In recent years, Indian films are very popular in China, and the themes of many Indian films well reflect the existing problems in Indian society, which has aroused people's attention and in-depth thinking on these issues, and has good guiding and educational significance. In recent years, many Indian films released in China have been well received by the audience, "Wrestle! Dad, the highest-grossing Indian movie, has made many viewers full of gains, mainly taking wrestling as the plot line of the movie. There are many warm plots in inspirational, plus super simple soundtrack, which can be said to be very strong in * * *.

In 1970s and 1980s, Indian films accounted for almost half of the films imported from China. However, with the opening of China's film market, the export quota of Indian films is very small, and the market share of Indian films in China is getting smaller and smaller, resulting in that Indian films are rarely shown in China cinemas in the twenty years after the reform and opening up. In recent years, in order to promote local culture, India began to increase the proportion of film and television exports. As a close neighbor, China is regarded as the object of cultural exchange. Indian filmmakers and China filmmakers have also begun to sign co-production agreements, such as Last year's "Making a Big fuss in Tianzhu", "Kung Fu Yoga" and the year before last's "Da Tang Xuan Zang", all of which are products of co-production agreements (regardless of film quality). "Wrestling!" Dad and Mysterious Superstar (Chinese participation in Mysterious Superstar) are both signs that Indian films have further opened up the China market.

Mysterious Superstar In recent years, Indian films have entered the China market one after another. However, for most Japanese audiences, Indian films are relatively unfamiliar to European and American films and even to Japanese and Korean films belonging to the Asian region. When many viewers came into contact with Indian movies in the early days, they had a stereotype of Indian movies-"singing and dancing if they don't agree with each other", which was followed by the impression of the development of Indian nation and applied it to movies. Indian films such as Bollywood Love and Ashoka were nominated for European and American awards, which made China audiences know something about Indian films. In 2009, Bollywood satirized the education system, and the comedy "Three Silly Bollywood Screams" spread to China, and the online reputation went against the sky. Following "Little Loli's Uncle Monkey" and "My God", China audiences gradually became familiar with and accepted the routines of Indian movies, from "Wrestle! Since dad was introduced to the cinema, it seems that this routine has been deeply rooted in people's hearts.

Amirkhan is really in love. He likes his movies very much.