There are many intangible cultural heritages in China, such as: Kun Opera, Mongolian long-melody folk songs, Chinese calligraphy, Chinese seal cutting, Chinese paper-cutting, Nanjing brocade weaving skills, Dong songs, Khumai, Tibetan opera, rice paper, Xi'an drum music, Peking opera, etc.

Intangible cultural heritage refers to various traditional cultural expressions that exist in intangible forms and are closely related to people's lives and passed down from generation to generation.

Intangible cultural heritage is a people-centered living cultural heritage, which emphasizes people-centered skills, experience, and spirit, and is characterized by living change.

1. Chinese paper-cutting: Paper-cutting, also called paper carving, is a hollow art.

It is one of the oldest folk arts of Han Chinese.

It visually gives people a sense of transparency and artistic enjoyment.

The carrier of paper-cutting can be paper, gold and silver foil, bark, leaves, cloth, and leather.

The most representative one is Jiangping paper-cutting from Shanxi in the north, which has developed into multi-color, multi-color, and beautiful patterns, forming an artistic language of primary colors and heavy colors of "seeking complexity in simplicity, seeking harmony in complexity, and seeking distinction in harmony".

Paper-cutting is a folk art form with a long history and wide spread in rural China.

Paper-cutting is to use scissors to cut paper into various patterns, such as window flowers, door stickers, wall flowers, ceiling flowers, lamp flowers, etc.

The emergence and spread of this kind of folk art is closely related to the festival customs in rural China. During festivals or wedding celebrations, the word "囍" is often posted. People paste beautiful and bright paper-cuts on white walls or bright

On glass windows, doors, lanterns, etc., the festive atmosphere is rendered very rich and festive.

Paper-cut art is a traditional folk craft of the Han nationality. It has a long history and is enduring. It is a treasure in Chinese folk art and has become a treasure in the world's art treasure house.

The simple, vivid and interesting artistic shape has unique artistic charm.

Its characteristics are mainly reflected in many aspects such as the two-dimensionality of space concept, the sense of knife and paper, lines and decoration, freehand brushwork and implication.

2. Chinese calligraphy Calligraphy is the most classic national symbol in the five thousand years of development of traditional Chinese culture and art.

It is an art form that uses a brush to write Chinese characters and has an aesthetic inertia.

Calligraphy can be called China's "fourth religion". It has a strong attraction, sense of ritual and public participation. Therefore, for more than 5,000 years, there have been representative figures in various periods. The most important figures include Wang Xizhi, Yan Zhenqing, and Huang Tingjian.

, Mi Fu, Zhao Mengfu, Zhu Yunming, Wang Duo, Liu Gongquan, Su Shi, Yu Bo, Ouyang Xun, Yu Shinan, Chu Suiliang, etc.

The technique pays attention to pen holding, brush use, stippling, structure, ink technique, composition, etc., and is closely related to traditional Chinese painting and seal cutting.

3. Rice paper Rice paper is a traditional Chinese paper used for classical calligraphy and painting. It is one of the traditional paper-making crafts of the Han nationality. It originates from Jingxian County, Xuancheng, Anhui Province. It is named after the prefecture of Xuancheng, so it is called "rice paper".

The fame of rice paper began in the Tang Dynasty. Zhang Yanyuan, a critic of Tang calligraphy and painting, wrote in "Records of Famous Paintings of the Past Dynasties": "It is advisable for good artists to buy hundreds of pieces of rice paper and use wax to prepare for copying." This shows that rice paper has been used for calligraphy and painting in the Tang Dynasty.

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According to the "Old Tang Book", in the second year of Tianbao (743), Jiangxi, Sichuan, southern Anhui, and eastern Zhejiang all produced paper for tribute, and Xuancheng County paper was particularly exquisite.

It can be seen that rice paper was already popular in various places at that time.

Li Yu, the later master of the Southern Tang Dynasty, once personally supervised the production of "Chengxintang" paper, which is a treasure among rice paper.

It has the characteristics of "moisturizing, smooth but not slippery, white and dense, pure texture, no damage when folded and folded, strong ink wetting ability", and has unique penetrating and lubricating properties.

When writing, you have both bones and spirit, and when you paint, you are full of energy. It has become the calligraphy and painting paper that best reflects the Chinese artistic style. The so-called "ink is divided into five colors," which means that one stroke is completed, the depth is dark, the texture is visible, the ink rhyme is clear, and the layers are distinct. This is calligraphy and painting.

Artists use the ink moistening properties of rice paper to control the proportion of ink and ink, and achieve an artistic effect by using the pen quickly and smoothly.

In addition, it is resistant to aging and does not change color.

It is less infested by insects and has a long life, so it is known as "the king of paper, thousand-year-old paper".

Won a gold medal at the Panama International Paper Competition in the 19th century.

In addition to writing poems and paintings, rice paper is also the best paper for writing diplomatic notes and preserving high-level archives and historical materials.

A large number of rare ancient books and famous calligraphy and painting ink that have been handed down in our country are mostly preserved on rice paper and are still as good as ever.