upright, Cuilan endlessly cleaning the disgusting intestines, the noble old princess Murong must also put down the noble stature, in order to fall on the ground that a few plasters and Cuilan with the most vicious language quarrel. And the ancient master's life seems to be the most carefree, and this kind of carefree is precisely the fact that he is the closest to death. So his favorite thing to do is to lie in his coffin and listen to the crickets chirping, and every now and then he comes out to laugh at the people in front of him who don't even have the courage to approach death. They had to live, they had to live. Yuan big head can not die, in order to he suffers from consumption but since the beginning of the son can not let go of him; Cuilan can not die, even if it is forced to the whole family in the plague in the death of nine mouths, she begged along the streets and finally at the expense of selling their own bodies on the road to the end of the time, she can not die, in order to arms waiting for Feeding the daughter; so, since everyone must live. Who said, people start to fight against their own desires when they are born. They have to feed themselves and their families, but also to pay the unaffordable exorbitant taxes, the days will continue, the desire to continue, which is the most obvious is the birth of endless greed for money.

Money, the word that runs through the entire play. Some people call Big Head Yuan the Chinese Groucho, which is a crazy analogy. He loves money, and he can't wait to put the word "money" in the column of beliefs. There is a scene, because of the money, Yuan Da Doudou was almost driven to the brink of extinction, at this time, Zi Ping with classmates' donations to visit Yuan Miao, Yuan Miao resolutely did not allow Yuan Da Doudou to accept the money, and Yuan Da Doudou's inner rationality and emotion ultimately could not overcome the desire for money, the father and son in the dispute, please pay attention to Yuan Guozong the pair of tightly grasping the money of the hand, which conveys a kind of unquenchable desire. Finally, the son will donate hard on the father's head, spilled on the ground in addition to the colorful money, and Yuan Guozhong only a trace of dignity. But he is not stingy, he is compassionate to the poor, and even many times even though so much money as life he is somewhat indifferent to money. The tenant for a long time can not pay up the rent, friends a handful of people grabbed a handful of salted vegetables he used to make a living he ignored, the ancient masters of the blackmail of a coffin he is also very calm, Cuilan's family built up the front of the fried liver, Muyong cover up the simmering ointment of the store he also tolerate, although he has always said that all of this is the son's intention, but if he is really a general character of the Gelantai, he will be in the front of the money to make such a He is not a man of the world, he is a man of the world. Money to him only means a ray of hope, the hope of his son's life extension, all because of love. Therefore, in my opinion, Big Head Yuan's pursuit of money and his "adultery" with Cuilan, two of the dirtiest things, also become natural. When I think about it, in this courtyard, all of the petty affairs, in those difficult years, in those ignorant and stupid, but also good at self-deprecation, self-persuasion of the grassroots, all of these happenings seem to be so reasonable and rational. Because, they have to live, too much on the life of the helpless, too much for the God's reproach, how to make their hearts become open, if you let their lives can continue, they can not choose "death", can only choose "life".

The same desire, in Xiao Qishan's heart has become a kind of evil greed, he relied on the identity of the head of the tiger, crazy convergence at the same time did not forget to dip foot even a little bit of small advantage, greed and desire to extinguish his dignity and conscience, he has been doing a cold-eyed look at the scene of the people's livelihood in the Voodoo Hall, knowing that their good times are coming to an end and more greedy, for the wrongdoers, carefully planned heavy traps to put the people's lives in the hands of the people. Orchestrated a number of traps to take the club for themselves. Son Xiao Pengda more or less subconsciously affected by his father's character, but also because too much greed and was used and played, the only difference is that his heart and love, but this love in a certain sense is also a kind of possession, even if he loves passionately dedicated. In this regard, if Xiao Qishan is the evil and greedy king of the devil, then Xiao Pengda is also even a sinister villain who will do anything for love.

Second, about the faith