Tang | Zhang Jiuling
The moon, grown full now over the sea, Tianya * * * at this time.
The people of love all hate the long night, sleepless nights and bring their loved ones to remembrance.
Put out the candle to love this room full of moonlight, I wear clothes wandering deeply night dew cold.
You can not hold the beautiful moonlight to you, only hope to meet you in dreamland.
Appreciation: This is a poem about missing people far away on a moonlit night, which was written by the author when he was away from home, looking at the moon and missing his relatives far away. The artistic conception of the sentence "the moon, grown full now over the sea" is vigorous and broad, without a strange word and a touch of color, but it naturally has a high-level and harmonious atmosphere when you blurt it out.
2, "15 nights full moon send Du Langzhong"
Tang | Wang Jian
In the atrium, there are crows in Bai Shu, and osmanthus fragrans in Coody Leng.
I don't know who Qiu Si will fall into tonight.
Appreciation: With vivid language and rich imagination, the poet rendered the specific environment and atmosphere of looking at the moon in the Mid-Autumn Festival, and brought the readers into an artistic conception of being far away from the moon and thinking deeply. Together with a sigh and endless ending, the feelings of parting and thinking together were very euphemistic and moving. The first impression it gives is picturesque.
3. Guizi in Tianzhu Temple on August 15th.
Tang | Pi Rixiu
The jade star Shanshan got off the moon wheel and picked up the dew in front of the temple.
So far, there is no such thing as heaven, but Chang 'e should throw it at people.
Appreciation: Although only a picture of "enjoying the moon and laurel at night" is described, we know that the Mid-Autumn Festival must see the moon and enjoy the laurel, which is also an important activity of the Mid-Autumn Festival on August 15, making the solar terms of the poem come to the fore.
4, "Autumn Night Under the Moon"
Tang | Meng Haoran
The moon is hanging in the autumn sky, and the brilliance is wet.
Surprised magpie perched undecided, flying fireflies rolled in.
The courtyard is cold and the shadows are sparse, and the sound of the neighboring night is urgent.
What is the ritual? Look at the sky and stand.
Appreciation: The poet painted a unique lonely moonlit picture with a flowing style and a group of images such as "bright moon", "frightened magpie" and "cold shadow". Wandering among them, you can clearly see his thoughts, touch his leaping thoughts and hear his sighs.
5. Mid-Autumn Festival to the Moon
Tang Cao Song
Cloudless world in the autumn of March 35, * * * look at the frog plate in Shanghai.
Until the end of the day, I never took a private photo of a family.
Appreciation: This poem is very lively. The first two sentences of the poem only describe the scenery during the Mid-Autumn Festival and people competing to enjoy the moon. It is unremarkable, but the poet's brushwork changed from bright moonlight to selfless moonlight, which embodies the poet's universal love thought of harmony and equality of all things.
6. "When is the bright moon?"
Song | Su Shi
When did the moon begin to appear? I fetch the wine glass from afar. I don't know what year it is today.
I would like to take the royal breeze back to the sky, and I am afraid that in the buildings of fine jade, it cannot withstand the cold of nine days.
Dance to find out the shadow, what is it like on earth!
The moon turned scarlet pavilion, hung low on the carved windows, according to the sleepy self. There should be no hate, why should we leave?
Men have sorrow and joy and they part and meet again. The moon dims or shines and it waxes or wanes. Nothing is perfect, not even in the old days. I hope people will live for a long time, and thousands of miles will be beautiful!
Appreciation: This article is one of Su Shi's representative works. In terms of artistic achievements, it has a unique conception and a unique path, which is full of romanticism. In terms of performance, the first half of the word is written vertically and the second half is narrated horizontally. The top piece is strategically located, and the bottom piece is full of twists and turns. The first half is the innovation of myths of past dynasties, and it is also the evolutionary development of fairy poems in Wei, Jin and Six Dynasties. The second half is pure line drawing, and the person and the month are double.